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The Lost Child: A Novel
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Published:
Farrar, Straus and Giroux 2015
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Description

Winner of the Hurston/Wright Legacy Award

Caryl Phillips's The Lost Child is a sweeping story of orphans and outcasts, haunted by the past and fighting to liberate themselves from it. At its center is Monica Johnson—cut off from her parents after falling in love with a foreigner—and her bitter struggle to raise her sons in the shadow of the wild moors of the north of England. Phillips intertwines her modern narrative with the childhood of one of literature's most enigmatic lost boys, as he deftly conjures young Heathcliff, the anti-hero of Wuthering Heights, and his ragged existence before Mr. Earnshaw brought him home to his family.

The Lost Child is a multifaceted, deeply original response to Emily Bronte's masterpiece, Wuthering Heights. A critically acclaimed and sublimely talented storyteller, Caryl Phillips is "in a league with Toni Morrison and V. S. Naipaul" (Booklist) and "his novels have a way of growing on you, staying with you long after you've closed the book." (The New York Times Book Review) A true literary feat, The Lost Child recovers the mysteries of the past to illuminate the predicaments of the present, getting at the heart of alienation, exile, and family by transforming a classic into a profound story that is singularly its own.

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Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
Street Date:
03/10/2015
Language:
English
ISBN:
9780374712303
ASIN:
B00MSZECIQ
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Citations
APA Citation (style guide)

Caryl Phillips. (2015). The Lost Child: A Novel. Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation (style guide)

Caryl Phillips. 2015. The Lost Child: A Novel. Farrar, Straus and Giroux.

Chicago / Turabian - Humanities Citation (style guide)

Caryl Phillips, The Lost Child: A Novel. Farrar, Straus and Giroux, 2015.

MLA Citation (style guide)

Caryl Phillips. The Lost Child: A Novel. Farrar, Straus and Giroux, 2015. Web.

Note! Citation formats are based on standards as of July 2010. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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11
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2171a3a7-b25e-e7d9-0016-a166432f564d
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Needs Update?:
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Date Added:
Jun 12, 2018 16:24:26
Date Updated:
Nov 23, 2020 17:59:49
Last Metadata Check:
Nov 23, 2020 18:03:26
Last Metadata Change:
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Last Availability Check:
Nov 23, 2020 18:03:29
Last Availability Change:
Aug 10, 2020 08:37:49
Last Grouped Work Modification Time:
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        Caryl Phillips is the author of numerous works of fiction and nonfiction including Dancing in the Dark, Crossing the River, and Color Me English. His novel A Distant Shore won the Commonwealth Writers' Prize, and his other awards include a Lannan Foundation Award, a Guggenheim Fellowship, and Britain's oldest literary award the James Tait Black Memorial Prize. He is a fellow of the Royal Society of Literature and lives in New York.

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shortDescription

Caryl Phillips's The Lost Child is a sweeping story of orphans and outcasts, haunted by the past and fighting to liberate themselves from it. At its center is Monica Johnson—cut off from her parents after falling in love with a foreigner—and her bitter struggle to raise her sons in the shadow of the wild moors of the north of England. Phillips intertwines her modern narrative with the childhood of one of literature's most enigmatic lost boys, as he deftly conjures young Heathcliff, the anti-hero of Wuthering Heights, and his ragged existence before Mr. Earnshaw brought him home to his family.
Written in the tradition of Jean Rhys's Wide Sargasso Sea and J. M. Coetzee's Foe, The Lost Child is a multifaceted, deeply original response to Emily Bronte's masterpiece, Wuthering Heights. A critically acclaimed and sublimely talented storyteller, Caryl Phillips is "in a league with Toni Morrison and V. S. Naipaul"...

isOwnedByCollections
True
title
The Lost Child
fullDescription

Winner of the Hurston/Wright Legacy Award

Caryl Phillips's The Lost Child is a sweeping story of orphans and outcasts, haunted by the past and fighting to liberate themselves from it. At its center is Monica Johnson—cut off from her parents after falling in love with a foreigner—and her bitter struggle to raise her sons in the shadow of the wild moors of the north of England. Phillips intertwines her modern narrative with the childhood of one of literature's most enigmatic lost boys, as he deftly conjures young Heathcliff, the anti-hero of Wuthering Heights, and his ragged existence before Mr. Earnshaw brought him home to his family.

