A Cold Heart
(OverDrive MP3 Audiobook, OverDrive Listen)
Description
“I’ve got a weird one, so naturally I thought of you,” says Milo Sturgis, summoning his friend Alex to the trendy gallery where a promising young artist has been brutally garroted on the night of her first major showing. What makes it “a weird one” is the lack of any obvious motive, and the luridly careful staging of the murder scene—which immediately suggests to Alex not an impulsive crime of passion . . . but the meticulous and taunting modus operandi of a serial killer.
Delaware’s suspicion is borne out when he compares notes with Milo’s associate, Petra Connor, and her new partner, a strange, taciturn detective with a past of his own named Eric Stahl. The Hollywood cops are investigating the vicious death of Baby Boy Lee, a noted blues guitarist, fatally stabbed after a late-night set at a local club. What links Baby Boy’s murder with that of painter Juliet Kipper is the shadowy presence of an abrasive fanzine writer. This alias-shrouded critic’s love-the-art/disdain-the-artist philosophy and his morbid fascination with the murders leads Alex and the detectives to suspect they’re facing a new breed of celebrity stalker: one with a fetish for snuffing out rising stars.
Tracking down the killer proves to be maddening, with the twisting trail leading from halfway houses to palatial mansions and from a college campus to the last place Alex ever expected: the doorstep of his ex-lover Robin Castagna, whose business association with two of the victims casts her as an unavoidable player in the unfolding case. As more and more killings are discovered, unraveling the maddening puzzle assumes a chilling new importance—stopping a vicious psychopath who’s made cold-blood murder his chosen art form.
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Citations
Jonathan Kellerman. (2007). A Cold Heart. Unabridged Books on Tape.
Chicago / Turabian - Author Date Citation (style guide)Jonathan Kellerman. 2007. A Cold Heart. Books on Tape.
Chicago / Turabian - Humanities Citation (style guide)Jonathan Kellerman, A Cold Heart. Books on Tape, 2007.
MLA Citation (style guide)Jonathan Kellerman. A Cold Heart. Unabridged Books on Tape, 2007.
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- bioText: Jonathan Kellerman is one of the world’s most popular authors. He has brought his expertise as a clinical psychologist to numerous bestselling tales of suspense (which have been translated into two dozen languages), including seventeen Alex Delaware novels; The Butcher’s Theater, a story of serial killing in Jerusalem; and Billy Straight, featuring Hollywood homicide detective Petra Connor. He is also the author of numerous essays, short stories, and scientific articles, two children’s books, and three volumes of psychology, including Savage Spawn: Reflections on Violent Children. He has won the Goldwyn, Edgar, and Anthony awards, and has been nominated for a Shamus Award. He and his wife, the novelist Faye Kellerman, have four children.
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- Jonathan Kellerman is a master at creating psychologically nuanced novels of suspense—an author whose name is synonymous with unrelenting action, intriguing plot twists, and penetrating insight into the criminal mind. Now he ventures into bold, new territory with his biggest and best novel yet. A Cold Heart features Kellerman’s brilliant signature style—but in this tour-de-force he mines even deeper the emotional landscape of his characters: psychologist-sleuth Alex Delaware, LAPD homicide detective Milo Sturgis, Milo’s colleague Petra Connor, and Alex’s ex-lover, Robin Castagna—bringing them all vividly to life as never before.
“I’ve got a weird one, so naturally I thought of you,” says Milo Sturgis, summoning his friend Alex to the trendy gallery where a promising young artist has been brutally garroted on the night of her first major showing. What makes it “a weird one” is the lack of any obvious motive, and the luridly careful staging of the murder scene—which immediately suggests to Alex not an impulsive crime of passion . . . but the meticulous and taunting modus operandi of a serial killer.
Delaware’s suspicion is borne out when he compares notes with Milo’s associate, Petra Connor, and her new partner, a strange, taciturn detective with a past of his own named Eric Stahl. The Hollywood cops are investigating the vicious death of Baby Boy Lee, a noted blues guitarist, fatally stabbed after a late-night set at a local club. What links Baby Boy’s murder with that of painter Juliet Kipper is the shadowy presence of an abrasive fanzine writer. This alias-shrouded critic’s love-the-art/disdain-the-artist philosophy and his morbid fascination with the murders leads Alex and the detectives to suspect they’re facing a new breed of celebrity stalker: one with a fetish for snuffing out rising stars.
