The Diana Chronicles
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"The best book on Diana." —The New Yorker
Was she “the people’s princess,” who electrified the world with her beauty and humanitarian missions? Or was she manipulative and media-savvy and nearly brought down the monarchy?
Tina Brown, former Editor-in-Chief of Tatler, England’s glossiest gossip magazine; Vanity Fair; and The New Yorker gives us the answers. Tina knew Diana personally and has far-reaching insight into the royals and the Queen herself.
In The Diana Chronicles, you will meet a formidable female cast and understand as never before the society that shaped them: Diana's sexually charged mother, her scheming grandmother, the stepmother she hated but finally came to terms with, and bad-girl Fergie, her sister-in-law, who concealed wounds of her own.
Most formidable of them all was her mother-in-law, the Queen, whose admiration Diana sought till the day she died. Add Camilla Parker-Bowles, the ultimate "other woman" into this combustible mix, and it's no wonder that Diana broke out of her royal cage into celebrity culture, where she found her own power and used it to devastating effect.
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Tina Brown. (2007). The Diana Chronicles. Knopf Doubleday Publishing Group.
Chicago / Turabian - Author Date Citation (style guide)Tina Brown. 2007. The Diana Chronicles. Knopf Doubleday Publishing Group.
Chicago / Turabian - Humanities Citation (style guide)Tina Brown, The Diana Chronicles. Knopf Doubleday Publishing Group, 2007.
MLA Citation (style guide)Tina Brown. The Diana Chronicles. Knopf Doubleday Publishing Group, 2007.
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Tina Brown is an award-winning writer, the former editor in chief of Tatler, Vanity Fair, and The New Yorker, and the founder of The Daily Beast and of the live event platform Women in the World. She is the author of the #1 New York Times bestseller The Diana Chronicles, and in 2017 she published The Vanity Fair Diaries, chosen as one of the best books of the year by Time, People, The Guardian, The Economist, Entertainment Weekly, and Vogue. In 2000 she was awarded the CBE (Commander of the British Empire) by Queen Elizabeth II for her services to journalism. She lives in New York City.
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- #1 NEW YORK TIMES BESTSELLER • Years after her death, Princess Diana remains a mystery. This "insanely readable and improbably profound" biography (Chicago Tribune) reveals the truth as only famed journalist Tina Brown could tell it.
"The best book on Diana." —The New Yorker
Was she “the people’s princess,” who electrified the world with her beauty and humanitarian missions? Or was she manipulative and media-savvy and nearly brought down the monarchy?
Tina Brown, former Editor-in-Chief of Tatler, England’s glossiest gossip magazine; Vanity Fair; and The New Yorker gives us the answers. Tina knew Diana personally and has far-reaching insight into the royals and the Queen herself.
In The Diana Chronicles, you will meet a formidable female cast and understand as never before the society that shaped them: Diana's sexually charged mother, her scheming grandmother, the stepmother she hated but finally came to terms with, and bad-girl Fergie, her sister-in-law, who concealed wounds of her own.
Most formidable of them all was her mother-in-law, the Queen, whose admiration Diana sought till the day she died. Add Camilla Parker-Bowles, the ultimate "other woman" into this combustible mix, and it's no wonder that Diana broke out of her royal cage into celebrity culture, where she found her own power and used it to devastating effect. - reviews
- premium: False
- source: Academy Award-winning actress Helen Mirren
- content: "Intensely well researched and an unputdownable read."
- premium: False
- source: The New York Times
- content: "Tina Brown knows this world much better than many who inhabit it.... This book resembles the Queen in its calm, credible, quietly chattering view of life inside the royal hothouse."
- premium: False
- source: The New Yorker
- content: "[Tina Brown] tells the story fluently, with engrossing detail on every page, and with the mastery of tone that made her Tatler famous for being popular with the people it was laughing at."
- premium: False
- source: Boston Globe
- content: "The Diana Chronicles, by Tina Brown, former editor of Vanity Fair and The New Yorker, peels many layers of...mystery away and even makes the old horror stories of [Diana's] life seem fresh...Brown gives them new vigor, with insights based on her own exhaustive research and a wickedly canny, celebrity-trained eye for detail."
- premium: False
- source: The Wall Street Journal
- content: "The book's greatest attraction...is its sheer wealth of detail, by turns salacious, vinegary, depressing, and hilarious...a psychodrama, a morality play, a pageant of recklessness and revenge, of passion and pity, of loneliness and looniness."
- premium: False
- source: Los Angeles Times
- content: "The Diana Chronicles...has enough of Diana's hairpin personality turns, emotional drops, and gleeful summits to be a Disneyland thrill ride...Brown reminds us of her instantly intimate, magical presence."
