True Stories: And Other Essays
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An irresistible collection of favorite writings from an author celebrated for his bravura style and sheer unpredictability
Francis Spufford's welcome first volume of collected essays gathers an array of his compelling writings from the 1990s to the present. He makes use of a variety of encounters with particular places, writers, or books to address deeper questions relating to the complicated relationship between story-telling and truth-telling. How must a nonfiction writer imagine facts, vivifying them to bring them to life? How must a novelist create a dependable world of story, within which facts are, in fact, imaginary? And how does a religious faith felt strongly to be true, but not provably so, draw on both kinds of writerly imagination?
Ranging freely across topics as diverse as the medieval legends of Cockaigne, the Christian apologetics of C. S. Lewis, and the tomb of Ayatollah Khomeini, Spufford provides both fresh observations and thought-provoking insights. No less does he inspire an irresistible urge to turn the page and read on.
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Francis Spufford. (2017). True Stories: And Other Essays. Yale University Press.
Chicago / Turabian - Author Date Citation (style guide)Francis Spufford. 2017. True Stories: And Other Essays. Yale University Press.
Chicago / Turabian - Humanities Citation (style guide)Francis Spufford, True Stories: And Other Essays. Yale University Press, 2017.
MLA Citation (style guide)Francis Spufford. True Stories: And Other Essays. Yale University Press, 2017.
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Francis Spufford is professor of creative writing at Goldsmiths College, University of London. He is the author of several highly praised books of nonfiction, and his novel Golden Hill won four literary prizes including the New York City Book Award of the New York Society Library. He lives in Ely, UK.
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An irresistible collection of favorite writings from an author celebrated for his bravura style and sheer unpredictability
Francis Spufford's welcome first volume of collected essays gathers an array of his compelling writings from the 1990s to the present. He makes use of a variety of encounters with particular places, writers, or books to address deeper questions relating to the complicated relationship between story-telling and truth-telling. How must a nonfiction writer imagine facts, vivifying them to bring them to life? How must a novelist create a dependable world of story, within which facts are, in fact, imaginary? And how does a religious faith felt strongly to be true, but not provably so, draw on both kinds of writerly imagination?
Ranging freely across topics as diverse as the medieval legends of Cockaigne, the Christian apologetics of C. S. Lewis, and the tomb of Ayatollah Khomeini, Spufford provides both fresh observations and thought-provoking insights. No less does he inspire an irresistible urge to turn the page and read on.
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Starred review from July 31, 2017
This debut essay collection from novelist Spufford (Golden Hill) has many strengths, chief among them the diversity of topics covered. Antarctica is discussed in the section entitled “Cold” and The Jungle Book is discussed in the section entitled “Printed.” Each of the book’s five sections receives a one-word title, with “Sacred” notably including an essay defending Christianity against the “Puritanism” of the new atheists. “Red” and “Technical” respectively examine the ephemeral moments when the Soviet political experiment and British rocketry programs seemed poised for success. Spufford’s interests range so widely that it’s hard to imagine them coalescing, but what holds the 37 selections together is his skeptical yet wondering engagement with science—and his original, incisive voice. It’s hard to pick the best essays. Contenders include the lyrical “Ice,” with its invocations of Shelley and Hans Christian Andersen, “Dear Atheists,” a deft and witty rebuttal to Richard Dawkins, and “Robinson’s Mars,” an analysis of what Kim Stanley Robinson’s Mars trilogy says about utopian fiction. The essays challenge one’s imagination, are never repetitive, and show a welcome breadth of mind in an era of narrow specialization. Spufford fits no cookie-cutter definition: he is journalist and scholar, science lover and Christian, word lover and poet, and his writing satisfies deeply.
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August 15, 2017
A longtime writer in a variety of genres presents a potpourri of pieces, arranged thematically, from the past few decades.Acclaimed essayist Spufford (English and Comparative Literature/Goldsmiths Coll., Univ. of London; Golden Hill: A Novel of Old New York, 2017, etc.) offers not just a variety of subjects here, but also a variety of sources. Some were originally blog posts; others, traditional journalism, including book reviews and features; still others, talks and speeches, many of which have been revised. Throughout the collection--in texts dating back to the 1990s (though most are of recent vintage)--run a number of brightly colored threads. Among them is the author's vast and passionate reading and his fondness for technology. He peppers each essay--though never excessively so--with allusions to numerous other cultural figures, ranging from Shelley (husband and wife) to James Bond, Charlie Chaplin, Shakespeare, Adam Smith, Francis Bacon, Pinocchio, and Oscar Wilde. Spufford's affection for books, even when tacit, is patent. He writes about the excitement of entering the world of a book--comparing it to breaking the seal on a new container of instant coffee--and about the emotions of finishing a book. As a book reviewer (he includes a few samples here), the author displays a generosity of spirit, a willingness to try to discover what the writer was trying to do, and he provides long appreciations of Kipling and of the Arabian Nights. Although his political liberalism continually comes through, he will no doubt disappoint some liberal readers new to his work with his sturdy defense of Christianity. Also included are several sharp pieces that rebuke the "new atheists" (Richard Dawkins et al.) as well as some impressive pieces about the Soviet Union, which, at one time, "had a reputation that is now almost impossible to recapture." A bibliophagist snacks and dines, sharing with us some of the tastiest bits.COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.
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An irresistible collection of favorite writings from an author celebrated for his bravura style and sheer unpredictability
Francis Spufford's welcome first volume of collected essays gathers an array of his compelling writings from the 1990s to the present. He makes use of a variety of encounters with particular places, writers, or books to address deeper questions relating to the complicated relationship between story-telling and truth-telling. How must a nonfiction writer imagine facts, vivifying them to bring them to life? How must a novelist create a dependable world of story, within which facts are, in fact, imaginary? And how does a religious faith felt strongly to be true, but not provably so, draw on both kinds of writerly imagination?
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