Smoke Gets in Your Eyes: And Other Lessons from the Crematory
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Caitlin Doughty. (2014). Smoke Gets in Your Eyes: And Other Lessons from the Crematory. Unabridged Recorded Books, Inc.
Chicago / Turabian - Author Date Citation (style guide)Caitlin Doughty. 2014. Smoke Gets in Your Eyes: And Other Lessons From the Crematory. Recorded Books, Inc.
Chicago / Turabian - Humanities Citation (style guide)Caitlin Doughty, Smoke Gets in Your Eyes: And Other Lessons From the Crematory. Recorded Books, Inc, 2014.
MLA Citation (style guide)Caitlin Doughty. Smoke Gets in Your Eyes: And Other Lessons From the Crematory. Unabridged Recorded Books, Inc, 2014.
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- Most people want to avoid thinking about death, but Caitlin Doughty - a twenty-something with a degree in medieval history and a flair for the macabre - took a job at a crematory, turning morbid curiosity into her life's work. With an original voice that combines fearless curiosity and mordant wit, Caitlin tells an unusual coming-of-age story full of bizarre encounters, gallows humor, and vivid characters (both living and very dead). Describing how she swept ashes from the machines (and sometimes onto her clothes), and cared for bodies of all shapes and sizes, Caitlin becomes an intrepid explorer in the world of the deceased. Her eye-opening memoir shows how our fear of dying warps our culture and society, and she calls for better ways of dealing with death (and our dead). In the spirit of her popular Web series, "Ask a Mortician," Caitlin's engaging narrative style makes this otherwise scary topic both approachable and profound. "America's (kinda dark) sweetheart" (Huffington Post)Caitlin Doughty, the host and creator of the "Ask a Mortician" Web series and the collective Order of the Good Death, is on a mission to change the way we think about death.
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April 15, 2015
Doughty's memoir tells the story of her first year working as a crematory operator at a small, low-end funeral business in Oakland and her move from there to mortuary school and into the wider world of the funeral industry. The book is part memoir and part meditation on the business and philosophy of death customs in America. Doughty's experiences with grieving families, learning on the job, and conversations with death professionals all come to inform her personal manifesto and commitment to confronting society's chronic death phobia and advocating for families' direct involvement with funeral ritual and customs. The author (best known for her popular "Ask a Mortician" YouTube video series) reads, bringing warmth and frequently humor to a sometimes disturbing subject. This book is not for the faint of heart. Doughty pulls no punches in her frank and often graphic descriptions of what happens to the human body after death, both before and after it arrives at the mortuary. VERDICT Recommended for readers interested in memoirs with a morbid and philosophical angle, an insider's look at the funeral industry, and those who don't fear the gory details of the end of life. ["Even though Doughty's memoir is difficult to stomach at times, it is well researched, candid, and will inspire a careful consideration of one's own mortality," read the starred review of the Norton hc, Memoir, 8/14/14.]--Jason Puckett, Georgia State Univ. Lib., Atlanta
Copyright 2015 Library Journal, LLC Used with permission.
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August 11, 2014
In this valiant effort Doughty, a Hawaii-born LA mortician and creator of the web series "Ask a Mortician," uses her work as a crematorium operator at the family-owned Westwind Cremation and Burial in Oakland, Calif., to challenge the way we view death. Having studied medieval history in college, Doughty found an early job with the real deal: feeding the two huge "retorts," the cremation machines in the Westwind warehouse, with corpsesâsome not so freshâretrieved by order from private homes or, more often, from hospitals, nursing homes, and the coroner's office. Doughty was eager to prove her mettle, and offered to do any number of odious tasks, such as shaving corpses, or otherwise helping Bruce the embalmer prepare them for the bereaved family's viewing: pumping them with the "salmon pink cocktail" of formaldehyde and alcohol, wielding the trusty trocar, and sewing closed mouths and eyelids. Her descriptions about picking dead babies up from the hospital prove particularly difficult to read. Nonetheless, Doughty does stare death in the face, by tracking down numerous ancient rituals (she observes approvingly how some Eastern cultures still participate in the preparing of the body), pursuing fascinating new words such as "desquamation" and "bubblating" (both refer to excess fluids), and celebrating the natural function of decomposition.
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