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The Mystery of Three Quarters: The New Hercule Poirot Mystery
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HarperCollins 2018
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Description

The world's most beloved detective, Hercule Poirot—the legendary star of Agatha Christie's Murder on the Orient Express and most recently The Monogram Murders and Closed Casket—returns in a stylish, diabolically clever mystery set in the London of 1930.

"We Agatha Christie fans read her stories—and particularly her Poirot novels—because the mysteries are invariably equal parts charming and ingenious, dark and quirky and utterly engaging. Sophie Hannah had a massive challenge in reviving the beloved Poirot, and she met it with heart and no small amount of little grey cells. I was thrilled to see the Belgian detective in such very, very good hands. Reading The Monogram Murders was like returning to a favorite room of a long-lost home."
— Gillian Flynn, author of Gone Girl

Hercule Poirot returns home after an agreeable luncheon to find an angry woman waiting to berate him outside his front door. Her name is Sylvia Rule, and she demands to know why Poirot has accused her of the murder of Barnabas Pandy, a man she has neither heard of nor ever met. She is furious to be so accused, and deeply shocked. Poirot is equally shocked, because he too has never heard of any Barnabas Pandy, and he certainly did not send the letter in question. He cannot convince Sylvia Rule of his innocence, however, and she marches away in a rage.

Shaken, Poirot goes inside, only to find that he has a visitor waiting for him — a man called John McCrodden who also claims also to have received a letter from Poirot that morning, accusing him of the murder of Barnabas Pandy...

Poirot wonders how many more letters of this sort have been sent in his name. Who sent them, and why? More importantly, who is Barnabas Pandy, is he dead, and, if so, was he murdered? And can Poirot find out the answers without putting more lives in danger?

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Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
Street Date:
08/28/2018
Language:
English
ISBN:
9780062792457
ASIN:
B0756DWP21
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Citations
APA Citation (style guide)

Sophie Hannah. (2018). The Mystery of Three Quarters: The New Hercule Poirot Mystery. HarperCollins.

Chicago / Turabian - Author Date Citation (style guide)

Sophie Hannah. 2018. The Mystery of Three Quarters: The New Hercule Poirot Mystery. HarperCollins.

Chicago / Turabian - Humanities Citation (style guide)

Sophie Hannah, The Mystery of Three Quarters: The New Hercule Poirot Mystery. HarperCollins, 2018.

MLA Citation (style guide)

Sophie Hannah. The Mystery of Three Quarters: The New Hercule Poirot Mystery. HarperCollins, 2018.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Date Added:
Aug 24, 2018 10:24:09
Date Updated:
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        SOPHIE HANNAH is the New York Times bestselling author of numerous psychological thrillers, which have been published in 51 countries and adapted for television, as well as The Monogram Murders, the first Hercule Poirot novel authorized by the estate of Agatha Christie, and its sequels Closed Casket, The Mystery of Three Quarters, and The Killings at Kingfisher Hill. Sophie is also the author of a self-help book, How to Hold a Grudge, and hosts the podcast of the same name. She lives in Cambridge, UK.

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The Mystery of Three Quarters
fullDescription

The world's most beloved detective, Hercule Poirot—the legendary star of Agatha Christie's Murder on the Orient Express and most recently The Monogram Murders and Closed Casket—returns in a stylish, diabolically clever mystery set in the London of 1930.

"We Agatha Christie fans read her stories—and particularly her Poirot novels—because the mysteries are invariably equal parts charming and ingenious, dark and quirky and utterly engaging. Sophie Hannah had a massive challenge in reviving the beloved Poirot, and she met it with heart and no small amount of little grey cells. I was thrilled to see the Belgian detective in such very, very good hands. Reading The Monogram Murders was like returning to a favorite room of a long-lost home."
— Gillian Flynn, author of Gone Girl

Hercule Poirot returns home after an agreeable luncheon to find an angry woman waiting to berate him outside his front door. Her name is Sylvia Rule, and she demands to know why Poirot has accused her of the murder of Barnabas Pandy, a man she has neither heard of nor ever met. She is furious to be so accused, and deeply shocked. Poirot is equally shocked, because he too has never heard of any Barnabas Pandy, and he certainly did not send the letter in question. He cannot convince Sylvia Rule of his innocence, however, and she marches away in a rage.

Shaken, Poirot goes inside, only to find that he has a visitor waiting for him — a man called John McCrodden who also claims also to have received a letter from Poirot that morning, accusing him of the murder of Barnabas Pandy...

Poirot wonders how many more letters of this sort have been sent in his name. Who sent them, and why? More importantly, who is Barnabas Pandy, is he dead, and, if so, was he murdered? And can Poirot find out the answers without putting more lives in danger?

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reviews
      • premium: False
      • source: Washington Post
      • content:

        "Sophie Hannah's third "New Hercule Poirot Mystery" proves to be most satisfying...faithful to its model in the essentials but flexible enough to allow for an animated plot and protagonist." — Washington Post

        "Another ingeniously deceptive puzzle.... The gratifying reveal is a neat variation on one of Christie's own solutions and demonstrates Hannah's facility at combining her own plotting gifts with another author's creation." — Publishers Weekly

        "[Hannah] supplies boundless ingenuity... adding a divinely inspired denouement." — Kirkus Reviews

        "It's safe to say Agatha Christie fans will rejoice that Poirot has returned, keener than ever to solve the case." — San Francisco Book Review

        "It's easy to see why the Agatha Christie estate chose Ms. Hannah for the daunting task of chronicling Poirot's continuing adventures. In her capable hands, Hercule Poirot lives and investigates as creatively and astutely as he ever has." — CriminalElement.com

