Widow's Walk
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Boston's premier P.I investigates the murder of a prominent local banker, with family ties to the Mayflower - and perhaps the mob.
When fifty-one year old Nathan Smith, a confirmed bachelor, is found dead in his bed with a hole in his head made by a .38 caliber slug, it's hard not to imagine Nathan's young bride as the one with her finger on the trigger. Even her lawyer thinks she's guilty. But given that Mary Smith is entitled to the best defense she can afford - and thanks to Nathan's millions, she can afford plenty - Spenser hires on to investigate Mary's bona fides.
Mary's alibi is a bit on the flimsy side: she claims she was watching television in another room when the murder occurred. But the couple was seen fighting at a high-profile cocktail party earlier that evening and the prosecution has a witness who says Mary once tried to hire him to kill Nathan. What's more, she's too pretty, too made-up, too blonde, and sleeps around - just the kind of person a jury loves to hate.
Spenser's up against the wall; leads go nowhere, no one knows a thing. Then a young woman, recently fired from her position at Smith's bank, turns up dead. Mary's vacant past suddenly starts looking meaner and darker - and Spenser's suddenly got to watch his back.
With lean, crackling dialogue, crisp action and razor-sharp characters, WIDOW'S WALK is another triumph.
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Citations
Robert B. Parker. (2006). Widow's Walk. Unabridged Books on Tape.
Chicago / Turabian - Author Date Citation (style guide)Robert B. Parker. 2006. Widow's Walk. Books on Tape.
Chicago / Turabian - Humanities Citation (style guide)Robert B. Parker, Widow's Walk. Books on Tape, 2006.
MLA Citation (style guide)Robert B. Parker. Widow's Walk. Unabridged Books on Tape, 2006.
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- bioText: Featuring rapid-fire dialogue and spicy characters, Robert B. Parker's books are top-shelf reading for fans of detective crime novels. His Spenser series is several titles strong and an established classic; lately Parker has raised the stakes with two additional series (one featuring private eye Sunny Randle, the other featuring police chief Jesse Stone) that may eventually rival his beloved Boston P.I.Parker passed away in January 2010 at the age of 77, following a successful career writing more than 60 books that audiences continue to enjoy.
Joe Mantegna is a versatile, seasoned actor on both stage and screen; he first garnered national prominence for his work with writer-director David Mamet, earning a Tony award for Glengarry Glen Ross in 1983. He currently stars in the hit TV show Criminal Minds. Mr. Mantegna has become synonomous with Robert B. Parker's Spenser; he narrates the entire Spenser series for BOT. Mantegna is also the voice of Fat Tony on The Simpsons. - name: Robert B. Parker
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Read by
Boston's premier P.I investigates the murder of a prominent local banker, with family ties to the Mayflower - and perhaps the mob.
When fifty-one year old Nathan Smith, a confirmed bachelor, is found dead in his bed with a hole in his head made by a .38 caliber slug, it's hard not to imagine Nathan's young bride as the one with her finger on the trigger. Even her lawyer thinks she's guilty. But given that Mary Smith is entitled to the best defense she can afford - and thanks to Nathan's millions, she can afford plenty - Spenser hires on to investigate Mary's bona fides.
Mary's alibi is a bit on the flimsy side: she claims she was watching television in another room when the murder occurred. But the couple was seen fighting at a high-profile cocktail party earlier that evening and the prosecution has a witness who says Mary once tried to hire him to kill Nathan. What's more, she's too pretty, too made-up, too blonde, and sleeps around - just the kind of person a jury loves to hate.
Spenser's up against the wall; leads go nowhere, no one knows a thing. Then a young woman, recently fired from her position at Smith's bank, turns up dead. Mary's vacant past suddenly starts looking meaner and darker - and Spenser's suddenly got to watch his back.
