Cinema speculation
(Book)
Description
"Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever." --book jacket
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Citations
Tarantino, Q. (2022). Cinema speculation. New York, NY, Harper.
Chicago / Turabian - Author Date Citation (style guide)Tarantino, Quentin. 2022. Cinema Speculation. New York, NY, Harper.
Chicago / Turabian - Humanities Citation (style guide)Tarantino, Quentin, Cinema Speculation. New York, NY, Harper, 2022.
MLA Citation (style guide)Tarantino, Quentin. Cinema Speculation. New York, NY, Harper, 2022.
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Record Information
Last Sierra Extract Time | Sep 25, 2024 03:45:09 PM |
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Last File Modification Time | Sep 25, 2024 03:45:40 PM |
Last Grouped Work Modification Time | Oct 04, 2024 02:11:21 AM |
MARC Record
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100 | 1 | |a Tarantino, Quentin, |e author. | |
245 | 1 | 0 | |a Cinema speculation / |c Quentin Tarantino. |
264 | 1 | |a New York, NY : |b Harper, |c 2022. | |
264 | 4 | |c c2022 | |
300 | |a 391 pages : |b illustrations ; |c 24 cm | ||
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500 | |a Includes index. | ||
505 | 0 | |a Little Q of watching big movies -- Bullitt (1968) -- Dirty Harry (1971) -- Deliverance (1972) -- The getaway (1972) -- The outfit (1973) -- Second-string samurai: an appreciation of Kevin Thomas -- New Hollywood in the seventies: the post sixties anti-establishment auteurs vs. the movie brats -- Sisters (1973) -- Daisy Miller (1974) -- Taxi driver (1976) -- Cinema speculation: what if Brian De Palma directed Taxi Driver instead of Martin Scorsese? -- Rolling thunder (1977) -- Paradise alley (1978) -- Escape from Alcatraz -- Hardcore (1979) -- The funhouse (1981) -- *Floyd footnote | |
520 | |a "Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever." --book jacket | ||
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