Throne of the Crescent Moon
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Description
Locus Award for Best First Novel winner
Hugo Award for Best Novel finalist
Nebula Award for Best Novel finalist
David Gemmell Morningstar Award finalist
"Ahmed is a master storyteller in the grand epic tradition." —N. K. Jemisin
The Crescent Moon Kingdoms, home to djenn and ghuls, holy warriors and heretics, are at the boiling point of a power struggle between the iron- fisted Khalif and the mysterious master thief known as the Falcon Prince. In the midst of this brewing rebellion a series of brutal supernatural murders strikes at the heart of the Kingdoms. It is up to a handful of heroes to learn the truth behind these killings.
Doctor Adoulla Makhslood, "the last real ghul hunter in the great city of Dhamsawaat," just wants a quiet cup of tea. Three score and more years old, he has grown weary of hunting monsters and saving lives, and is more than ready to retire from his dangerous and demanding vocation. But when an old flame's family is murdered, Adoulla is drawn back to the hunter's path.
Raseed bas Raseed, Adoulla's young assistant, is a hidebound holy warrior whose prowess is matched only by his piety. But even as Raseed's sword is tested by ghuls and manjackals, his soul is tested when he and Adoulla cross paths with the tribeswoman Zamia.
Zamia Badawi, Protector of the Band, has been gifted with the near- mythical power of the lion-shape, but shunned by her people for daring to take up a man's title. She lives only to avenge her father's death. Until she learns that Adoulla and his allies also hunt her father's killer. Until she meets Raseed.
When they learn that the murders and the Falcon Prince's brewing revolution are connected, the companions must race against time-and struggle against their own misgivings-to save the life of a vicious despot. In so doing they discover a plot for the Throne of the Crescent Moon that threatens to turn Dhamsawaat, and the world itself, into a blood-soaked ruin.
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Citations
Saladin Ahmed. (2012). Throne of the Crescent Moon. Astra Publishing House.
Chicago / Turabian - Author Date Citation (style guide)Saladin Ahmed. 2012. Throne of the Crescent Moon. Astra Publishing House.
Chicago / Turabian - Humanities Citation (style guide)Saladin Ahmed, Throne of the Crescent Moon. Astra Publishing House, 2012.
MLA Citation (style guide)Saladin Ahmed. Throne of the Crescent Moon. Astra Publishing House, 2012.
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- bioText: Saladin Ahmed was born in Detroit and raised in a working-class, Arab American enclave in Dearborn, Michigan. His short stories have been nominated for the Nebula and Campbell awards, and have appeared in Year’s Best Fantasy and numerous magazines, anthologies, and podcasts, as well as being translated into five foreign languages. Throne of the Crescent Moon won a Locus Award for Best First Novel and was a finalist for the Hugo, Nebula, and David Gemmell Morningstar awards. Find him on Twitter at @saladinahmed.
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Locus Award for Best First Novel winner
Hugo Award for Best Novel finalist
Nebula Award for Best Novel finalist
David Gemmell Morningstar Award finalist
"Ahmed is a master storyteller in the grand epic tradition." —N. K. Jemisin
The Crescent Moon Kingdoms, home to djenn and ghuls, holy warriors and heretics, are at the boiling point of a power struggle between the iron- fisted Khalif and the mysterious master thief known as the Falcon Prince. In the midst of this brewing rebellion a series of brutal supernatural murders strikes at the heart of the Kingdoms. It is up to a handful of heroes to learn the truth behind these killings.
Doctor Adoulla Makhslood, "the last real ghul hunter in the great city of Dhamsawaat," just wants a quiet cup of tea. Three score and more years old, he has grown weary of hunting monsters and saving lives, and is more than ready to retire from his dangerous and demanding vocation. But when an old flame's family is murdered, Adoulla is drawn back to the hunter's path.
Raseed bas Raseed, Adoulla's young assistant, is a hidebound holy warrior whose prowess is matched only by his piety. But even as Raseed's sword is tested by ghuls and manjackals, his soul is tested when he and Adoulla cross paths with the tribeswoman Zamia.
Zamia Badawi, Protector of the Band, has been gifted with the near- mythical power of the lion-shape, but shunned by her people for daring to take up a man's title. She lives only to avenge her father's death. Until she learns that Adoulla and his allies also hunt her father's killer. Until she meets Raseed.