The Lost Child is a multifaceted, deeply original response to Emily Bronte's masterpiece, Wuthering Heights. A critically acclaimed and sublimely talented storyteller, Caryl Phillips is "in a league with Toni Morrison and V. S. Naipaul" (Booklist) and "his novels have a way of growing on you, staying with you long after you've closed the book." (The New York Times Book Review) A true literary feat, The Lost Child recovers the mysteries of the past to illuminate the predicaments of the present, getting at the heart of alienation, exile, and family by transforming a classic into a profound story that is singularly its own.

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      • premium: False
      • source: James Lasdun
        Praise for A Distant Shore
      • content: "Caryl Phillips has found a fascinating way of writing about the elusive parts of human experience that have to do with loss, absence, yearning, and the struggle of marginalized individuals to build a viable existence. Refracting the present through the past, life through literature, the sweetness and sadness of 1970's England through the austere grandeur of the Brontes' world, he creates a highly original narrative that is both startling and strangely moving."
      • premium: False
      • source: The New York Times Book Review
      • content:

        *Starrred review* "The thematic links between the modern story and Wuthering Heights only become clear over time, and--even then--they're too rich and subtle to work as simple allegory. Empire and race are among Phillips' concerns, but he also offers heartbreaking depictions of alienation and the fragility of human relationships . . . Gorgeously crafted and emotionally shattering."

      • premium: True
      • source: Publisher's Weekly
      • content:

        March 2, 2015
        Phillips (A Distant Shore) spins a disturbing and tragic tale of a broken family in the north of England, sprawling across time and generations, and drawing inspiration from Wuthering Heights. The story begins by the docks of Liverpool as a seven-year-old boy "hovers protectively over his afflicted mother," a woman haunted by her time in the West Indian fields, abandoned by her lovers, and now nearing death. This ghastly introduction telegraphs a difficult path ahead in the modern story of Monica Johnson, a willful young Oxford University student, who rushes from her bully of a father, Ronald, an officious school master, into a marriage and children with Julius Wilson, an older history graduate student on a scholarship from his home country, an unnamed Carribbean island. The point of view shifts among Monica and her three children as the characters attempt to connect despite their self-destructive tendencies, notably anger sublimated into pride. Philips's use of not only the story of Heathcliff and Mr. Earnshaw but of the complicated home life of the Brontë sisters and their beloved failure of a brother will appeal to lovers of their canon. But, as well realized and evocative this story is, it's more gloom than romance on the moors. The book reverberates with pain and dislocation more gothic than any howling ghost.

      • premium: True
      • source: Kirkus
      • content:

        Starred review from January 1, 2015
        Award-winning novelist, essayist and playwright Phillips (Color Me English, 2011, etc.) responds to Wuthering Heights.A difficult daughter and an unhappy wife, Monica Johnson is contrary, self-destructive and-finally-mad. That Monica, in her broad outlines, resembles Cathy Earnshaw is no accident. Her story-as well as that of her husband and their sons-is interwoven with scenes inspired by Wuthering Heights and the life of its author. This is not to say that Monica is Cathy, transplanted from the moors to Oxford in the late 1950s. This is not a retelling. The interplay between this novel and Emily Bronte's masterpiece is much more interesting than that. For example, Phillips imagines Heathcliff before Mr. Earnshaw takes him to the Heights. This boy is the son of a slave, a woman who worked a sugar plantation before being transported to England. Phillips isn't the first to read Bronte's "dark-skinned" antihero as black, but he also connects the boy to Monica's husband, Julius-a man who gives up academic life in order to take up the cause of anti-colonialism in his West Indian home country-and to their neglected, dispossessed sons. The thematic links between the modern story and Wuthering Heights only become clear over time, and-even then-they're too rich and subtle to work as simple allegory. Empire and race are among Phillips' concerns, but he also offers heartbreaking depictions of alienation and the fragility of human relationships. While it would be easy to identify Heathcliff as the lost child of the title, it could also refer to Monica's younger son-or her older boy. But Monica is lost, too. And then there's Bronte, drifting further and further into her invented world as she dies. What Phillips seems to be saying, in the end, is that the lost child could be any of us-perhaps even that the lost child is all of us. Gorgeously crafted and emotionally shattering.

        COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

      • premium: True
      • source: Library Journal
      • content:

        October 15, 2014

        Because Phillips is winner of the Commonwealth Writers' Prize and the James Tait Black Memorial Prize, among other honors, he should do wonders with this account of Heathcliff's life before he encounters the Earnshaws in Wuthering Heights. Blended into the narrative is the story of the Bronte sisters and troubled brother Branwell.

        Copyright 2014 Library Journal, LLC Used with permission.

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