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The Face-Changers
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Random House Publishing Group 2011
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Description

Jane Whitefield, legendary half-Indian shadow guide who spirits hunted people away from certain death, has never had a client like Dr. Richard Dahlman. A famous plastic surgeon who has dedicated his life to healing, the good doctor hasn't a clue why stalkers are out for his blood. But he knows Jane Whitefield's name—and that she is his only hope. Once again Jane performs her magic, leading Dahlman in a nightmare flight across America, only a heartbeat ahead of pursuers whose leader is a dead ringer for Jane: a raven-haired beauty who has stolen her name, reputation, and techniques—not to save lives, but to destroy them. . . .

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Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
Street Date:
02/16/2011
Language:
English
ISBN:
9780307781369
ASIN:
B004G8PG1A

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Citations

APA Citation (style guide)

Thomas Perry. (2011). The Face-Changers. Random House Publishing Group.

Chicago / Turabian - Author Date Citation (style guide)

Thomas Perry. 2011. The Face-Changers. Random House Publishing Group.

Chicago / Turabian - Humanities Citation (style guide)

Thomas Perry, The Face-Changers. Random House Publishing Group, 2011.

MLA Citation (style guide)

Thomas Perry. The Face-Changers. Random House Publishing Group, 2011.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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Shared Digital Collection11

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Date Added:
Jun 12, 2018 18:46:44
Date Updated:
Mar 16, 2023 01:17:18
Last Metadata Check:
Nov 10, 2024 10:51:44
Last Metadata Change:
Oct 08, 2024 10:14:07
Last Availability Check:
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Last Availability Change:
Oct 29, 2024 17:57:26
Last Grouped Work Modification Time:
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The Face-Changers
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Jane Whitefield, legendary half-Indian shadow guide who spirits hunted people away from certain death, has never had a client like Dr. Richard Dahlman. A famous plastic surgeon who has dedicated his life to healing, the good doctor hasn't a clue why stalkers are out for his blood. But he knows Jane Whitefield's name—and that she is his only hope. Once again Jane performs her magic, leading Dahlman in a nightmare flight across America, only a heartbeat ahead of pursuers whose leader is a dead ringer for Jane: a raven-haired beauty who has stolen her name, reputation, and techniques—not to save lives, but to destroy them. . . .
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        "Terrific. . . . Dazzling ingenuity."

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      • source: JONATHAN KELLERMAN
      • content: "THE FACE-CHANGERS IS BRILLIANTLY PLOTTED AND STYLISHLY EXECUTED. THOMAS PERRY IS A TRUE ORIGINAL."
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        May 4, 1998
        Jane Whitefield, last seen in Perry's Shadow Woman, is an alluring operative of Indian heritage who helps people disappear. It is an arcane pursuit, involving myriad skills and constant vigilance. In fact, when Jane gets married to surgeon Carey McKinnon, she hopes to give it up and lead a normal life. Unfortunately, McKinnon's mentor, plastic surgeon Dr. Richard Dahlman, who is accused of murdering his assistant and has been shot and wounded by police pursuers, is in urgent need of her services; and since McKinnon is convinced he is innocent, Jane agrees to employ her expertise one more time. Thus begins Perry's latest, which soon begets layer upon layer of deception and intrigue. It seems that Dahlman himself, with a series of operations, had helped someone attain a new identity, and that he is being pursued not by the police but by men intent on killing him for what he knows. But who are they? Re-establishing some of her old creepy contacts, Jane becomes convinced the villains are in the business of frightening people into believing they are in danger, then collecting vast sums to help them vanish. And now that the FBI is after Jane for Dahlman's escape, she is beleaguered on two fronts. This is really a prolonged chase novel, enlivened by some smooth action writing and a remarkable mastery of escape techniques--one would hate to be a debt collector in search of the author. It does seem in the end, however, an overly complex structure that obliges a reader to put up with long passages filled with nothing but the minutiae of pursuit and paranoia. The effect is somewhat claustrophobic, and Jane, for all her toughness and smarts, is not a particularly enlivening companion.

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