Tracking down the killer proves to be maddening, with the twisting trail leading from halfway houses to palatial mansions and from a college campus to the last place Alex ever expected: the doorstep of his ex-lover Robin Castagna, whose business association with two of the victims casts her as an unavoidable player in the unfolding case. As more and more killings are discovered, unraveling the maddening puzzle assumes a chilling new importance—stopping a vicious psychopath who’s made cold-blood murder his chosen art form. - seriesId
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- source: USA Today
- content: "Often, mystery writers can either plot like devils or create believable characters. Kellerman stands out because he can do both. Masterfully."
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- source: Los Angeles Times Book Review
- content: "Kellerman has shaped the psychological mystery novel into an art form."
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- source: Wichita Falls
- content: "Jonathan Kellerman is back with [A Cold Heart], and it shows all the Kellerman class we have come to expect. I proclaim 'his best yet' with every new book, but--and this should be no surprise--he manages to trump himself every time. . . . A bloomin' good whodunit."
- premium: False
- source: Publishers Weekly
- content: "[A] highly successful series . . . Kellerman provides a meaty layer of interpersonal relationships beneath the surface of his plot."
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- source: Kirkus Reviews
- content: "Detective fiction's best-loved shrink, handsome, intrepid, immeasurably sensitive, is in top form."
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- content: A COLD HEART demonstrates why Jonathan Kellerman's novels are perennial bestsellers. This story, one of Kellerman's best, again features psychologist Alex Delaware, who now assists the LAPD in connecting and solving the seemingly unrelated murders of various rising stars. In addition, listeners can count on John Rubinstein, who has recorded 18 of Kellerman's novels, to give the books consistency and charm. Rubinstein's voice is warm, yet he is always able to give characters such as Detective Milo Sturgis distinct voices and personalities, while allowing the listener to be as awed by Kellerman's ingenious plot twists as the characters are. A welcome addition to Kellerman's characters is Detective Eric Stahl; Rubinstein's portrayal of Stahl's almost complete lack of emotion and identity is, perhaps, the highlight of the book. D.J.S. (c) AudioFile 2003, Portland, Maine
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April 14, 2003
"This one's a twister, isn't it?" Kellerman is at it again with number 17 in his highly successful series starring smooth L.A. psychologist Alex Delaware. In this latest installment, Delaware is called in (via Homicide pal Milo Sturgis) to consult on a string of bizarre murders of fringe artists on the verge of stardom. The victims—a bluesman out of rehab, a punk diva screaming her way toward a record deal, a rising young concert pianist and an abstract painter—seem utterly unrelated. Their only connection, as Delaware shrewdly notes, is that each is " gifted, damaged soul snuffed out violently, during the first blush of comeback." Rounding out the investigative team is Det. Petra Connor (reprising her role from previous Kellerman books), this time paired with spooky, skinny Eric Stahl, a silent ex-soldier with a sweaty fear of hospitals. The clues appear in an underground zine covering art in absurdly pretentious tones ("This is DANCE as in paleo-instinctuo-bioenergetics") in articles signed by the "Faithful Scrivener," and lead the team to encounters with some of the weirder denizens of the City of Angels. Of course, Kellerman provides a meaty layer of interpersonal relationships beneath the surface of his plot, so that longtime fans can tune into the latest episode of Delaware's tense friendship with his ex, Robin, which is not where he hoped it would be, but which he handles with his usual aplomb ("When in doubt, ask about the dog"). That Robin's occupation places her squarely in the killer's crosshairs wraps things up nicely. Booksellers should have little trouble moving this along. Agent, Barney Karpfinger. Major ad/promo.
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“I’ve got a weird one, so naturally I thought of you,” says Milo Sturgis, summoning his friend Alex to the trendy gallery where a promising young artist has been brutally garroted on the night of her first major showing. What makes it “a weird one” is the lack of any obvious... - sortTitle
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