When they learn that the murders and the Falcon Prince's brewing revolution are connected, the companions must race against time-and struggle against their own misgivings-to save the life of a vicious despot. In so doing they discover a plot for the Throne of the Crescent Moon that threatens to turn Dhamsawaat, and the world itself, into a blood-soaked ruin.- reviews
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Starred review from December 5, 2011
Ahmed’s debut masterfully paints a world both bright and terrible. Doctor Adoulla Makhslood is a professional destroyer of ghuls, clawed creatures whose hissing sounds like “a thousand serpents rasping with a man’s hatred.” He’s almost ready to retire when an unheard-of number of the monsters all but wipe out an entire clan of the Badawi people. Hunting the sorcerer who raised the ghuls, Adoulla and his religiously uptight swordsman apprentice, Raseed, are aided by the lone Badawi survivor, a girl named Zamia who can transform into a lion. They soon discover that the mysterious figure plans to cast an ancient sacrificial spell powerful enough to wreck the world. Unobtrusive hints of backstory contribute to the sense that this novel is part of a larger ongoing tale, and the Arab-influenced setting is full of vibrant description, characters, and religious expressions that will delight readers weary of pseudo-European epics. Agent: Donald Maass Literary Agency.
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Starred review from January 1, 2012
Distinctive Middle Eastern fantasy from newcomer Ahmed. In Dhamsawaat, chief city of the Crescent Moon Kingdoms, Doctor Adoulla Makhslood has devoted his life to hunting and destroying ghuls, constructs brewed from bones, sand and bugs and animated by the vile blood-magic of evil sorcerers. Now fat, old and weary, Adoulla endeavors to ignore the power struggle developing between the cruel, despotic, aloof Khalif and the elusive, magic-powered Robin Hood-style thief who calls himself the Falcon Prince. But when the family of his old flame-turned-brothel keeper Miri is slaughtered by ghuls, Adoulla sets aside his teacup, summons his young assistant, Raseed, a deadly but naive warrior dervish steeped in the religion of his sect, and by the will of God steels himself for another battle. Tracking the ghuls into the desert, Adoulla and Raseed come upon a young girl, Zamia, whose entire family have also been slaughtered by the ghuls. Zamia, a shapeshifter who can take the form of a huge golden lioness with silver claws, proves more than adept at killing ghuls, but her femininity and forwardness deeply trouble the pious and traditional Raseed. Equally disturbing to Adoulla is the sheer sorcerous power necessary to create such terrible ghuls, and indications that the Falcon Prince is somehow involved. Adoulla, while no fan of the vicious Khalif, refuses to endorse a disastrous civil war. As you might expect, the Arabian Nights theme dominates, and in language, style and approach, Ahmed carries it off with only minor slips into American vernacular. Equally impressive are characters who struggle not only against their opponents but against their own misgivings and desires, and accept that victory may be achieved only at great personal cost. An arresting, sumptuous and thoroughly satisfying debut.(COPYRIGHT (2012) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
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Starred review from January 1, 2012
When the niece of a woman once dear to him is murdered by a demon, Doctor Adoulla Makhslood, the last of the true ghul (ghoul) hunters, leaves his precious retirement to track down the killers. Enlisting the help of old adventuring friends--the mage Dawoud and his alchemist wife Litaz, as well as his assistant, the passionately fanatic young dervish Raseed bas Raseed--Adoulla scours the great city of Dhamsawaat for clues to the identity of the infamous Orshado, the ghul of ghuls, who threatens to destroy the world. Also joining the hunt is Zamia, a young tribeswoman gifted with the ability to take the form of a lioness, who seeks revenge for the massacre of her entire tribe. VERDICT Set in a quasi-Middle Eastern city and populated with the supernatural creatures of Arab folklore, this long-awaited debut by a finalist for the Nebula and Campbell awards brings The Arabian Nights to sensuous life. The maturity and wisdom of Ahmed's older protagonists are a delightful contrast to the brave impulsiveness of their younger companions. This trilogy launch will delight fantasy lovers who enjoy flawed but honorable protagonists and a touch of the exotic.
Copyright 2012 Library Journal, LLC Used with permission.
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Locus Award for Best First Novel winner
Hugo Award for Best Novel finalist
Nebula Award for Best Novel finalist
David Gemmell Morningstar Award finalist
"Ahmed is a master storyteller in the grand epic tradition." —N. K. Jemisin
The Crescent Moon Kingdoms, home to djenn and ghuls, holy warriors and heretics, are at the boiling point of a power struggle between the iron- fisted Khalif and the mysterious master thief known as the Falcon Prince. In the midst of this brewing rebellion a series of brutal supernatural murders strikes at the heart of the Kingdoms. It is up to a handful of heroes to learn the truth behind these killings.
Doctor Adoulla Makhslood, "the last real ghul hunter in the great city of Dhamsawaat," just wants a quiet cup of tea. Three score and more years old, he has grown weary of hunting monsters and saving lives, and is more than ready to retire from his dangerous and demanding vocation. But when an old...- sortTitle
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