The Gloaming
(Adobe EPUB eBook, Kindle Book, OverDrive Read)
"Deeply satisfying. Finn is a remarkably confident and supple storyteller. [The Gloaming] deserves major attention."
—John Williams, New York Times
"In this richly textured, intricately plotted novel, [Finn] assures us that heartbreak has the same shape everywhere. The Gloaming is chillingly cinematic in contrasting East Africa's exquisite landscape with the region's human needs. Yet even in a malevolent setting, Finn shows us acts of selflessness and redemption. Her fascination with the duality of Africa — “the most honest place on earth" — shines fiercely."
—Lisa Zeidner, New York Times Book Review, Editors' Choice
"A propulsive literary thriller. Finn, who writes with a psychological acuity that rivals Patricia Highsmith's, switches between Europe and Africa in tense alternating chapters, rewarding close attention. The book is terrific... subtle and thrilling. Remarkably well-paced and well-written... Don't expect to be able to set this book down or forget its haunted characters."
—Kirkus Reviews, starred
"Intense, impressive."
—The Guardian
"I rarely get as invested in the outcome of a novel as I did reading The Gloaming, but the empathies that Finn evokes in this powerful and unpredictable book are not casual; these traumas could be our own. [Finn's] prose is hypnotic and knife-precise and at times so beautiful it's unnerving. I didn't read this book so much as I experienced it and it will haunt me for a very, very long time."
—Jill Alexander Essbaum, New York Times–bestselling author of Hausfrau
Pilgrim's husband left her for another woman, stranding her in a Swiss town where she is involved in an accident that leaves three children dead. Cleared of responsibility though overcome with guilt, she absconds to Africa, befriending a series of locals each with their own tragic past.
Mysteriously, the remains of an albino appear, spooking everyone—sign of a curse placed by a witch doctor—though its intended recipient is uncertain. Pilgrim volunteers to rid the town of the box and its contents, though wherever she goes, she can't shake the feeling that she's being followed.
Melanie Finn was born and raised in Kenya until age eleven, when she moved with her family to Connecticut. She is the author of the novel Away From You and wrote DisneyNature's beautiful, haunting flamingo epic The Crimson Wing, which was directed by her husband, filmmaker Matt Aeberhard. During the filming, Melanie established The Natron Healthcare Project, and now lives in Vermont with Matt and their twin daughters.
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Melanie Finn. (2016). The Gloaming. Two Dollar Radio.
Chicago / Turabian - Author Date Citation (style guide)Melanie Finn. 2016. The Gloaming. Two Dollar Radio.
Chicago / Turabian - Humanities Citation (style guide)Melanie Finn, The Gloaming. Two Dollar Radio, 2016.
MLA Citation (style guide)Melanie Finn. The Gloaming. Two Dollar Radio, 2016.
| Library | Owned | Available |
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| Shared Digital Collection | 1 | 1 |
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Melanie Finn was born and raised in Kenya until age 11, when she moved with her family to Connecticut. After studying journalism at NYU, she worked as a journalist and screenwriter for twenty years, living and working in six different countries. In 2004, her first novel, Away From You, was published and was a finalist for the Orange Prize for Fiction. The following year, she and her husband, the wildlife filmmaker Matt Aeberhard, moved to a remote region of Tanzania to make DisneyNature's beautiful, haunting flamingo epic, The Crimson Wing. During the filming, Melanie became the medic to the local Masai community and established The Natron Healthcare Project. She now lives on a hill in Vermont with Matt, their twin daughters, three Tanzanian mutts and two very old horses.
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"Deeply satisfying. Finn is a remarkably confident and supple storyteller. [The Gloaming] deserves major attention."
—John Williams, New York Times
"In this richly textured, intricately plotted novel, [Finn] assures us that heartbreak has the same shape everywhere. The Gloaming is chillingly cinematic in contrasting East Africa's exquisite landscape with the region's human needs. Yet even in a malevolent setting, Finn shows us acts of selflessness and redemption. Her fascination with the duality of Africa — “the most honest place on earth" — shines fiercely."
—Lisa Zeidner, New York Times Book Review, Editors' Choice
"A propulsive literary thriller. Finn, who writes with a psychological acuity that rivals Patricia Highsmith's, switches between Europe and Africa in tense alternating chapters, rewarding close attention. The book is terrific... subtle and thrilling. Remarkably well-paced and well-written... Don't...- isOwnedByCollections
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"Deeply satisfying. Finn is a remarkably confident and supple storyteller. [The Gloaming] deserves major attention."
—John Williams, New York Times
"In this richly textured, intricately plotted novel, [Finn] assures us that heartbreak has the same shape everywhere. The Gloaming is chillingly cinematic in contrasting East Africa's exquisite landscape with the region's human needs. Yet even in a malevolent setting, Finn shows us acts of selflessness and redemption. Her fascination with the duality of Africa — “the most honest place on earth" — shines fiercely."
—Lisa Zeidner, New York Times Book Review, Editors' Choice
"A propulsive literary thriller. Finn, who writes with a psychological acuity that rivals Patricia Highsmith's, switches between Europe and Africa in tense alternating chapters, rewarding close attention. The book is terrific... subtle and thrilling. Remarkably well-paced and well-written... Don't expect to be able to set this book down or forget its haunted characters."
—Kirkus Reviews, starred
"Intense, impressive."
