Ten Second Staircase: A Peculiar Crimes Unit Mystery
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As implausible as the boy’s story sounds, Bryant and May take it seriously when “The Highwayman” is spotted again, striking a dramatic pose at the scene of his next outlandish murder. Whatever the killer’s real identity, he seems intent on killing off a string of minor celebrities while becoming one himself.
As the tabloids look to make a quick bundle on “Highwayman Fever,” Bryant and May, along with the newest member of the Unit, May’s agoraphobic granddaughter, April, find themselves sorting out a case involving an unlikely combination of artistic rivalries, sleazy sex affairs, the Knights Templars, and street gang feuds. To do it, they’re going to have to use every orthodox–and unorthodox–means at their disposal, including myth, witchcraft, and the psychogeographic history of the city’s “monsters,” past and present.
And if one unsolvable crime weren’t enough, this case has disturbing links to a decades-old killing spree that nearly destroyed the partnership of Bryant and May once before…and may again. The Peculiar Crimes Unit is one murder away from being closed down for good–and that murder could be their own.
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Christopher Fowler. (2006). Ten Second Staircase: A Peculiar Crimes Unit Mystery. Random House Publishing Group.
Chicago / Turabian - Author Date Citation (style guide)Christopher Fowler. 2006. Ten Second Staircase: A Peculiar Crimes Unit Mystery. Random House Publishing Group.
Chicago / Turabian - Humanities Citation (style guide)Christopher Fowler, Ten Second Staircase: A Peculiar Crimes Unit Mystery. Random House Publishing Group, 2006.
MLA Citation (style guide)Christopher Fowler. Ten Second Staircase: A Peculiar Crimes Unit Mystery. Random House Publishing Group, 2006.
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- bioText: Christopher Fowler was the acclaimed author of the award-winning Peculiar Crimes Unit mysteries: Full Dark House, The Water Room, Seventy-Seven Clocks, Ten Second Staircase, White Corridor, The Victoria Vanishes, Bryant & May on the Loose, Bryant & May off the Rails, The Memory of Blood, The Invisible Code, Bryant & May and the Bleeding Heart, Bryant & May and the Burning Man, Bryant & May: Strange Tide, Bryant & May: Wild Chamber, Bryant & May: Hall of Mirrors, Bryant & May: The Lonely Hour, Bryant & May: Oranges & Lemons, Bryant & May: London Bridge Is Falling Down, and Bryant & May: Peculiar London. In 2015 Fowler won the coveted Crime Writers’ Association Dagger in the Library Award in recognition for his body of work. Christopher Fowler died in 2023.
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- It’s a crime tailor-made for the Peculiar Crimes Unit: a controversial artist is murdered and displayed as part of her own outrageous installation. No suspects, no motive, no evidence–it’s business as usual for the Unit’s cantankerous founding partners, Arthur Bryant and John May. But this time they have an eyewitness. According to twelve-year-old Luke Tripp, the killer was a cape-clad highwayman atop a black stallion.
As implausible as the boy’s story sounds, Bryant and May take it seriously when “The Highwayman” is spotted again, striking a dramatic pose at the scene of his next outlandish murder. Whatever the killer’s real identity, he seems intent on killing off a string of minor celebrities while becoming one himself.
As the tabloids look to make a quick bundle on “Highwayman Fever,” Bryant and May, along with the newest member of the Unit, May’s agoraphobic granddaughter, April, find themselves sorting out a case involving an unlikely combination of artistic rivalries, sleazy sex affairs, the Knights Templars, and street gang feuds. To do it, they’re going to have to use every orthodox–and unorthodox–means at their disposal, including myth, witchcraft, and the psychogeographic history of the city’s “monsters,” past and present.
And if one unsolvable crime weren’t enough, this case has disturbing links to a decades-old killing spree that nearly destroyed the partnership of Bryant and May once before…and may again. The Peculiar Crimes Unit is one murder away from being closed down for good–and that murder could be their own. - seriesId
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- source: Publishers Weekly, starred review
- content: "Fowler smoothly blends humor, deduction and social commentary in his fourth oddball whodunit ... [Ten Second Staircase} places Fowler in the first rank of contemporary mystery writers and whets the appetite for the next Bryant and May case."
