The late show
(Book)
Description
"Renée Ballard works the night shift in Hollywood, beginning many investigations but finishing none as each morning she turns her cases over to day shift detectives. A once up-and-coming detective, she's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night she catches two cases she doesn't want to part with: the brutal beating of a prostitute left for dead in a parking lot and the killing of a young woman in a nightclub shooting. Ballard is determined not to give up at dawn. Against orders and her own partner's wishes, she works both cases by day while maintaining her shift by night. As the cases entwine they pull her closer to her own demons and the reason she won't give up her job no matter what the department throws at her."--
Copies
More Copies In LINK+
More Details
Notes
Reviews from GoodReads
Citations
Connelly, M. (2017). The late show. First edition. New York, Little, Brown and Company.
Chicago / Turabian - Author Date Citation (style guide)Connelly, Michael, 1956-. 2017. The Late Show. New York, Little, Brown and Company.
Chicago / Turabian - Humanities Citation (style guide)Connelly, Michael, 1956-, The Late Show. New York, Little, Brown and Company, 2017.
MLA Citation (style guide)Connelly, Michael. The Late Show. First edition. New York, Little, Brown and Company, 2017.
Staff View
QR Code
Record Information
Last Sierra Extract Time | Sep 07, 2024 03:56:26 PM |
---|---|
Last File Modification Time | Sep 07, 2024 03:57:31 PM |
Last Grouped Work Modification Time | Sep 07, 2024 03:56:34 PM |
MARC Record
LEADER | 04762cam 2200757Ii 4500 | ||
---|---|---|---|
001 | sky285822124 | ||
003 | SKY | ||
005 | 20180425153939.0 | ||
008 | 170206s2017 nyu 000 1 eng d | ||
010 | |a bl2017020503 | ||
020 | |a 9780316411714 | ||
020 | |a 9780316225984 | ||
020 | |a 0316225983 | ||
040 | |a YDX |b eng |e rda |c YDX |d BDX |d ORX |d PLS |d T3D |d OCLCO |d OCLCF |d WIM |d AUIRC |d UPZ |d OCL |d DWP |d OCLCO |d GAP |d SFR |d SKYRV | ||
043 | |a n-us-ca | ||
049 | |a JRSA | ||
050 | 1 | 4 | |a PS3553.O51165 |b L38 2017 |
082 | 0 | 4 | |a 813/.54 |
100 | 1 | |a Connelly, Michael, |d 1956- | |
245 | 1 | 4 | |a The late show / |c Michael Connelly. |
250 | |a First edition. | ||
264 | 1 | |a New York : |b Little, Brown and Company, |c 2017. | |
300 | |a 405 pages ; |c 25 cm | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
500 | |a Includes an excerpt from Two kinds of truth. | ||
520 | |a "Renée Ballard works the night shift in Hollywood, beginning many investigations but finishing none as each morning she turns her cases over to day shift detectives. A once up-and-coming detective, she's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night she catches two cases she doesn't want to part with: the brutal beating of a prostitute left for dead in a parking lot and the killing of a young woman in a nightclub shooting. Ballard is determined not to give up at dawn. Against orders and her own partner's wishes, she works both cases by day while maintaining her shift by night. As the cases entwine they pull her closer to her own demons and the reason she won't give up her job no matter what the department throws at her."-- |c from author website. | ||
650 | 0 | |a Women detectives |z California |z Los Angeles |v Fiction. | |
650 | 0 | |a Policewomen |v Fiction. | |
650 | 0 | |a Sexual harassment in law enforcement |v Fiction. | |
