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Bukowski in a Sundress: Confessions from a Writing Life
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Published:
Penguin Publishing Group 2016
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Description
“Somewhere between Jo Ann Beard’s The Boys of My Youth and Amy Schumer’s stand-up exists Kim Addonizio’s style of storytelling . . . at once biting and vulnerable, nostalgic without ever veering off into sentimentality.” —Refinery29
“Always vital, clever, and seductive, Addonizio is a secular Anne Lamott, a spiritual aunt to Lena Dunham.” Booklist
A dazzling, edgy, laugh-out-loud memoir from the award-winning poet and novelist that reflects on writing, drinking, dating, and more

 
Kim Addonizio is used to being exposed. As a writer of provocative poems and stories, she has encountered success along with snark: one critic dismissed her as “Charles Bukowski in a sundress.” (“Why not Walt Whitman in a sparkly tutu?” she muses.) Now, in this utterly original memoir in essays, she opens up to chronicle the joys and indignities in the life of a writer wandering through middle age.
              
Addonizio vividly captures moments of inspiration at the writing desk (or bed) and adventures on the road—from a champagne-and-vodka-fueled one-night stand at a writing conference to sparsely attended readings at remote Midwestern colleges. Her crackling, unfiltered wit brings colorful life to pieces like “What Writers Do All Day,” “How to Fall for a Younger Man,” and “Necrophilia” (that is, sexual attraction to men who are dead inside). And she turns a tender yet still comic eye to her family: her father, who sparked her love of poetry; her mother, a former tennis champion who struggled through Parkinson’s at the end of her life; and her daughter, who at a young age chanced upon some erotica she had written for Penthouse.
 
At once intimate and outrageous, Addonizio’s memoir radiates all the wit and heartbreak and ever-sexy grittiness that her fans have come to love—and that new readers will not soon forget.
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Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
Street Date:
06/21/2016
Language:
English
ISBN:
9780698408913
ASIN:
B0191X353A
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Citations
APA Citation (style guide)

Kim Addonizio. (2016). Bukowski in a Sundress: Confessions from a Writing Life. Penguin Publishing Group.

Chicago / Turabian - Author Date Citation (style guide)

Kim Addonizio. 2016. Bukowski in a Sundress: Confessions From a Writing Life. Penguin Publishing Group.

Chicago / Turabian - Humanities Citation (style guide)

Kim Addonizio, Bukowski in a Sundress: Confessions From a Writing Life. Penguin Publishing Group, 2016.

MLA Citation (style guide)

Kim Addonizio. Bukowski in a Sundress: Confessions From a Writing Life. Penguin Publishing Group, 2016.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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“Somewhere between Jo Ann Beard’s The Boys of My Youth and Amy Schumer’s stand-up exists Kim Addonizio’s style of storytelling . . . at once biting and vulnerable, nostalgic without ever veering off into sentimentality.” —Refinery29
“Always vital, clever, and seductive, Addonizio is a secular Anne Lamott, a spiritual aunt to Lena Dunham.” Booklist
A dazzling, edgy, laugh-out-loud memoir from the award-winning poet and novelist that reflects on writing, drinking, dating, and more

 
Kim Addonizio is used to being exposed. As a writer of provocative poems and stories, she has encountered success along with snark: one critic dismissed her as “Charles Bukowski in a sundress.” (“Why not Walt Whitman in a sparkly tutu?” she muses.) Now, in this utterly original memoir in essays, she opens up to chronicle the joys and indignities in the life of a writer wandering through middle age.
              
Addonizio vividly captures moments of inspiration at the writing desk (or bed) and adventures on the road—from a champagne-and-vodka-fueled one-night stand at a writing conference to sparsely attended readings at remote Midwestern colleges. Her crackling, unfiltered wit brings colorful life to pieces like “What Writers Do All Day,” “How to Fall for a Younger Man,” and “Necrophilia” (that is, sexual attraction to men who are dead inside). And she turns a tender yet still comic eye to her family: her father, who sparked her love of poetry; her mother, a former tennis champion who struggled through Parkinson’s at the end of her life; and her daughter, who at a young age chanced upon some erotica she had written for Penthouse.
 
