Loose Woman: Poems
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“Not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review
“All poets would do well to follow the example of Sandra Cisneros, who takes no prisoners and has not made a single compromise in her language.” — Barbara Kingsolver, Los Angeles Times
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Sandra Cisneros. (2013). Loose Woman: Poems. Knopf Doubleday Publishing Group.
Chicago / Turabian - Author Date Citation (style guide)Sandra Cisneros. 2013. Loose Woman: Poems. Knopf Doubleday Publishing Group.
Chicago / Turabian - Humanities Citation (style guide)Sandra Cisneros, Loose Woman: Poems. Knopf Doubleday Publishing Group, 2013.
MLA Citation (style guide)Sandra Cisneros. Loose Woman: Poems. Knopf Doubleday Publishing Group, 2013.
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- bioText: Sandra Cisneros is a poet, short story writer, novelist and essayist whose work explores the lives of the working-class. Her numerous awards include NEA fellowships in both poetry and fiction, the Texas Medal of the Arts, a MacArthur Fellowship, several honorary doctorates and national and international book awards, including Chicago’s Fifth Star Award, the PEN Center USA Literary Award, and the National Medal of the Arts awarded to her by President Obama in 2016. Most recently, she received the Ford Foundation’s Art of Change Fellowship, was recognized among The Frederick Douglass 200, and was awarded the PEN/Nabokov Award for Achievement in International Literature.
Her classic, coming-of-age novel, The House on Mango Street, has sold over six million copies, has been translated into over twenty languages, and is required reading in elementary, high school, and universities across the nation.
In addition to her writing, Cisneros has fostered the careers of many aspiring and emerging writers through two non-profits she founded: the Macondo Foundation and the Alfredo Cisneros del Moral Foundation. She is also the organizer of Los MacArturos, Latino MacArthur fellows who are community activists. Her literary papers are preserved in Texas at the Wittliff Collections at Texas State University.
Sandra Cisneros is a dual citizen of the United States and Mexico and earns her living by her pen. She currently lives in San Miguel de Allende. - name: Sandra Cisneros
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- A candid, sexy and wonderfully mood-strewn collection of poetry that celebrates the female aspects of love, from the reflective to the overtly erotic. • From the bestselling author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.
“Not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review
“All poets would do well to follow the example of Sandra Cisneros, who takes no prisoners and has not made a single compromise in her language.” — Barbara Kingsolver, Los Angeles Times - reviews
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April 25, 1994
The three parts of this spirited collection address the heart, ``spangled again and lopsided.'' In her second book of poems, Cisneros ( My Wicked Wicked Ways ) presents a street-smart, fearlessly liberated persona who raves, sometimes haphazardly, always with abandon, about the real thing: ``I am . . . / The lust goddess without guilt. / The delicious debauchery. You bring out / the primordial exquisiteness in me.'' As if breaking all the rules (``Because someone once / said Don't / do that! / you like to do it''), she delves with urgency into things carnal--sequins, cigars, black lace bras and menstrual blood. Readers of Cisneros's coming-of-age novel The House on Mango Street (which Knopf is reissuing in hardcover) will recognize the almost mythic undertow of her voice; it never weakens. We meet again a powerful, fiercely independent woman of Mexican heritage, though this time innocence has long been lost. For her the worlds of language and life are one and the same: ``Lorenzo, I forget what's real. / I mix up the details of what happened / with what I witnessed inside my / universe.'' These poems--short-lined, chantlike, biting--insistently rework the same themes to tap them. In the end, however, despite the accessible boldness of the writing, the poems lack the depth, the complexity and the lyrical magic of the author's fiction. QPB alternate; first serial to the New Yorker.
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“Not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review
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