        "A puzzle worthy of the skills of legendary detective Hercule Poirot.... Hannah once again nails the style and substance of her beloved predecessor, producing another treat for Christie fans." — Booklist (starred review)

        "The plot of this mystery is worthy of Agatha Christie's fame. It is compelling and uses Hercule Poirot's talents well to solve this most vexing of cases." — Bookloons.com

        "Hercule Poirot fans, rejoice! The fastidious Belgian detective with the amazing little gray cells and equally amazing moustache is back.... I had forgotten how enjoyable, and intricate, the plotting of a Poirot mystery is.... I loved it!" — Suspense Magazine

        "Sophie Hannah does an egoless, silky job of reviving Agatha Christies beloved Belgian detective Hercule Poirot. . . . Enough so to hope that Hannah turns to Miss Marple next." — USA Today on Closed Casket

        "A thoroughly enjoyable tale from start to finish. Poirot ... is in fine hands with author Sophie Hannah." — RedCarpetCrash.com

        "As tricky as anything written by Agatha Christie.... Poirot is back." — Alexander McCall Smith, New York Times bestselling author of The No. 1 Ladies' Detective Agency

        "Classic Christie . . . Captures the essence of the originals without being a slavish imitation . . . Clues emerge, but the case remains perplexing. Christie aficionados will delight in the familiar repartee and the intricate deduction of the solution." — Washington Post

      • premium: True
      • source: Kirkus
      • content:

        June 15, 2018
        Hercule Poirot gets pulled into a mystery in the most awkward possible way when someone signing himself Hercule Poirot writes four letters accusing four different people of the same murder.Not only did she not kill Barnabas Pandy, a furious Sylvia Rule assures the famous detective; she's never even heard of him. Neither has John McCrodden, who assumes that his father, Rowland, whose fierce advocacy of the death penalty has won him the sobriquet "Rowland Rope," conspired with Poirot to accuse his long-estranged son of murdering Pandy. Annabel Treadway has certainly heard of Pandy--he was her grandfather, after all--but she tearfully claims that she didn't kill him either, though at least she's willing to listen to Poirot's own protestations of innocence. So is ebullient Turville School housemaster Hugo Dockerill, who passes the accusation off as a joke despite his own connection to Pandy, whose great-grandson, Timothy, Annabel's nephew, is a pupil of his. With all due respect to the obvious questions he shares with his "friend and occasional helper," Scotland Yard Inspector Edward Catchpool--which, if any, of these suspects actually killed Pandy? Why would anyone trouble to drown a 94-year-old slate magnate, no matter how wealthy has was, in his bathtub? Who wrote the letters?--Poirot is fascinated by a more puzzling question: Why would anyone want to write those four letters in the first place? A series of variously edgy conversations, a proffer of alibis, and another sudden death will intervene before Poirot, skillfully exploiting his trademark fondness for neat patterns, is able to make good on his uncharacteristically rash promise to reveal all in a roundup of the unusual suspects only a week later.As in her two earlier Agatha Christie pastiches (Closed Casket, 2016, etc.), Hannah is content to supply boundless ingenuity in place of more 1930s detail, this time adding a divinely inspired denouement that seems to go on for longer than the week that leads up to it.

        COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.

      • premium: True
      • source: Publisher's Weekly
      • content:

        June 25, 2018
        Bestseller Hannah’s third Hercule Poirot pastiche (after 2016’s Closed Casket) offers Agatha Christie fans another ingeniously deceptive puzzle. The premise is especially clever—someone, posing as Poirot, has sent letters to four people accusing each of them of having murdered Barnabas Pandy. Pandy, a 94-year-old, was found drowned in his bathtub in Combingham Hall three months earlier—a death that was universally accepted as a tragic accident. Two of the recipients of the letters confront Poirot angrily, professing to have no idea who Pandy was, but the third, Annabel Treadway, distraught at the accusation, discloses that Pandy was her grandfather and insists that no one in the household could possibly have killed him. Aided again by Insp. Edward Catchpool, an enigmatic Scotland Yarder, Poirot uses his “little gray cells” to ascertain who has been impersonating him, whether Pandy was in fact the victim of foul play, and if so, whodunit. The gratifying reveal is a neat variation on one of Christie’s own solutions and demonstrates Hannah’s facility at combining her own plotting gifts with another author’s creation.

      • premium: True
      • source: Library Journal
      • content:

        August 1, 2018

        On his third outing with top mystery writer Hannah, Hercule Poirot is accused of writing letters blaming the recipients for murdering elderly Barnabas Pandy. With a 100,000-copy first printing.

        Copyright 2018 Library Journal, LLC Used with permission.

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The world's most beloved detective, Hercule Poirot—the legendary star of Agatha Christie's Murder on the Orient Express and most recently The Monogram Murders and Closed Casket—returns in a stylish, diabolically clever mystery set in the London of 1930.

"We Agatha Christie fans read her stories—and particularly her Poirot novels—because the mysteries are invariably equal parts charming and ingenious, dark and quirky and utterly engaging. Sophie Hannah had a massive challenge in reviving the beloved Poirot, and she met it with heart and no small amount of little grey cells. I was thrilled to see the Belgian detective in such very, very good hands. Reading The Monogram Murders was like returning to a favorite room of a long-lost home."
— Gillian Flynn, author of Gone Girl

Hercule Poirot returns home after an agreeable luncheon to find an angry woman waiting to berate...

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