With lean, crackling dialogue, crisp action and razor-sharp characters, WIDOW'S WALK is another triumph. - seriesId
- 522454
- reviews
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- content: In real years, Spenser would now be pushing 70; however, he remains frozen in time--cool, tough, fit, articulate, irresistible to the ladies. Joe Mantegna plays him this way in his latest adventure, involving a mega-dumbie who may or may not have killed her mega-rich husband. The presence of the detective's usual sidekicks, also age-resistant, allows Mantegna to simulate voices for Hawk, the lippy African-American bodyguard, and Susan, the longtime love, as well as a variety of unsavory folk who complicate the plot. The language is as rough as the action as more bodies turn up. Parker's repartee includes many "he said"s; these stand out in audio. This isn't one of Spenser's best outings, but fans of the series will probably like it anyway. J.B.G. (c) AudioFile 2002, Portland, Maine
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May 6, 2002
This unadorned production leaves everything to the considerable narrative skill of veteran reader and actor Mantegna (Godfather III; Searching for Bobby Fisher; etc.), but not even he can breathe much life into an off effort from Parker (Potshot; Death in Paradise; etc.). Though Mantegna's style is perfectly suited to the rough-and-tumble PI genre, Parker's text offers little in the way of intriguing substance. With the rugged detective Spenser once again working the streets of Boston, the tale centers on Mary Smith, a flighty blonde socialite of questionable moral character and undeniably low IQ, whose husband, a wealthy banker, is found shot to death in the couple's home. Despite Smith's ludicrous alibi and transparent lies, Spenser takes on the case and begins to unravel a messy skein of infidelity and corrupt land dealings. Smith's vapid character provides Mantegna's greatest challenge, and, truthfully, it's not one that he answers particularly well. He's much more at home with the pointed banter between Spenser and his lover, Susan, or the gruff, streetwise voice of Spenser's henchman, Hawk. Despite some occasionally snappy dialogue and pulse-quickening action scenes, there's little here among the hackneyed trappings of the detective story and a rather confusing plot to keep anyone but the most devout fan of the series truly engaged. Simultaneous release with the Putnam hardcover (Forecasts, Feb. 4).
- premium: True
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February 4, 2002
Last year Parker published three strong novels including the excellent Spenser mystery Potshot. So he's entitled to a miss and a pass and gets one with this forgettable Spenser entry. Attorney Rita Fiore, who's worked with the Boston PI before, hires Spenser to find out if her new client, Mary Smith, whom Spenser's cop pal Quirk describes as "dumber than my dick," indeed shot to death her husband, banker and Mayflower descendant Nathan Smith, as the evidence indicates. Spenser's search for the truth takes him into one of the most confusing (for the PI and the reader) cases of his long career; unusual for Parker, pages are needed at book's end to explain who did what and why. Sidekick Hawk pitches in to protect Spenser, and gunsel Vinnie Morris lends a hand, too, as several folks Spenser talks to wind up dead, and as the PI is trailed, then attacked, by thugs headquartered at a crooked land development company with ties to the dead man's bank. Susan, Spenser's beloved, offers some advice as well, but the ritual appearances by Spenser's crew, human and animal (Pearl the Wonder Dog, ancient and slow, waddles in here and there), while earning a nod of gratitude from series fans, do little to advance or deepen the proceedings. The novel stirs to life only fitfully, most notably in the confrontational exchanges between a female lawyer implicated in the crimes and her powerful attorney father; here, Parker taps into truth about familial loyalties. The writing is as clean as fresh ice, and from the opening sentence (" 'I think she's probably guilty,' Rita Fiore said to me"), it's clear that readers are in the hands of a vet who knows what he's doing; but what Parker is doing here is, alas, not very interesting.
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Read by
Boston's premier P.I investigates the murder of a prominent local banker, with family ties to the Mayflower - and perhaps the mob.
When fifty-one year old Nathan Smith, a confirmed bachelor, is found dead in his bed with a hole in his head made by a .38 caliber slug, it's hard not to imagine Nathan's young bride as the one with her finger on the trigger. Even her lawyer thinks she's guilty. But given that Mary Smith is entitled to the best defense she can afford - and thanks to Nathan's millions, she can afford plenty - Spenser hires on to investigate Mary's bona fides.
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- awards
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- value: Grand Master Award
- source: Romantic Times BOOKreviews Magazine
- value: Romantic Times Career Achievement Award Nominee
- publisher
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