- premium: True
- source:
- content:
June 4, 2007
Princess Diana was "the best thing to happen" to the British royals "since the restoration of Charles II," concludes Brown in this dishy biography, and the royal family's error was not realizing that. It's tough to pigeonhole a peacock, but Brown, former editor of Vanity Fair and the New Yorker, tries, calling the late Diana a diva, "a siren of subversion" who "even as a small girl... had been dangerous when hurt." Brown shows how Diana excelled at manipulating the media; her in-laws could only stand by helplessly as she captivated the cameras by batting her eyes or lowering them in her trademark "Shy Di" look. So enamored of herself was Diana, according to Brown, that she claimed not to understand why a certain cardiologist preferred his work at the hospital to seeing after her. Brown interviewed more than 250 people, from Mikhail Baryshnikov (who found the late Princess "so much more beautiful than any photographs or TV") to a friend of Diana's late mother, who says that mum disapproved of her daughter's too hasty royal marriage and tried talking her out of it. In the battle of unpleasant revelations made by both sides in the Di-Charles battles, Brown speculates that Squidgy-gate was the product of MI5 bugging the royal phones. Brown gives her book a tabloid-lingo touch and can fall into melodrama (while everyoneo saw Di's life as a Rodgers and Hammerstein musical, the author says, it "was becoming more like something out of Hitchcock"), but then, given the nature of the subject matter, a little melodrama is entirely fitting. However, the final portrait of Diana as a heroine who broke free of the royal bonds and changed the monarchy forever will be familiar to most readers.
- premium: True
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June 18, 2007
Princess Diana was "the best thing to happen" to the British royals "since the restoration of Charles II," concludes Brown in this dishy biography, and the royal family's error was not realizing that. It's tough to pigeonhole a peacock, but Brown, former editor of Vanity Fair and the New Yorker, tries, calling the late Diana a diva, "a siren of subversion" who "even as a small girl... had been dangerous when hurt." Brown shows how Diana excelled at manipulating the media; her in-laws could only stand by helplessly as she captivated the cameras by batting her eyes or lowering them in her trademark "Shy Di" look. So enamored of herself was Diana, according to Brown, that she claimed not to understand why a certain cardiologist preferred his work at the hospital to seeing after her. Brown interviewed more than 250 people, from Mikhail Baryshnikov (who found the late Princess "so much more beautiful than any photographs or TV") to a friend of Diana's late mother, who says that mum disapproved of her daughter's too hasty royal marriage and tried talking her out of it. In the battle of unpleasant revelations made by both sides in the Di-Charles battles, Brown speculates that Squidgy-gate was the product of MI5 bugging the royal phones. Brown gives her book a tabloid-lingo touch and can fall into melodrama (while everyoneo saw Di's life as a Rodgers and Hammerstein musical, the author says, it "was becoming more like something out of Hitchcock"), but then, given the nature of the subject matter, a little melodrama is entirely fitting. However, the final portrait of Diana as a heroine who broke free of the royal bonds and changed the monarchy forever will be familiar to most readers.Copyright 2007 Library Journal, LLC Used with permission.
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Starred review from July 1, 2007
Is this a total dis job? Does the former editor of Vanity Fair and the New Yorker do a number on the late Princess of Wales, whom she counted as a friend? That is hardly Browns intention; her well-researched, well-considered biography is responsible, eloquent, and honest. And if honesty means she calls things as she sees them pertaining to theincreasingly darker aspects of Dianas out-of-control side, then Brown exhibits no hesitation in doing so. Her lack of trepidation in both crediting Diana for her accomplishmentsin her difficult role as wife of the heir to the throne and drawing negative conclusions about Dianas difficulties in performing that roleachieves an understanding of Diana no author hasreached before. Brown fathoms the needy girl never loved enough; she grasps the reasons for the collision of this outsider spirit with a royal family slow on the uptake in terms of todays omnipresent mediaand the rising cult of celebrity, which, in Browns words, is now the coin of the realm. Diana knew how to manipulate the press, of course, but she had a tiger by the tail; if she let go of the media game she had created around herself, it could destroy her. Brimming with new information and insights, thisbook on the unfortunate Princess of Walesis not just for the season butwill last for a long time to come.(Reprinted with permission of Booklist, copyright 2007, American Library Association.)
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September 24, 2007
Tina Brown's long-awaited biography of Princess Diana is read by the author—a British legend in her own right. Brown's recital is colorful but limited by her rushed, occasionally slurred delivery, which detracts from her prose. The abridged version of the book hits the high notes of this lengthy bio, offering a condensed but worthwhile version of Diana's journey toward British royalty and her eventual tragic end. But as a reader, Brown hurries through even this shorter version, occasionally dropping syllables or speeding through phrases that are thus nearly incomprehensible. On other occasions, she carefully enunciates each syllable, emphasizing her British diction but rendering her reading more actress performance than nuanced reading. Simultaneous release with the Doubleday hardcover (reviewed online).
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"The best book on Diana." —The New Yorker
Was she “the people’s princess,” who electrified the world with her beauty and humanitarian missions? Or was she manipulative and media-savvy and nearly brought down the monarchy?
Tina Brown, former Editor-in-Chief of Tatler, England’s glossiest gossip magazine; Vanity Fair; and The New Yorker gives us the answers. Tina knew Diana personally and has far-reaching insight into the royals and the Queen herself.
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