—The Guardian
"I rarely get as invested in the outcome of a novel as I did reading The Gloaming, but the empathies that Finn evokes in this powerful and unpredictable book are not casual; these traumas could be our own. [Finn's] prose is hypnotic and knife-precise and at times so beautiful it's unnerving. I didn't read this book so much as I experienced it and it will haunt me for a very, very long time."
—Jill Alexander Essbaum, New York Times–bestselling author of HausfrauPilgrim's husband left her for another woman, stranding her in a Swiss town where she is involved in an accident that leaves three children dead. Cleared of responsibility though overcome with guilt, she absconds to Africa, befriending a series of locals each with their own tragic past.
Mysteriously, the remains of an albino appear, spooking everyone—sign of a curse placed by a witch doctor—though its intended recipient is uncertain. Pilgrim volunteers to rid the town of the box and its contents, though wherever she goes, she can't shake the feeling that she's being followed.
Melanie Finn was born and raised in Kenya until age eleven, when she moved with her family to Connecticut. She is the author of the novel Away From You and wrote DisneyNature's beautiful, haunting flamingo epic The Crimson Wing, which was directed by her husband, filmmaker Matt Aeberhard. During the filming, Melanie established The Natron Healthcare Project, and now lives in Vermont with Matt and their twin daughters.
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July 18, 2016
In her second novel, Finn (Away from You) follows divorcée Pilgrim Jones from her privileged life in Switzerland to the wilds of Tanzania, offering a dark, wrenching story of loneliness, guilt, and life after tragedy. Abandoned by her international lawyer husband, Tom Lankester, for a mousy mutual acquaintance, Elise, Pilgrim struggles to regain her balance. Distracted by Tom’s betrayal, she causes an accident in the Swiss town of Arnau in which three schoolchildren are killed. Although cleared of any charges with the support of Detective Inspector Paul Strebel, Pilgrim, wracked with guilt and tormented by the accusations of the locals, seeks a fresh start in the remote Tanzanian village of Magulu. Pilgrim’s desire to live—alone—in such a place is unusual, and her presence piques the interest of Dorothea, the flamboyant local doctor, and Kessy, “a policeman without laws” who patrols the desolate no-man’s-land. As she gains familiarity with her surroundings, moving from village to village, Pilgrim comes to understand that none of the expats she meets is without baggage: not the sociopathic Ukrainian mercenary Martin Martins, nor grieving mother-cum-aid-worker Gloria, nor the skilled, damaged pilot Harry. The arrival of a macabre package—the remains of an albino man, said to contain a powerful curse—only implicate Pilgrim further in the mysteries of Tanzania. Finn’s sure-footed prose, an intricate, clever plot, and the novel’s powerful examination of cultural divides enrich this story, leading up to its shocking, brilliant conclusion as Pilgrim and the others search for salvation in an unforgiving land.
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Starred review from July 1, 2016
A propulsive literary thriller toggles between Switzerland and Tanzania.In a concise, elegant seven paragraphs, Finn (Shame, 2015) opens her second novel with the intimations of an affair. The narrator, Pilgrim Jones, has discovered that her husband, a globally influential human rights lawyer, has abandoned her, and his deception sets up a lethal incident. Pilgrim awakens in a Swiss hospital, having smashed her car into a village bus stop, killing three children. For reasons that only gradually come into focus, she decamps for Tanzania, where the bush is "a tangled, knitted green stretching over the earth, a hot wool itching with insects, snakes, and birds." Finn, who writes with a psychological acuity that rivals Patricia Highsmith's, switches between Europe and Africa in tense alternating chapters, rewarding close attention. The book is terrific on diplomatic detail and police craft, the murkiness of human motivation and the pervasiveness of corruption. The parallels on both continents are subtle and thrilling. The Swiss investigator of Pilgrim's car crash, preparing to face the dead children's families, lets the rain pummel him: "It was better if he looked wet and bedraggled; his sympathy would appear more authentic." Finn, who grew up partially in Kenya, writes supplely about Africans and the whites who move among them. The novel travels 175 pages in Pilgrim's voice, then switches into third-person segments centered on each of five characters who've crossed her path: the Swiss police inspector, a tiny Tanzanian doctor, a Midwestern American bent on starting an AIDS orphanage, a Ukrainian mercenary, and a drunken white ne'er-do-well. Each has been altered by atrocity, a quality that Finn imbues with familiarity. "Tom would say to me that violence becomes an identity," Pilgrim thinks, "how people see themselves in the world, and to ask them to stop being violent is asking them to erase themselves." Remarkably well-paced and well-written, this novel ends with an existentially astute finale. Don't expect to be able to set this book down or forget its haunted characters.COPYRIGHT(2016) Kirkus Reviews, ALL RIGHTS RESERVED.
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November 15, 2016
In this intent and unexpectedly suspenseful work, Pilgrim Jones has devotedly followed her husband as he attends to his various NGO duties, mainly in Africa, only to be abandoned for another woman in the Swiss village where they are living. But here she doesn't play the role of stereotypically to-be-pitied wife, having accidentally fatally struck three children when she drives away in anger after discovering yet another betrayal; Finn (Away from You) skillfully and uncomfortably makes her guilt and disquiet the reader's as well. Pilgrim lands in Africa, making herself useful by carrying away the cursed remains of an albino African from the scrubby village where she was staying to the Tanzanian port city of Tanga. There, she falls in with a brassy expat and is eventually trapped in a plot for vengeance more twisty and real than a lot of domestic thrillers could manage. VERDICT An embracingly and impeccably written study of one woman's anguish; highly recommended.
Copyright 2016 Library Journal, LLC Used with permission.
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