A Tale for the Time Being
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Finalist for the Booker Prize and the National Book Critics Circle Award
“A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.”
In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future.
Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.
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Ruth Ozeki. (2013). A Tale for the Time Being. Penguin Publishing Group.
Chicago / Turabian - Author Date Citation (style guide)Ruth Ozeki. 2013. A Tale for the Time Being. Penguin Publishing Group.
Chicago / Turabian - Humanities Citation (style guide)Ruth Ozeki, A Tale for the Time Being. Penguin Publishing Group, 2013.
MLA Citation (style guide)Ruth Ozeki. A Tale for the Time Being. Penguin Publishing Group, 2013.
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- A brilliant, unforgettable novel from bestselling author Ruth Ozeki, author of The Book of Form and Emptiness
Finalist for the Booker Prize and the National Book Critics Circle Award
“A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.”
In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future.
Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home. - reviews
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January 14, 2013
Ozeki’s absorbing third novel (after All Over Creation) is an extended meditation on writing, time, and people in time: “time beings.” Nao Yasutani is a Japanese schoolgirl who plans to “drop out of time”—to kill herself as a way of escaping her dreary life. First, though, she intends to write in her diary the life story of her great-grandmother Jiko, a Zen Buddhist nun. But Nao actually ends up writing her own life story, and the diary eventually washes up on the shore of Canada’s Vancouver Island, where a novelist called Ruth lives. Ruth finds the diary in a freezer bag with some old letters in French and a vintage watch. Ruth’s investigation into how the bag traveled from Japan to her island, and why it contains what it does, alternates with Nao’s chapters. The characters’ lives are finely drawn, from Ruth’s rustic lifestyle to the Yasutani family’s straitened existence after moving from Sunnyvale, Calif., to Tokyo. Nao’s winsome voice contrasts with Ruth’s intellectual ponderings to make up a lyrical disquisition on writing’s power to transcend time and place. This tale from Ozeki, a Zen Buddhist priest, is sure to please anyone who values a good story broadened with intellectual vigor. Agent: Molly Friedrich, Friedrich Literary Agency.
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Starred review from February 1, 2013
Ozeki's magnificent third novel (All Over Creation, 2003, etc.) brings together a Japanese girl's diary and a transplanted American novelist to meditate on everything from bullying to the nature of conscience and the meaning of life. On the beach of an island off British Columbia's coast, Ruth finds a Hello Kitty lunchbox containing a stack of letters and a red book. The book contains 16-year-old Nao's diary, bound within the covers of Marcel Proust's In Search of Lost Time--and that's no accident, since both funny, grieving Nao and blocked, homesick Ruth are obsessed with time: how it passes, how we live in it. Nao wants to "drop out of time"; so does her father, a computer programmer who spent 10 years in California's Silicon Valley before the dot-com bust apparently sent the family back to Tokyo and subjected Nao to vicious bullying at school. Ruth moved from New York City to Canada since it was an easier place to care for her sick husband and dying mother but now feels the move was "a withdrawal" and is finding it hard to write. She plunges into Nao's diary, which also includes the stories of her 104-year-old great-grandmother, Jiko, an anarchist and feminist turned Buddhist nun, and Jiko's son Haruki, a philosophy student forced to become a kamikaze pilot during World War II. The letters in the lunchbox are Haruki's, and his secret army diary begins the book's extended climax, which transcends bitter anguish to achieve heartbreaking poignancy as both Nao and Ruth discover what it truly means to be "a time being." Ozeki faultlessly captures the slangy cadences of a contemporary teen's voice even as she uses it to convey Nao's pain and to unobtrusively offer a quiet introduction to the practice and wisdom of Zen through Jiko's talks with her great-granddaughter. The novel's seamless web of language, metaphor and meaning can't be disentangled from its powerful emotional impact: These are characters we care for deeply, imparting vital life lessons through the magic of storytelling. A masterpiece, pure and simple.COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.
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October 15, 2012
In Tokyo, shy, bullied 16-year-old Nao determines to end it all--but not before chronicling the life of her great-grandmother, a Buddhist nun. After the 2011 tsunami, a novelist named Ruth opens a Hello Kitty lunchbox that's fetched up on a remote island off North America's coast and is immediately drawn into the story of Nao and her ancestor. Ozeki lives part-time in British Columbia and was recently ordained a Buddhist nun, so in some ways she's writing close to home. But here's betting that this award-winning novelist (My Year of Meats), also honored for her work in film, will take her narrative to the next level while remaining engagingly accessible; the best-selling Meats was translated into 11 languages and sold in 14 countries. Sales rep enthusiasm, too.
Copyright 2012 Library Journal, LLC Used with permission.
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Starred review from February 15, 2013
Ozeki has shown herself, in the novels My Year of Meats (1998) and All over Creation (2003), to be a careful, considerate writer who obviously insists on writing what she wants to write and in the fashion she prefers. That special care and concern are also detectable in her latest novel, an intriguing, even beautiful narrative remarkable for its unusual but attentively structured plot. Ruththe character Ruthis a writer living in a remote corner of the Pacific coast of British Columbia who is currently thwarted by writer's block as she attempts to compose a memoir. One day she finds a collection of materials contained in a lunchbox that has washed up on the beach. As if she has unleashed a magical mist, the items she finds inside, namely a journal and a collection of letters, envelop her in the detailsthe dramasof someone else's life. The life she has stumbled into is that of a Japanese teenager, who, believing suicide is the only relief for her teenage angst, nevertheless is determined, before she commits that final act, to write down the story of her great-grandmother, a Buddhist nun. We go from one story line to the other, back and forth across the Pacific, but the reader never loses place or interest. HIGH-DEMAND BACKSTORY: The publisher is in love with this novel and will do everything from providing an author tour to presenting extensive radio and online publicity campaigns to bring its virtues to a wide reading audience.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)
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April 15, 2013
Ozeki's beautifully crafted work, which arrives a decade after her last novel, All Over Creation, strives to unravel the mystery of a 16-year-old Japanese American girl's diary found washed ashore in Whaletown, British Columbia. Born in Sunnyvale, CA, Nao logs her diary entries from Japan since her father returned the family there following the burst of the dot-com bubble. Ozeki creates a host of colorful tales surrounding Nao and her 104-year-old great-grandmother, Jiko, a Buddhist nun, and great uncle Haruki, who was a kamikaze pilot in World War II. Meanwhile, in Canada, author Ruth and her husband, Oliver, are reading Nao's entries in the year 2012, wondering whether the diary is debris from the devastating tsunami that hit Japan in 2011, and whether Nao is still alive. VERDICT Ozeki adeptly intertwines past and present while weaving bits of history into her stories. Topics such as bullying, politics, depression, suicidal tendencies, and Buddhism are explored throughout, and as in previous novels, Ozeki validates her gift for writing prose that raises thought-provoking issues for readers to ponder long after finishing the book. [See Prepub Alert, 9/24/12.]--Shirley Quan, Orange Cty. P.L., Santa Ana, CA
Copyright 2013 Library Journal, LLC Used with permission.
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Finalist for the Booker Prize and the National Book Critics Circle Award
“A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.”
In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into... - sortTitle
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