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The Cutting Season: A Novel
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Published:
HarperCollins 2012
Status:
Checked Out
Description

From Attica Locke, a writer and producer of FOX's Empire:

"The Cutting Season is a rare murder mystery with heft, a historical novel that thrills, a page-turner that makes you think. Attica Locke is a dazzling writer with a conscience."—Dolen Perkins-Valdez, New York Times bestselling author of Wench

After her breathtaking debut novel, Black Water Rising, won acclaim from major publications and respected crime fiction masters like James Ellroy and George Pelecanos, Locke returns with The Cutting Season, a second novel easily as gripping and powerful as her first—a heart-pounding thriller that interweaves two murder mysteries, one on Belle Vie, a historic landmark in the middle of Lousiana's Sugar Cane country, and one involving a slave gone missing more than one hundred years earlier. Black Water Rising was nominated for a Los Angeles Times Book Prize, an Edgar® Award, and an NAACP Image Award, and was short-listed for the Orange Prize in the U.K.

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Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
Street Date:
09/11/2012
Language:
English
ISBN:
9780062097743
ASIN:
B007HBT7YK
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Citations
APA Citation (style guide)

Attica Locke. (2012). The Cutting Season: A Novel. HarperCollins.

Chicago / Turabian - Author Date Citation (style guide)

Attica Locke. 2012. The Cutting Season: A Novel. HarperCollins.

Chicago / Turabian - Humanities Citation (style guide)

Attica Locke, The Cutting Season: A Novel. HarperCollins, 2012.

MLA Citation (style guide)

Attica Locke. The Cutting Season: A Novel. HarperCollins, 2012.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Date Added:
Jun 12, 2018 19:18:15
Date Updated:
Sep 13, 2022 21:35:51
Last Metadata Check:
Apr 21, 2024 23:32:33
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        Attica Locke is the author of Black Water Rising, which was nominated for an Edgar Award, an NAACP Image Award, and a Los Angeles Times Book Prize, and was short-listed for the UK's Orange Prize, and also the national bestseller The Cutting Season, which won an Ernest Gaines Award for Literary Excellence. She is a producer and writer on the Fox drama Empire. She is on the board of directors for the Library Foundation of Los Angeles, where she lives.

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From Attica Locke, a writer and producer of FOX's Empire:

"The Cutting Season is a rare murder mystery with heft, a historical novel that thrills, a page-turner that makes you think. Attica Locke is a dazzling writer with a conscience."—Dolen Perkins-Valdez, New York Times bestselling author of Wench

After her breathtaking debut novel, Black Water Rising, won acclaim from major publications and respected crime fiction masters like James Ellroy and George Pelecanos, Locke returns with The Cutting Season, a second novel easily as gripping and powerful as her first—a heart-pounding thriller that interweaves two murder mysteries, one on Belle Vie, a historic landmark in the middle of Lousiana's Sugar Cane country, and one involving a slave gone missing more than one hundred years earlier. Black Water Rising was nominated for a Los Angeles Times Book Prize, an Edgar® Award, and an NAACP Image Award, and was short-listed for the Orange Prize in the U.K.

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        "One of the most engaging and gifted new voices in the genre. . . . The Cutting Season does more than exhume a body—it rattles the bones of slavery, race, class, and power to examine a crime that reverberates from more than a century ago." — Atlanta Journal-Constitution

        "The impressively astute Attica Locke writes . . . in much the same way that Mr. Lehane [does]. . . . Each is willing to use the murder mystery as a framework for much more ambitious, atmospheric fiction." — New York Times

        "Compelling. . . . A mystery that expands the whole idea of the mystery, reaching from the present deeply into the past. . . . Great writing, the kind that gives you goose bumps." — Los Angeles Times

        "Although The Cutting Season succeeds as a thriller, above all it is a well-crafted warning about the damage wrought—generational, social, romantic—when the past is distorted or denied." — Financial Times

        "A thoughtful, well-written and absorbing read with a surprising ending." — Minneapolis Star Tribune

        "Dripping with southern Gothic atmosphere. . . . Equal parts murder mystery and family drama, the novel also draws readers in through its considerations of African-American history and life in post-Katrina Louisiana." — USA Today

        "I was first struck by Attica Locke's prose, then by the ingenuity of her narrative and finally and most deeply by the depth of her humanity. She writes with equal amounts grace and passion. . . . I'd probably read the phone book if her name was on the spine." — Dennis Lehane

        "The Cutting Season is a rare murder mystery with heft, a historical novel that thrills, a page-turner that makes you think. Attica Locke is a dazzling writer with a conscience." — Dolen Perkins-Valdez, New York Times bestselling author of Wench

        "The Cutting Season is a novel about the shifting definitions of family, the persistent pull of history, the sterling promise of home, and the stunning power of love. It pulled me in and held me close to the very last page." — Tayari Jones, author of Silver Sparrow

      • premium: True
      • source: Publisher's Weekly
      • content:

        August 6, 2012
        Locke follows her debut, Black Water Rising, with a convoluted tale about the Louisiana antebellum plantation Belle Vie and two multigenerational families that have occupied it for more than a century. Caren Gray, whose great-great-great grandfather was a slave, manages the entire staff for Belle Vie, which caters weddings and parties and stages shows about plantation life in the old days. The Clancys trace their lineage back to William Tynan, who acquired the plantation after the Civil War. Patriarch Leland Clancy’s wife restored the mansion now run by her son Raymond. The discovery of the body of a cane field worker from the adjacent farm on Belle Vie property triggers a chain of events that embroils Caren, her nine-year-old daughter, the Clancys, and others in an investigation that finds its antecedents in the two families’ entwined histories. The murder and its solution take second place as Locke charts the South’s troubled progress since slavery through a surfeit of subplots. Agent: Richard Abate, 3 Arts Entertainment.

      • premium: True
      • source: Library Journal
      • content:

        May 15, 2012

        Locke follows up her multiple-prize-nominated debut, Black Water Rising, with a story set in contemporary Louisiana but freighted with implications from the past. A young woman is found with her throat cut on the antebellum plantation Belle Vie. Locals are angry about migrant labor and the corporate takeover of the area's small family farms, but estate manager Caren Gray turns elsewhere for a solution. Fingers crossed for this sophomore effort.

        Copyright 2012 Library Journal, LLC Used with permission.

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From Attica Locke, a writer and producer of FOX's Empire:

"The Cutting Season is a rare murder mystery with heft, a historical novel that thrills, a page-turner that makes you think. Attica Locke is a dazzling writer with a conscience."—Dolen Perkins-Valdez, New York Times bestselling author of Wench

After her breathtaking debut novel, Black Water Rising, won acclaim from major publications and respected crime fiction masters like James Ellroy and George Pelecanos, Locke returns with The Cutting Season, a second novel easily as gripping and powerful as her first—a heart-pounding thriller that interweaves two murder mysteries, one on Belle Vie, a historic landmark in the middle of Lousiana's Sugar Cane country, and one involving a slave gone missing more than one hundred years earlier. Black Water Rising was nominated for a Los Angeles Times Book Prize, an Edgar® Award, and an NAACP Image Award, and was short-listed for the Orange Prize in the U.K.

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