At once intimate and outrageous, Addonizio’s memoir radiates all the wit and heartbreak and ever-sexy grittiness that her fans have come to love—and that new readers will not soon forget.
reviews
      • premium: True
      • source: Publisher's Weekly
      • content:

        May 9, 2016
        Addonizio, already known as an accomplished poet (Lucifer at the Starlite) and fiction writer (The Palace of Illusions), shows a knack for memoir as well in this essay collection. Organized according to no particular chronology, the pieces serve as windows into the life of a successful mid-career poet: the underpaid writing panels, boozy conferences, and daily struggle to actually get words down on page. Her writing is charmingly self-aware, at times confessional (a descriptor she likens to being tarred and feathered), but never apologetic. She wears her sexual misadventures, her drinking habits, and her anxieties over abandonment and failure like a badge, if not of honor, then of identity. The daughter of tennis champion Pauline Betz, she writes stunningly about watching her mother's battle with Parkinson's disease, as well as about her own experience as a mother, to the actress Aya Cash. In the collection's eponymous essay, Addonizio recalls learning that a critic had called her "Bukowski in a sundress," prompting a thoughtful critique of sexism that concludes with her suggestion that this icon of literary machismo might one day be known as "Kim Addonizio in pee-stained pants." This is Addonizio in a nutshell: funny, frank, vulgar, and just a little bit vulnerable. Agent: Rob McQuilkin, Lippincott Massie McQuilkin.

      • premium: True
      • source: Kirkus
      • content:

        May 1, 2016
        A sometimes-scandalous poet opens up about herself and her business. Mary Karr describes writing a memoir as "knocking yourself out with your own fist." In these short, autobiographical pieces, poet and novelist Addonizio (The Palace of Illusions: Stories, 2014, etc.) knocks herself out over and over, sometimes viciously. The book is filled with her usual jaunty wit, sarcasm, and irreverence. This "Emily Dickinson with a strap-on," as she calls herself, is ruthlessly honest and writes so well that no matter what she's excoriating or dissing or musing about becomes immediately fascinating. Her passion for writing is an "irresistible lover" she's known most of her life; it's the "monster that controls me." There are also the lovers she has sought in all the wrong places her whole life--the divorces and many lovers or mere sex partners for a night. Too many had "no heart in their chest cavity." Many of these pieces are dark and unrelenting in self-flagellation. There's the drinking (a lot), depression, and a drug-riddled life: "pot, mescaline, acid, Quaaludes, Seconals, coke, heroin, speed," and others she can't recall. Addonizio writes fondly of her famous parents. Her sportswriter dad read to her often, and her piece about taking her elderly, ailing, once-a-champion-tennis-player mom, Pauline Betz, to a drug store for a flu shot is tender and loving. Poetry and writing and her daughter, Aya Cash, an accomplished actress, are the true loves in her life. Addonizio has managed to live off her books, grants, prizes, and readings her whole life. Trying to write a third novel to make some money was as painful as "having a baby," and she gives up. Whether it's walking around drunk at a poetry conference or looking for a new beau online, the life of this poet is not a pretty picture, but it's captivating. An unrelenting, authentic, literary midnight confession.

        COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.

      • premium: True
      • source: Booklist
      • content:

        May 15, 2016
        Addonizio (Lucifer at the Starlite, 2011) is brash and tender, pissed off and funny, well armored and wounded. Emotions, bravado, and empathy run high in her award-garnering poetry and novels, and she now taps into the wellsprings of her creativity in this rollicking and wrenching memoir-in-essays. Her confessions involve sex and the conundrums of female desire rising and falling beneath the withering disdain of misogynist social arbiters, as well as the demoralizing particulars of the often-romanticized writing life, from loneliness and doubt to financial deprivation, writer's block, and barbed judgments, including the source of the book's irresistible title. The most moving tales involve her poetry-loving sportswriter father and her mother, a celebrity tennis player who had a fling with Spencer Tracy, then lost her prowess to Parkinson's. Addonizio also incisively considers the terror and suffering of her oldest brother, her bouts with drinking, failed marriages, online dating, and, a bright spot, motherhood. Always vital, clever, and seductive, Addonizio, a secular Anne Lamott, a spiritual aunt to Lena Dunham, delivers shock and awe, humor and pathos with panache.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)

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“Somewhere between Jo Ann Beard’s The Boys of My Youth and Amy Schumer’s stand-up exists Kim Addonizio’s style of storytelling . . . at once biting and vulnerable, nostalgic without ever veering off into sentimentality.” —Refinery29
“Always vital, clever, and seductive, Addonizio is a secular Anne Lamott, a spiritual aunt to Lena Dunham.” Booklist
A dazzling, edgy, laugh-out-loud memoir from the award-winning poet and novelist that reflects on writing, drinking, dating, and more

 
Kim Addonizio is used to being exposed. As a writer of provocative poems and stories, she has encountered success along with snark: one critic dismissed her as “Charles Bukowski in a sundress.” (“Why not Walt Whitman in a sparkly tutu?” she muses.) Now, in this utterly original memoir in essays, she opens up to chronicle the joys and...
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