City Boy: My Life in New York During the 1960s and '70s
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Edmund White. (2009). City Boy: My Life in New York During the 1960s and '70s. Bloomsbury Publishing.

Edmund White. 2009. City Boy: My Life in New York During the 1960s and '70s. Bloomsbury Publishing.

Edmund White, City Boy: My Life in New York During the 1960s and '70s. Bloomsbury Publishing, 2009.

Edmund White. City Boy: My Life in New York During the 1960s and '70s. Bloomsbury Publishing, 2009.

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My Life in New York During the 1960s and '70s

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creators

1. • role: Author
   • fileAs: White, Edmund
   • bioText: Edmund White is the author of many novels, including A Boy's Own Story, The Beautiful Room Is Empty, The Farewell Symphony, and Our Young Man. His nonfiction includes City Boy, Inside a Pearl, The Unpunished Vice, and other memoirs; The Flâneur, about Paris; and literary biographies and essays. He was named the 2018 winner of the PEN/Saul Bellow Award for Achievement in American Fiction and received the 2019 Medal for Distinguished Contribution to American Letters from the National Book Foundation.
     Edmund White is the author of many novels, including A Boy's Own Story, The Beautiful Room Is Empty, The Farewell Symphony, and A Previous Life. His nonfiction includes City Boy, Inside a Pearl, The Unpunished Vice, and other memoirs; The Flâneur, about Paris; and literary biographies and essays. He has received the PEN/Saul Bellow Award for Achievement in American Fiction and the Medal for Distinguished Contribution to American Letters from the National Book Foundation. He lives in New York.
   • name: Edmund White

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Bloomsbury USA

publishDate

2009-10-07T00:00:00-04:00

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title

City Boy

fullDescription

In the New Y ork of the 1970s, in the wake of Stonewall and in the midst of economic collapse, you might find the likes of Jasper Johns and William Burroughs at the next cocktail party, and you were as likely to be caught arguing Marx at the New York City Ballet as cruising for sex in the warehouses and parked trucks along the Hudson. This is the New York that Edmund White portrays in City Boy: a place of enormous intrigue and artistic tumult. Combining the no-holds-barred confession and yearning of A Boy's Own Story with the easy erudition and sense of place of The Flaneur, this is the story of White's years in 1970s New York, bouncing from intellectual encounters with Susan Sontag and Harold Brodkey to erotic entanglements downtown to the burgeoning gay scene of artists and writers. I t's a moving, candid, brilliant portrait of a time and place, full of encounters with famous names and cultural icons.

reviews

1. • premium: True
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   • content:

     Starred review from August 10, 2009
     Novelist and critic White (A Boy's Own Story
     ; The Joy of Gay Sex
     ) weaves erotic encounters and long-ago literati into a vast tapestry of Manhattan memories. He arrived from the Midwest in 1962, worked at Time-Life Books, haunted the Gotham Book Mart and went street cruising: “We had to seek out most of our men on the hoof.” In 1970, he quit his job to live in Rome, returning to find “sexual abundance” in New York. An editor with Saturday Review
     and Horizon
     , White knew artists, writers and poets, yet his own writing remained at the starting gate. He fictionalized Fire Island rituals for his first novel, Forgetting Elena
     (1971), which took years to find a publisher and then sold only 600 copies. Nabokov later labeled it “a marvelous book,” ranking White along with Updike and Robbe-Grillet. His second novel, about hetero/homosexual friendships, was never published, yet he “longed for literary celebrity.” How he overcame setbacks and confronted his insecurities to eventually write 23 books makes for fascinating reading. Along the way, he notes how Fun City became Fear City with the AIDS crisis, and he recalls meeting everyone from Borges, Burroughs and Capote to Peggy Guggenheim, John Ashbery, Susan Sontag, Robert Mapplethorpe and Jasper Johns. White writes with a simple, fluid style, and beneath his patina of pain, a refreshing honesty emerges. This is a brilliant recreation of an era, rich in revels, revolutions and “leather boys leading the human tidal wave.”

2. • premium: True
   • source:
   • content:

     September 15, 2009
     From renowned novelist and essayist White (Rimbaud: The Double Life of a Rebel, 2008, etc.), a graceful memoir of a decidedly ungraceful time in the life of New York City.
     
     "In the 1970s in New York," writes the author,"everyone slept till noon." Also,"everyone smoked all the time, and when you French-kissed someone, it was like rubbing one ashtray against another." The era was one of aspiration and poverty, of a time before New York had"become enslaved by wealth and glitz," when"people still embraced Ezra Pound's motto'Beauty is difficult.'" There is much difficult beauty—and much French kissing—in these pages, which recount White's arrival to the city in 1962 as a transplanted Texan by way of Ann Arbor and his eventual assimilation. His arrival coincided with a slight but noticeable uptick in the general awareness that there were such a thing as gay people. White lived openly with a young man, but he still knotted his narrow tie carefully and went to work as one of the great silent majority. A"living contradiction," he reveled in gay weekends while roiling in self-hatred and seeing a psychotherapist in the hope of turning straight and getting married. The cure didn't take, and White's self-awareness grew with times that included the rise of the so-called Pink Panthers and the Stonewall Riots. Those were times of danger. As White recounts, wary Manhattanites negotiated the city block by block, shunning, say, 85th Street in favor of one on either side of it and generally keeping doors bolted and windows gated. But they were also times of liberating art, with White enjoying the company of intellectuals and writers—including Richard Howard ("Every moment with him had a sense of occasion"), Richard Sennett ("an odd combination of schoolboy nerd, flamboyant queen, and Mrs. Astor") and Simon Karlinsky—while publishing his first books and gaining recognition in the literary world.
     
     Full of small provocations—among them,"I sometimes regret the invention of the category'gay'"—this is a welcome portrait of a time and place long past, and much yearned for.

     (COPYRIGHT (2009) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

popularity

36

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shortDescription

In the New Y ork of the 1970s, in the wake of Stonewall and in the midst of economic collapse, you might find the likes of Jasper Johns and William Burroughs at the next cocktail party, and you were as likely to be caught arguing Marx at the New York City Ballet as cruising for sex in the warehouses and parked trucks along the Hudson. This is the New York that Edmund White portrays in City Boy: a place of enormous intrigue and artistic tumult. Combining the no-holds-barred confession and yearning of A Boy's Own Story with the easy erudition and sense of place of The Flaneur, this is the story of White's years in 1970s New York, bouncing from intellectual encounters with Susan Sontag and Harold Brodkey to erotic entanglements downtown to the burgeoning gay scene of artists and writers. I t's a moving, candid, brilliant portrait of a time and place, full of encounters with famous names and cultural icons.

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1. • source: The National Book Critics Circle
   • value: National Book Critics Circle Award Finalist

subtitle

My Life in New York During the 1960s and '70s

publisher

Bloomsbury Publishing

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   • description: Biography & Autobiography / Literary
2. • code: BIO026000
   • description: BIOGRAPHY & AUTOBIOGRAPHY / Memoirs