Sh*tshow!: The Country's Collapsing . . . and the Ratings Are Great
(OverDrive MP3 Audiobook, OverDrive Listen)
In the Fall of 2013, long before any sane person had seriously considered the possibility of a Trump presidency, Charlie LeDuff sat in the office of then-Fox News CEO Roger Ailes, and made a simple but prophetic claim: The whole country is bankrupt and on high boil. It’s a shitshow out there. No one in the bubbles of Washington, DC., New York, or Los Angles was talking about it—least of all the media. LeDuff wanted to go to the heart of the country to report what was really going on. Ailes baulked. Could the hard-living and straight-shooting LeDuff be controlled? But, then, perhaps on a whim, he agreed. And so LeDuff set out to record a TV series called, "The Americans," and, along the way, ended up bearing witness to the ever-quickening unraveling of The American Dream.
For three years, LeDuff travelled the width and breadth of the country with his team of production irregulars, ending up on the Mexican border crossing the Rio Grande on a yellow rubber kayak alongside undocumented immigrants; in the middle of Ferguson as the city burned; and watching the children of Flint get sick from undrinkable water. Racial, political, social, and economic tensions were escalating by the day. The inexorable effects of technological change and globalization were being felt more and more acutely, at the same time as wages stagnated and the price of housing, education, and healthcare went through the roof. The American people felt defeated and abandoned by their politicians, and those politicians seemed incapable of rising to the occasion. The old way of life was slipping away, replaced only by social media, part-time work, and opioid addiction.
Sh*tshow! is that true, tragic, and distinctively American story, told from the parts of the country hurting the most. A soul-baring, irreverent, and iconoclastic writer, LeDuff speaks the language of everyday Americans, and is unafraid of getting his hands dirty. He scrambles the tired-old political, social, and racial categories, taking no sides—or prisoners. Old-school, gonzo-style reporting, this is both a necessary confrontation with the darkest parts of the American psyche and a desperately-needed reminder of the country's best instincts.
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Charlie LeDuff. (2018). Sh*tshow!: The Country's Collapsing . . . and the Ratings Are Great. Unabridged Books on Tape.
Chicago / Turabian - Author Date Citation (style guide)Charlie LeDuff. 2018. Sh*tshow!: The Country's Collapsing . . . and the Ratings Are Great. Books on Tape.
Chicago / Turabian - Humanities Citation (style guide)Charlie LeDuff, Sh*tshow!: The Country's Collapsing . . . and the Ratings Are Great. Books on Tape, 2018.
MLA Citation (style guide)Charlie LeDuff. Sh*tshow!: The Country's Collapsing . . . and the Ratings Are Great. Unabridged Books on Tape, 2018.
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- A daring, firsthand, and utterly-unscripted account of crisis in America, from Ferguson to Flint to Cliven Bundy's ranch to Donald Trump's unstoppable campaign for President—at every turn, Pulitzer-prize winner and bestselling author of Detroit: An American Autopsy, Charlie LeDuff was there
In the Fall of 2013, long before any sane person had seriously considered the possibility of a Trump presidency, Charlie LeDuff sat in the office of then-Fox News CEO Roger Ailes, and made a simple but prophetic claim: The whole country is bankrupt and on high boil. It’s a shitshow out there. No one in the bubbles of Washington, DC., New York, or Los Angles was talking about it—least of all the media. LeDuff wanted to go to the heart of the country to report what was really going on. Ailes baulked. Could the hard-living and straight-shooting LeDuff be controlled? But, then, perhaps on a whim, he agreed. And so LeDuff set out to record a TV series called, "The Americans," and, along the way, ended up bearing witness to the ever-quickening unraveling of The American Dream.
For three years, LeDuff travelled the width and breadth of the country with his team of production irregulars, ending up on the Mexican border crossing the Rio Grande on a yellow rubber kayak alongside undocumented immigrants; in the middle of Ferguson as the city burned; and watching the children of Flint get sick from undrinkable water. Racial, political, social, and economic tensions were escalating by the day. The inexorable effects of technological change and globalization were being felt more and more acutely, at the same time as wages stagnated and the price of housing, education, and healthcare went through the roof. The American people felt defeated and abandoned by their politicians, and those politicians seemed incapable of rising to the occasion. The old way of life was slipping away, replaced only by social media, part-time work, and opioid addiction.
Sh*tshow! is that true, tragic, and distinctively American story, told from the parts of the country hurting the most. A soul-baring, irreverent, and iconoclastic writer, LeDuff speaks the language of everyday Americans, and is unafraid of getting his hands dirty. He scrambles the tired-old political, social, and racial categories, taking no sides—or prisoners. Old-school, gonzo-style reporting, this is both a necessary confrontation with the darkest parts of the American psyche and a desperately-needed reminder of the country's best instincts. - reviews
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March 19, 2018
Pulitzer Prize–winning journalist LeDuff (Detroit: An American Autopsy) delivers a crackling critique of American culture using vignettes from his years traveling across the country and talking to everyday Americans for a Fox news segment called “The Americans.” Instead of covering fluff like pie-eating contests, LeDuff and his crew dug into stories about the Flint water crisis, the desperation of those who followed the siren song of the North Dakota oil fields only to find few jobs and low wages, and the rusting, corrupt husk of Detroit. LeDuff intersperses harrowing, white-knuckle moments, such as the time he forged a press pass to interview cattle rancher Cliven Bundy, who was at the time awaiting trial for his 2014 standoff with federal agents, with flashes of sweet irony, such as when LeDuff witnesses black staffers at a gas station deny a member of the Ku Klux Klan use of the restroom. LeDuff’s seething disgust for inequality, corruption, and discrimination is apparent throughout, and it’s made even more potent by LeDuff’s stylized reporting (“Down the road from the collapsing trailer-court cracker box was another brownfield, another dead factory, where dead-end children with blood-red teeth rummaged through filth”). This timely portrait of America is a superb example of contemporary gonzo journalism.
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