650 | 0 | |a Murder |x Investigation |v Fiction. | |
651 | 0 | |a Hollywood (Los Angeles, Calif.) |v Fiction. | |
655 | 7 | |a Thrillers (Fiction) |2 lcgft | |
655 | 7 | |a Suspense fiction. |2 gsafd | |
655 | 7 | |a Mystery fiction. |2 gsafd | |
800 | 1 | |a Connelly, Michael, |d 1956- |t Renee Ballard ; |v 1. | |
907 | |a .b24956089 | ||
932 | |a FICTION Connelly, M. | ||
945 | |y .i76292125 |i 33029066678103 |l hotag |s t |k |u 31 |x 3 |w 1 |v 4 |t 0 |z 07-11-17 |o - | ||
945 | |y .i76318126 |i 31740003225434 |l suta |s - |k |u 43 |x 7 |w 1 |v 8 |t 0 |z 07-17-17 |o l |a MYSTERY Connelly, M. | ||
945 | |y .i76327280 |i 30738001626448 |l cola |s - |k |u 22 |x 0 |w 1 |v 4 |t 0 |z 07-18-17 |o l |a Fic | ||
945 | |y .i76334429 |i 33029103355749 |l carag |s - |k 09-24-24 |u 34 |x 4 |w 1 |v 9 |t 0 |z 07-20-17 |o - | ||
945 | |y .i76334466 |i 33029103355780 |l cooag |s - |k |u 23 |x 4 |w 0 |v 8 |t 0 |z 07-20-17 |o - | ||
945 | |y .i76381699 |i 33029103406609 |l galag |s - |k |u 27 |x 3 |w 0 |v 8 |t 0 |z 07-28-17 |o - | ||
945 | |y .i76381766 |i 33029103406674 |l carag |s - |k |u 42 |x 3 |w 1 |v 9 |t 0 |z 07-28-17 |o - | ||
945 | |y .i76445173 |i 33029103434130 |l faiag |s - |k |u 29 |x 2 |w 2 |v 17 |t 0 |z 08-10-17 |o - | ||
945 | |y .i76445203 |i 33029103434163 |l ranag |s - |k |u 27 |x 2 |w 0 |v 6 |t 0 |z 08-10-17 |o - | ||
945 | |y .i76445264 |i 33029103434221 |l nhiag |s t |k |u 31 |x 6 |w 1 |v 11 |t 0 |z 08-10-17 |o - | ||
945 | |y .i76445288 |i 33029103434247 |l pocag |s - |k 09-28-24 |u 37 |x 3 |w 2 |v 9 |t 0 |z 08-10-17 |o - | ||
945 | |y .i7644529x |i 33029103434254 |l cooag |s $ |k |u 13 |x 0 |w 0 |v 1 |t 0 |z 08-10-17 |o - | ||
945 | |y .i76445355 |i 33029103434312 |l souag |s - |k |u 38 |x 3 |w 0 |v 15 |t 0 |z 08-10-17 |o - | ||
945 | |y .i76445379 |i 33029103434338 |l natag |s - |k |u 31 |x 8 |w 0 |v 10 |t 0 |z 08-10-17 |o - | ||
945 | |y .i7644546x |i 33029103434429 |l nsaag |s - |k |u 30 |x 7 |w 1 |v 3 |t 0 |z 08-10-17 |o - | ||
945 | |y .i76559105 |i 30738001635878 |l pria |s - |k |u 5 |x 0 |w 0 |v 0 |t 0 |z 08-30-17 |o l |a Fic | ||
945 | |y .i76589225 |i 31740006708337 |l suta |s - |k |u 40 |x 1 |w 1 |v 5 |t 0 |z 09-06-17 |o l |a FICTION Connelly, M. | ||
945 | |y .i76653432 |i 31652003047173 |l wdpa |s - |k |u 43 |x 5 |w 1 |v 12 |t 0 |z 09-19-17 |o - |a FICTION Connelly, M. | ||
945 | |y .i7677160x |i 33029062467907 |l fraag |s - |k |u 29 |x 3 |w 0 |v 17 |t 0 |z 10-05-17 |o - | ||
945 | |y .i76886657 |i 31740003243106 |l bara |s - |k |u 3 |x 0 |w 1 |v 0 |t 0 |z 10-24-17 |o l |a FICTION Connelly, M. | ||
945 | |y .i76983031 |i 31740003239823 |l stra |s - |k |u 7 |x 0 |w 0 |v 0 |t 0 |z 11-08-17 |o l |a MYSTERY Connelly, M. | ||
945 | |y .i78020499 |i 33029105562540 |l hotag |s t |k |u 28 |x 6 |w 3 |v 7 |t 0 |z 05-04-18 |o - | ||
945 | |y .i78994172 |i 30738001667228 |l arba |s - |k |u 2 |x 0 |w 0 |v 0 |t 0 |z 07-17-18 |o l |a Fic | ||
945 | |y .i82106642 |i 30738001705523 |l stna |s - |k |u 0 |x 0 |w 0 |v 0 |t 64 |z 10-29-19 |o l |a Fic | ||
945 | |y .i88123170 |i 33029105552889 |l nntag |s - |k |u 5 |x 4 |w 0 |v 1 |t 0 |z 12-07-22 |o - | ||
945 | |y .i90136007 |i 36796022599287 |l fola |s - |k |u 6 |x 6 |w 0 |v 1 |t 0 |z 11-03-23 |o l |a FICTION Connelly, M. | ||
998 | |e - |d a |f eng |a arb |a ard |a bar |a coo |a car |a col |a chs |a fai |a fol |a fra |a gal |a hot |a nhi |a nnt |a nsa |a poc |a pri |a ran |a nat |a sou |a stn |a str |a sut |a wdp |