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And the Show Went On: Cultural Life in Nazi-Occupied Paris
(eAudiobook)

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Published:
[United States] : Tantor Media, Inc., 2010.
Content Description:
1 online resource (1 audio file (16hr., 30 min.)) : digital.
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Description

In the weeks after the Germans captured Paris, theaters, opera houses, and nightclubs reopened to occupiers and French citizens alike, and they remained open for the duration of the war. Alan Riding introduces a pageant of twentieth-century artists who lived and worked under the Nazis and explores the decisions each made about whether to stay or flee, collaborate or resist.We see Maurice Chevalier and Edith Piaf singing before French and German audiences; Picasso painting and occasionally selling his work from his Left Bank apartment; and Marcel Carne and Henri-Georges Clouzot, among others, directing movies in Paris studios (more than two hundred were produced during this time). We see that pro-Fascist writers such as Louis-Ferdinand Celine and Robert Brasillach flourished, but also that Camus's The Stranger was published and Sartre's play No Exit was first performed-ten days before the Normandy landings.Based on exhaustive research and extensive interviews, And the Show Went On sheds a clarifying light on a protean and problematic era in twentieth-century European cultural history.

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Format:
eAudiobook
Edition:
Unabridged.
Language:
English
ISBN:
9781400198337, 140019833X

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Restrictions on Access
Instant title available through hoopla.
Participants/Performers
Read by Stephen Hoye.
Description
In the weeks after the Germans captured Paris, theaters, opera houses, and nightclubs reopened to occupiers and French citizens alike, and they remained open for the duration of the war. Alan Riding introduces a pageant of twentieth-century artists who lived and worked under the Nazis and explores the decisions each made about whether to stay or flee, collaborate or resist.We see Maurice Chevalier and Edith Piaf singing before French and German audiences; Picasso painting and occasionally selling his work from his Left Bank apartment; and Marcel Carne and Henri-Georges Clouzot, among others, directing movies in Paris studios (more than two hundred were produced during this time). We see that pro-Fascist writers such as Louis-Ferdinand Celine and Robert Brasillach flourished, but also that Camus's The Stranger was published and Sartre's play No Exit was first performed-ten days before the Normandy landings.Based on exhaustive research and extensive interviews, And the Show Went On sheds a clarifying light on a protean and problematic era in twentieth-century European cultural history.
System Details
Mode of access: World Wide Web.

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Citations

APA Citation (style guide)

Riding, A., & Hoye, S. (2010). And the Show Went On: Cultural Life in Nazi-Occupied Paris. Unabridged. [United States], Tantor Media, Inc.

Chicago / Turabian - Author Date Citation (style guide)

Riding, Alan and Stephen, Hoye. 2010. And the Show Went On: Cultural Life in Nazi-Occupied Paris. [United States], Tantor Media, Inc.

Chicago / Turabian - Humanities Citation (style guide)

Riding, Alan and Stephen, Hoye, And the Show Went On: Cultural Life in Nazi-Occupied Paris. [United States], Tantor Media, Inc, 2010.

MLA Citation (style guide)

Riding, Alan, and Stephen Hoye. And the Show Went On: Cultural Life in Nazi-Occupied Paris. Unabridged. [United States], Tantor Media, Inc, 2010.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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26ad9fd4-ecb7-1f5b-660e-23d4946466fb
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Hoopla Extract Information

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Record Information

Last File Modification TimeSep 03, 2024 02:39:31 AM
Last Grouped Work Modification TimeSep 07, 2024 02:15:45 AM

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