The lying life of adults
(Book)
Description
Giovanna's pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, is looking more like her Aunt Vittoria every day. But can it be true? Is she really changing? Will she turn out like her despised Aunt Vittoria, a woman she hardly knows but whom her mother and father have spent their whole lives avoiding and deriding? There must be a mirror somewhere in which she can see herself as she truly is. Giovanna is searching for her true reflection in two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, a place of excess and vulgarity. She moves between these two cities, disoriented by the fact that, whether high or low, neither city seems to offer answers or escape.
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Citations
Ferrante, E., & Goldstein, A. The lying life of adults. [New York].
Chicago / Turabian - Author Date Citation (style guide)Ferrante, Elena and Ann Goldstein. The Lying Life of Adults. [New York].
Chicago / Turabian - Humanities Citation (style guide)Ferrante, Elena and Ann Goldstein, The Lying Life of Adults. [New York].
MLA Citation (style guide)Ferrante, Elena, and Ann Goldstein. The Lying Life of Adults. [New York],
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Record Information
Last Sierra Extract Time | Jul 23, 2024 12:12:23 PM |
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Last File Modification Time | Jul 23, 2024 12:17:00 PM |
Last Grouped Work Modification Time | Jul 26, 2024 02:10:39 AM |
MARC Record
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100 | 1 | |a Ferrante, Elena, |e author. | |
240 | 1 | 0 | |a Vida mentirosa de los adultos. |l English |
245 | 1 | 4 | |a The lying life of adults / |c Elena Ferrante ; translated from the Italian by Ann Goldstein. |
264 | 0 | |a [New York] : |b Europa Editions, Incorporated, |c 2020. | |
300 | |a 336 pages ; |c 23 cm | ||
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520 | |a Giovanna's pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, is looking more like her Aunt Vittoria every day. But can it be true? Is she really changing? Will she turn out like her despised Aunt Vittoria, a woman she hardly knows but whom her mother and father have spent their whole lives avoiding and deriding? There must be a mirror somewhere in which she can see herself as she truly is. Giovanna is searching for her true reflection in two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, a place of excess and vulgarity. She moves between these two cities, disoriented by the fact that, whether high or low, neither city seems to offer answers or escape. | ||
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