Them: A Novel
(OverDrive MP3 Audiobook, OverDrive Listen)
Barlowe, a single, African American in his forties, shares a ramshackle house with his nephew in an Atlanta neighborhood, the old Fourth Ward, known both as the center of the civil rights movement and for its main street, Auburn Avenue, once the richest Negro street in the world. Barlowe works as a printer and passes the time reading books from the neighborhood library and hanging out with other local black men at the corner store. When a white married couple buys and renovates the house next door, everyone tries to go about their daily business, but fear and suspicion build as more whites move in, making once familiar people and places disappear.
Superbly developed characters, realistic story line, and descriptions that capture the essence of American urban experience—in black and white—make this a truly great American novel.
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Nathan McCall. (2007). Them: A Novel. Unabridged Blackstone Publishing.
Chicago / Turabian - Author Date Citation (style guide)Nathan McCall. 2007. Them: A Novel. Blackstone Publishing.
Chicago / Turabian - Humanities Citation (style guide)Nathan McCall, Them: A Novel. Blackstone Publishing, 2007.
MLA Citation (style guide)Nathan McCall. Them: A Novel. Unabridged Blackstone Publishing, 2007.
Library | Owned | Available |
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Shared Digital Collection | 1 | 0 |
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Nathan McCall, author of Them and Makes Me Wanna Holler, has worked as a journalist for the Washington Post. Currently he teaches African-American studies at Emory University in Atlanta, Georgia.
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Barlowe, a single, African American in his forties, shares a ramshackle house with his nephew in an Atlanta neighborhood, the old Fourth Ward, known both as the center of the civil rights movement and for its main street, Auburn Avenue, once the richest Negro street in the world. Barlowe works as a printer and passes the time reading books from the neighborhood library and hanging out with other local black men at the corner store. When a white married couple buys and renovates the house next door, everyone tries to go about their daily business, but fear and suspicion build as more whites move in, making once familiar people and places disappear.
Superbly developed characters, realistic story line, and descriptions that capture the essence of American urban experience—in black and white—make this a truly great American novel.
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- content: [A] trenchant, slyly humorous debut novel...Masterfully orchestrated and deeply disturbing illustrations of the depth of the racial divide play out...McCall nails [the] details again and again, and the results, if less than hopeful, are poignant and grimly funny.
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- content: Mirron Willis relates this sensitive and often disturbing story of a white couple taking up residence in the largely black neighborhood of Atlanta's Fourth Ward. The story varies in its tone and could have been a challenge for even the most experienced narrator. However, Willis is a narrator who not only assumes the identity of the story's central character but also skilfully steps back into impartiality with the story's omniscient narrator. Willis's theatrical experience as a member of the Oregon Shakespeare Festival is apparent from his deep and inspired reading, though he never allows it to sound over the top or forced. The result is a perfect combination for a memorable listening experience. L.B. (c) AudioFile 2008, Portland, Maine
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Starred review from September 3, 2007
The embattled characters who people McCall's trenchant, slyly humorous debut novel (following the 1994 memoir Makes Me Wanna Holler
and a 1997 essay collection) can't escape gentrification, whether as victim or perpetrator. As he turns 40, Barlowe Reed, who is black, moves to buy the home he's long rented in Atlanta's Old Fourth Ward, the birthplace of Martin Luther King Jr. His timing is bad: whites have taken note of the cheap, rehab-ready houses in the historically black neighborhood and, as Barlowe's elderly neighbor says to him, “They comin.” Skyrocketing housing prices and the new neighbors' presumptuousness anger Barlowe, whose 20-something nephew is staying with him, and other longtime residents, who feel invaded and threatened. Battle lines are drawn, but when a white couple moves in next door to Barlowe, the results are surprising. Masterfully orchestrated and deeply disturbing illustrations of the depth of the racial divide play out behind the scrim of Barlowe's awkward attempts to have conversations in public with new white neighbor Sandy. McCall also beautifully weaves in the decades-long local struggle over King's legacy, including the moment when a candidate for King's church's open pulpit is rejected for “linguistic lapses... unbefitting of the crisp doctoral eloquence of Martin Luther King.” McCall nails such details again and again, and the results, if less than hopeful, are poignant and grimly funny.
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March 1, 2008
McCall ("Makes" "Me Wanna Holler") follows up his autobiography with a first novel that focuses directly on the old Fourth Ward of Atlanta, the former home of Dr. Martin Luther King Jr. Now the neighborhood is changing, as white couples find this the perfect place to resettle. The "gentrification" of the area begins next door to Barlowe Reed, an African American through whom McCall filters the anger, tensions, and sensibilities of the community. With his new neighbor Sandy and her husband, Sean, old grievances, beliefs, and hopes are explored and tested. McCall manages to make the characters fully genuine, and narrator Mirron Willis brings them quite expertly to life. Much more happens within the minds of these characters than in many more action-packed stories. Recommended.Joyce Kessel, illa Maria Coll., Buffalo, NYCopyright 2008 Library Journal, LLC Used with permission.
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