Last days at hot slit: the radical feminism of Andrea Dworkin
(Book)
"Radical feminist author Andrea Dworkin was a caricature of the manhater in the popular imagination as well as a polarizing figure within the women's movement, infamous for her antipornography stance in the 1970s and 1980s. Now, more than a decade after her death, this timely collection of her writing showcases the prescience of her analyses: of the genocidal character of sexual violence; of the devastating nihilism of white male supremacy, and of the toll it takes--especially on those who resist. This rediscovery of Dworkin's work will serve as a flashpoint for crucial feminist conversations today. Why is the cost of speaking out against abuse and inequality still so high? Why is the problematic work of brilliant women forced into oblivion, when that of flawed great men is embraced? What can we learn from the bitter divisions and discarded ideas of previous generations?"--Page 4 of cover.
Notes
Dworkin, A., Fateman, J., & Scholder, A. (2019). Last days at hot slit: the radical feminism of Andrea Dworkin. South Pasadena, CA, Semiotext(e).
Chicago / Turabian - Author Date Citation (style guide)Dworkin, Andrea, Johanna Fateman and Amy, Scholder. 2019. Last Days At Hot Slit: The Radical Feminism of Andrea Dworkin. South Pasadena, CA, Semiotext(e).
Chicago / Turabian - Humanities Citation (style guide)Dworkin, Andrea, Johanna Fateman and Amy, Scholder, Last Days At Hot Slit: The Radical Feminism of Andrea Dworkin. South Pasadena, CA, Semiotext(e), 2019.
MLA Citation (style guide)Dworkin, Andrea,, et al. Last Days At Hot Slit: The Radical Feminism of Andrea Dworkin. South Pasadena, CA, Semiotext(e), 2019.
Record Information
Last Sierra Extract Time | Apr 12, 2024 09:17:05 PM |
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Last File Modification Time | Apr 12, 2024 09:17:26 PM |
Last Grouped Work Modification Time | Apr 12, 2024 09:17:12 PM |
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245 | 1 | 0 | |a Last days at hot slit :|b the radical feminism of Andrea Dworkin /|c edited by Johanna Fateman and Amy Scholder. |
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504 | |a Includes bibliographical references (pages 395-403). | ||
505 | 0 | 0 | |g Introduction / by Johanna Fateman --|t Postcard to Mom and Dad, 1973 --|t Woman hating, 1974:|t The herstory ;|t Androgyny ;|t Woman as victim : "Story of O" ;|g Afterword:|t The great punctuation typography struggle --|t Our blood, 1976:|t Renouncing sexual equality, 1974 ;|t The rape atrocity and the boy next door, 1975 --|t Letter to Mom and Dad, 1978 --|t Letters from a war zone, 1988:|t A battered wife survives, 1978 --|t Pornography : men possessing women, 1979-1989:|t Power ;|t Men and boys ;|t Pornography ;|t Whores --|t Right-wing women, 1983:|t The promise of the ultra-right --|t Letters from a war zone, 1988:|t I want a twenty-four-hour truce during which there is no rape --|t Ruins, 1978-1983:|t Goodbye to all this, 1983 --|t Ice and fire, 1986 --|t Intercourse, 1987-1995:|t Preface to second edition ;|t Occupation/collaboration --|t Mercy, 1990:|g Chapter 6:|t In June 1967 (age 20) --|t Life and death, 1997:|t My life as a writer, 1995 ;|t In memory of Nicole Brown Simpson, 1994-1995 ;|t Israel : whose country is it anyway?, 1990 --|t My suicide, 1999. |
520 | |a "Radical feminist author Andrea Dworkin was a caricature of the manhater in the popular imagination as well as a polarizing figure within the women's movement, infamous for her antipornography stance in the 1970s and 1980s. Now, more than a decade after her death, this timely collection of her writing showcases the prescience of her analyses: of the genocidal character of sexual violence; of the devastating nihilism of white male supremacy, and of the toll it takes--especially on those who resist. This rediscovery of Dworkin's work will serve as a flashpoint for crucial feminist conversations today. Why is the cost of speaking out against abuse and inequality still so high? Why is the problematic work of brilliant women forced into oblivion, when that of flawed great men is embraced? What can we learn from the bitter divisions and discarded ideas of previous generations?"--Page 4 of cover. | ||
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