The Wolves in the Walls
(OverDrive MP3 Audiobook, OverDrive Listen)
Lucy hears sneaking, creeping,
crumpling noises
coming from inside
the walls.
She is sure there are
wolves living in
the walls
of her house.
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Level 3.9, 0.5 Points
Neil Gaiman. (2009). The Wolves in the Walls. Unabridged HarperCollins.
Chicago / Turabian - Author Date Citation (style guide)Neil Gaiman. 2009. The Wolves in the Walls. HarperCollins.
Chicago / Turabian - Humanities Citation (style guide)Neil Gaiman, The Wolves in the Walls. HarperCollins, 2009.
MLA Citation (style guide)Neil Gaiman. The Wolves in the Walls. Unabridged HarperCollins, 2009.
| Library | Owned | Available |
|---|---|---|
| Shared Digital Collection | 1 | 1 |
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Neil Gaiman is the New York Times bestselling and multi-award winning author and creator of many beloved books, graphic novels, short stories, film, television and theatre for all ages. He is the recipient of the Newbery and Carnegie Medals, and many Hugo, Nebula, World Fantasy, and Will Eisner Awards. Neil has adapted many of his works to television series, including Good Omens (co-written with Terry Pratchett) and The Sandman. He is a Goodwill Ambassador for the UN Refugee Agency UNHCR and Professor in the Arts at Bard College. For a lot more about his work, please visit: https://www.neilgaiman.com/
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Neil Gaiman is the New York Times bestselling and multi-award winning author and creator of many beloved books, graphic novels, short stories, film, television and theatre for all ages. He is the recipient of the Newbery and Carnegie Medals, and many Hugo, Nebula, World Fantasy, and Will Eisner Awards. Neil has adapted many of his works to television series, including Good Omens (co-written with Terry Pratchett) and The Sandman. He is a Goodwill Ambassador for the UN Refugee Agency UNHCR and Professor in the Arts at Bard College. For a lot more about his work, please visit: https://www.neilgaiman.com/
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- fullDescription
Lucy hears sneaking, creeping,
crumpling noises
coming from inside
the walls.She is sure there are
wolves living in
the walls
of her house.- gradeLevels
- value: Grade 2
- value: Grade 3
- reviews
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Starred review from January 10, 2005
As author Gaiman demonstrated on his recording of his first children's novel, Coraline
, he's more than up to the task of reading his work with great style. Here, again, he performs as a consummate storyteller, reading four stories, two of which have been published as picture books. Gaiman has a slow, suspense-building pace and a slightly ominous tone on "The Wolves in the Walls," in which Lucy tries to warn her preoccupied family of what the creaking, crackling, scritching, scratching noises in their house must surely be. "On The Day I Swapped My Dad for Two Goldfish," Gaiman's first picture book, the author/narrator rolls along at a jaunty, entertaining clip. On "Crazy Hair," Gaiman is sprightly, reading this silly rhyming poem about the very wild 'do of the 11-year-old narrator, big enough to house nesting birds and lions making a lair, and very resistant to brushing. Listeners and fans are also treated to a reading of "Cinnamon," a colorful original fable about a princess who refuses to speak (though a tiger in the exotically set tale has lots to say). which had previously appeared only on Gaiman's Web site. Gaiman's daughter Maddy conducts a warm, revealing and lively interview with her dad that is likely to charm listeners of all ages. Ages 5-up. (Nov. 2004)
FYI:
A CD recording containing
The Day I Swapped My Dad for Two Goldfish also appears in a limited edition reissue of the picture book, released by HarperCollins Children's Books in October 2004
.
- premium: True
- source:
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Starred review from June 30, 2003
"If the wolves come out of the walls, it's all over," is the oft-repeated prediction in Gaiman's latest, a picture book that cleverly balances humor and spookiness in a slightly off-kilter setting. As he did in his novel Coraline, the author again introduces an inquisitive girl who lives in a creepy old house with her distracted family. When Lucy hears "squeaking, creeping, crumpling noises" from inside the house's walls, she's convinced it must be wolves. Lucy's parents and younger brother, who don't share Lucy's sharply attuned ear, but have heard bad things about wolves in people's walls, insist any noise must be emanating from something more logical, like rats or mice. But when Lucy's hunch comes true, the family flees—until brave, determined Lucy hatches a plan to turn the tables. Gaiman's text rings with energetic confidence and an inviting tone, even as he leads readers into a bizarre and potentially spine-tingling scenario. McKean (who previously collaborated with Gaiman on the Sandman comics
and The Day I Swapped My Dad for Two Goldfish) expertly matches the tale's funny-scary mood. Lucy shines as a heroine, standing tall among somewhat tuned-out supporting characters that are an inventive mixture of ordinary and odd. Against shadow-filled backdrops that blend paint, digital manipulation and photography, his stylized human figures look right at home. His pen-and-inks of the wolves, often with a judicious dash of color, suggest that they inhabit a world apart—or perhaps unreal? Author and artist credit their audience with the intelligence to puzzle out the question for themselves. All ages.
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September 1, 2003
Gr 2-4-Lucy hears sounds in her house and is certain that the "sneaking, creeping, crumpling" noises coming from inside the walls are wolves. Her parents and her brother know "if the wolves come out-, it's all over," and no one believes that the creatures are there-until they come out. Then the family flees, taking refuge outside. It is Lucy who bravely returns to rescue her pig puppet and who talks the others into forcing the animals to leave. Gaiman and McKean deftly pair text and illustrations to convey a strange, vivid story evolving from a child's worst, credible fear upon hearing a house creak and groan. Glowing eyes and expressive faces convey the imminent danger. This rather lengthy picture book displays the striking characteristics of a graphic novel: numerous four-panel pages opening into spreads that include painted people; scratchy ink-lined wolves; and photographed, computer-manipulated images. Children will delight in the "scary, creepy tone" and in the brave behavior displayed by the intrepid young heroine.-Marian Creamer, Children's Literature Alive, Portland, ORCopyright 2003 School Library Journal, LLC Used with permission.
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August 1, 2003
Gr. 3-6. Gaiman's picture book about one little girl's prescient concern for the sanctity of her home is visually realized through collage and other multimedia images that match the sometimes dark, fantastical story, tone for tone. Lucy is the first to hear wolves in the walls of her house, but her family, each of whom seems oblivious to the ambiguity of his or her reassurances, dismisses her worries. Indeed, the wolves do emerge, and the family decamps to the garden, from which Lucy and her "pig-puppet" bravely lead the family's charge back to reclaim their house from the jam-eating, video-game-playing pack. With the rhythms of an old fairy tale (the end is a new beginning of trouble in the walls), and startling graphics that force readers to look deeply into each scene, this is a book for the twenty-first-century child: visually and emotionally sophisticated, accessible, and inspired by both literary and popular themes and imagery.(Reprinted with permission of Booklist, copyright 2003, American Library Association.)
- premium: True
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September 12, 2005
When the wolves begin to come out of the walls, a girl comes up with a strategy to frighten them off. "Gaiman's text rings with energetic confidence and an inviting tone," wrote PW
. "McKean expertly matches the tale's funny-scary mood." All ages.
- premium: True
- source:
- content:
January 1, 2004
No one in Lucy's family believes her when she says that she hears wolves inside the walls of their house, but of course she ends up being right. The story is wholly original, and there's no denying the care taken with the mixed-media illustrations. But the book proves overwritten, and the brooding images, featuring sympathetic human characters with dot eyes set on otherwise realistic faces, seem gratuitously creepy.(Copyright 2004 by The Horn Book, Incorporated, Boston. All rights reserved.)
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