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- source: Booklist, starred review
- content: "This fourth Bryant and May novel delivers a delirious blend of black humor and suspense--recommend it to readers looking for something different in an English procedural."
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Starred review from May 8, 2006
After the somewhat disappointing Seventy-seven Clocks
(2005), British author Fowler smoothly blends humor, deduction and social commentary in his fourth oddball whodunit to pay homage to John Dickson Carr and other golden age masters of the impossible crime story. Besides matching a bizarre series of crimes with a logical and plausible fair-play solution, the novel features a high level of psychological complexity, especially in its detectives, the elderly eccentrics Arthur Bryant (who clearly channels Carr's brilliant curmudgeon, Sir Henry Merrivale) and John May. With the pair's beloved Peculiar Crimes Unit on the brink of extinction, Bryant and May must both resolve a cold case featuring the Leicester Square Vampire, whose victims included May's own daughter, and identify the Highwayman, who specializes in locked-room murders of hated celebrities. Far superior to the author's best earlier work, this fine effort places Fowler in the first rank of contemporary mystery writers and whets the appetite for the next Bryant and May case.
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June 1, 2006
The North London Peculiar Crimes Unit is about to be dismantled. But that does not stop Arthur Bryant and John May from taking on the odd murder of an artist drowned in her own installation piece -a large tank filled with formaldehyde. The suspect is a cape-wearing highwayman riding a black horse; the elderly detectives are as cantankerous and unfocused as ever yet always seem to get the job done. When they realize that this crime may relate to their unsolved Leicester Square Vampire case, things get dicey. Will they be able to solve both cases before the Home Office padlocks their doors forever? Laced with humor, the fourth book in Fowler -s imaginative series (after "The Water Room") pokes fun at almost everything in society today. Fowler offers a distinctive prose style and characters so unusual that it is difficult to think of another author -s work this creative, unless, of course, it -s Neil Gaiman -s "Neverwhere". For readers who enjoy a bit of the bizarre in their mysteries.Copyright 2006 Library Journal, LLC Used with permission.
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Starred review from May 1, 2006
Old age can't stop cantankerous detectives Arthur Bryant and John May, the most senior members of London's Peculiar Crimes Unit. The quirky division, whose unorthodox methods have long made it the bane of the city's Metropolitan Police force, takes pride in tackling fiendishly clever crimes. Their latest doozy of a case concerns the murder of a controversial performance artist whose body was placed in her latest works of art: a 12-foot-high tank of liquid containing six aborted fetuses. Absentminded throwbacks Bryant and May make a most amusing pair: May, whose weakness for married women is rivaled only by his adoration for his agoraphobic granddaughter, and Bryant, disheveled, disorganized, and devoted to peculiar sources, including practitioners of black magic. More murders (a B-list celebrity electrocuted on an exercise machine, a pedophile showered with petrol and set on fire) put the two no closer to solving the case, whose suspects include members of a teen street gang and a mysterious cloaked figure sporting a tricorn hat and black mask. Meanwhile, the Peculiar Crimes Unit, still haunted by the unsolved matter of the Leicester Square Vampire, must prove itself worthy before cost-cutting bureaucrats shut the division down for good. This fourth Bryant and May novel delivers a delirious blend of black humor and suspense--recommend it to readers looking for something different in an English procedural.(Reprinted with permission of Booklist, copyright 2006, American Library Association.)
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As implausible as the boy’s story sounds, Bryant and May take it seriously when “The Highwayman” is spotted again, striking a dramatic pose at the scene of his next outlandish murder. Whatever the killer’s real identity, he seems intent on killing off a string of minor celebrities while becoming one himself.
As the tabloids look to make a quick bundle on “Highwayman Fever,” Bryant and May, along with the newest member of the Unit, May’s agoraphobic granddaughter, April, find themselves sorting... - sortTitle
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