The humorless ladies of border control: touring the punk underground from Belgrade to Ulaanbaatar
(Book)
Author:
Published:
New York : The New Press, 2016.
Physical Desc:
371 pages : map ; 20 cm
Status:
Carmichael
781.66092 N641 2016
Central
781.66092 N641 2016
Description
In 2009, musician Franz Nicolay left his job and over the next five years, he crossed the world with a guitar in one hand, a banjo in the other, and an accordion on his back, playing the anarcho-leftist squats and DIY spaces of the punk rock diaspora. While engaging with the works of literary predecessors from Rebecca West to Chekhov and the nineteenth-century French aristocrat the Marquis de Custine, Nicolay explores the past and future of punk rock culture in the post-Communist world.
Copies
Location
Call Number
Status
Carmichael
781.66092 N641 2016
On Shelf
Central
781.66092 N641 2016
On Shelf
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Subjects
LC Subjects
Europe, Eastern -- Description and travel.
Mongolia -- Description and travel.
Nicolay, Franz -- Travel -- Europe, Eastern.
Nicolay, Franz -- Travel -- Mongolia.
Nicolay, Franz -- Travel -- Russia (Federation)
Punk culture -- Europe, Eastern.
Punk rock music -- Europe, Eastern.
Russia (Federation) -- Description and travel.
Mongolia -- Description and travel.
Nicolay, Franz -- Travel -- Europe, Eastern.
Nicolay, Franz -- Travel -- Mongolia.
Nicolay, Franz -- Travel -- Russia (Federation)
Punk culture -- Europe, Eastern.
Punk rock music -- Europe, Eastern.
Russia (Federation) -- Description and travel.
Other Subjects
More Details
Format:
Book
Language:
English
ISBN:
9781620971796, 1620971798
Notes
Bibliography
Includes bibliographical references (pages [361]-367).
Description
In 2009, musician Franz Nicolay left his job and over the next five years, he crossed the world with a guitar in one hand, a banjo in the other, and an accordion on his back, playing the anarcho-leftist squats and DIY spaces of the punk rock diaspora. While engaging with the works of literary predecessors from Rebecca West to Chekhov and the nineteenth-century French aristocrat the Marquis de Custine, Nicolay explores the past and future of punk rock culture in the post-Communist world.
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Citations
APA Citation (style guide)
Nicolay, F. (2016). The humorless ladies of border control: touring the punk underground from Belgrade to Ulaanbaatar. New York, The New Press.
Chicago / Turabian - Author Date Citation (style guide)Nicolay, Franz. 2016. The Humorless Ladies of Border Control: Touring the Punk Underground From Belgrade to Ulaanbaatar. New York, The New Press.
Chicago / Turabian - Humanities Citation (style guide)Nicolay, Franz, The Humorless Ladies of Border Control: Touring the Punk Underground From Belgrade to Ulaanbaatar. New York, The New Press, 2016.
MLA Citation (style guide)Nicolay, Franz. The Humorless Ladies of Border Control: Touring the Punk Underground From Belgrade to Ulaanbaatar. New York, The New Press, 2016.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Staff View
Grouped Work ID:
5b0f8939-ac32-b277-18f8-1edd005335aa
Record Information
| Last Sierra Extract Time | Apr 19, 2024 08:17:53 AM |
|---|---|
| Last File Modification Time | Apr 19, 2024 08:18:08 AM |
| Last Grouped Work Modification Time | Apr 26, 2024 02:10:38 AM |
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| 245 | 1 | 4 | |a The humorless ladies of border control :|b touring the punk underground from Belgrade to Ulaanbaatar /|c Franz Nicolay. |
| 264 | 1 | |a New York :|b The New Press,|c 2016. | |
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| 504 | |a Includes bibliographical references (pages [361]-367). | ||
| 505 | 0 | |a The humorless ladies of border control (Ukraine) -- Party for everybody (Rostov-on-Don to Saint Petersburg) -- A real Lenin of our time (Moscow) -- God-forget-it house (Trans-Siberian) -- The knout and the pierogi (Tomsk to Baikal) -- The hall of sufficient looking (Trans-Mongolian) -- Drunk nihilists make a good audience (Croatia, Slovenia, Serbia) -- A fur coat with morsels (Hungary, Poland) -- Poor, but they have style (Romania) -- You are an asshole big time (Bulgaria) -- Don't bring your beer in church (Bucharest to Vienna) -- Changing the country, we apologize for the inconvenience (Ukraine after the flood). | |
| 520 | |a In 2009, musician Franz Nicolay left his job and over the next five years, he crossed the world with a guitar in one hand, a banjo in the other, and an accordion on his back, playing the anarcho-leftist squats and DIY spaces of the punk rock diaspora. While engaging with the works of literary predecessors from Rebecca West to Chekhov and the nineteenth-century French aristocrat the Marquis de Custine, Nicolay explores the past and future of punk rock culture in the post-Communist world. | ||
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