Julia Alvarez. (1998). Something to Declare: Essays. Algonquin Books.

Julia Alvarez. 1998. Something to Declare: Essays. Algonquin Books.

Julia Alvarez, Something to Declare: Essays. Algonquin Books, 1998.

Julia Alvarez. Something to Declare: Essays. Algonquin Books, 1998.

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1. • value: Literary essays
2. • value: Dominican Republic
3. • value: the writing life
4. • value: natalie goldberg
5. • value: Books about moving
6. • value: how the garcia girls lost their accents
7. • value: essay collections
8. • value: books about moving to america
9. • value: essays about writing
10. • value: in the time of the butterflies
11. • value: Trujillo dictatorship
12. • value: writing down the bones

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1. • role: Author
   • fileAs: Alvarez, Julia
   • bioText:
     Julia Alvarez left the Dominican Republic for the United States in 1960 at the age of ten. She is the author of six novels, three books of nonfiction, three collections of poetry, and eleven books for children and young adults. She has taught and mentored writers in schools and communities across America and, until her retirement in 2016, was a writer-in-residence at Middlebury College. Her work has garnered wide recognition, including a Latina Leader Award in Literature from the Congressional Hispanic Caucus Institute, the Hispanic Heritage Award in Literature, the Woman of the Year by Latina magazine, and inclusion in the New York Public Library’s program “The Hand of the Poet: Original Manuscripts by 100 Masters, from John Donne to Julia Alvarez.” In the Time of the Butterflies, with over one million copies in print, was selected by the National Endowment for the Arts for its national Big Read program, and in 2013 President Obama awarded Alvarez the National Medal of Arts in recognition of her extraordinary storytelling.
   • name: Julia Alvarez

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1998-08-01T00:00:00-04:00

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Something to Declare

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“Julia Alvarez has suitcases full of history (public and private), trunks full of insights into what  it means to be a Latina in the United States,  bags full of literary wisdom.” —Los Angeles Times
From the internationally acclaimed author of the bestselling novels In the Time of the Butterflies and How the García Girls Lost Their Accents comes a rich and revealing work of nonfiction capturing the life and mind of an artist as she knits together the dual themes of coming to America and becoming a writer.
The twenty-four confessional, evocative essays that make up Something to Declare are divided into two parts. “Customs” includes Alvarez’s memories of her family’s life in the Dominican Republic, fleeing from Trujillo’s dictatorship, and arriving in America when she was ten years old. She examines the effects of exile—surviving the shock of New York City life; yearning to fit in; training her tongue (and her mind) to speak English; and watching the Miss America pageant for clues about American-style beauty. The second half, “Declarations,” celebrates her passion for words and the writing life. She lets us watch as she struggles with her art—searching for a subject for her next novel, confronting her characters, facing her family’s anger when she invades their privacy, reflecting on the writers who influenced her, and continually honing her craft.
The winner of the National Medal of Arts for her extraordinary storytelling, Julia Alvarez here offers essays that are an inspiring gift to readers and writers everywhere.
“This beautiful collection of essays . . . traces a process of personal  reconciliation with insight, humor, and quiet power.”  —San Francisco Examiner and Chronicle
“Reading Julia Alvarez’s new collection of essays is like curling up  with a glass of wine in one hand and the phone in the other,  listening to a bighearted, wisecracking friend share the hard-earned wisdom about family, identity, and the art of writing.” —People
Julia Alvarez’s new novel, Afterlife, is available now.

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     August 3, 1998
     Having transformed her tumultuous life story--a passage from childhood in the Dominican Republic and Queens, N.Y., to a career as a celebrated author and creative writing teacher--into a body of startlingly lyrical fiction and poetry ( Yo!, etc.), Alvarez here chronicles that journey in nonfiction form. These 24 autobiographical essays are meant to answer various questions her readers have posed about her life and her writing. For Alvarez, these questions ultimately can be summed up in one line: "Do you have anything more to declare?" The first section of the book, "Customs," paints with vibrant, earthy clarity--in classic Alvarez style--the author's Dominican girlhood, surrounded by the rich cast of characters that made up her extended family and the constant menace of dictator Rafael Trujillo's police state. She also describes her escape to the U.S. with her parents and sisters, along with the assimilation that made her a "hyphenated American." The seeds of her writerly beginnings are picked out here and then further explored in the second part of her book, "Declarations." These essays examine the difficult balance between the writing life and "real life"; the joys of teaching; the daily process of writing; and an unsuccessful trip to Necedeh, Wis., to research a potential novel. Alvarez also includes her "ten commandments" for writing, which consist of some of the author's favorite quotes (beginning with a Zen saying and ending with Samuel Johnson's well-known credo, "If you want to be a writer, then write. Write every day!"). Taken together, the pieces are as open and lively as Alvarez's readers have come to expect from her work, although the inspiration and guidance they offer to aspiring writers are less striking. (Sept.) FYI: Plume has just published the Spanish-language edition of Alvarez's second novel, In the Time of the Butterflies; Plume's Spanish edition of Yo! will be out in 1999.

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     August 1, 1998
     This first collection of essays, some previously published, by award-winning Hispanic American author Alvarez (How the Garcia Girls Lost Their Accents, LJ 5/1/91) ranges freely between her life as a child displaced by her family's flight from the Dominican Republic and her development as a writer. In two sections, she explores childhood memories of trying to become part of American society, her developing interest in writing--encountering encouragement from a teacher and some discouragement from her family--and the road to becoming a full-time writer. Along the way, she offers comments on teaching--repeating Roethke's saying that teaching is "one of the few professions that permit love"--and some advice for young writers, including the idea that "we are here to learn a craft that truly takes all of life to learn." This collection will be of interest to both public and academic libraries.--Nancy Shires, East Carolina Univ., Greenville, NC

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     April 1, 1999
     YA-The poet and novelist brings together two dozen pithy autobiographical essays that are by turn humorous, thoughtful, or frightening. The first third of the book follows Alvarez's early Dominican childhood-when she was one of the wild cousins who was seated between well-behaved ones at family gatherings-through her family's immigration to the United States and their assimilation. Later essays take up the author's college years, budding career as a writer, marriages, and return trips to the Dominican Republic. Alvarez presents her personal experiences with a literary skill that converts them into universal moments. This book will delight her fans, attract new readers to her previous work, and open the possibility for discussions about experiences with emigration, immigration, growing apart from one's family, and discovering one's own career path and status as an adult.-Francisca Goldsmith, Berkeley Public Library, CA

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     August 1, 1998
     Readers can sense the bright flame of Alvarez's young self in her exuberant novels, and that same energy animates her essays, whether she's describing her Dominican Republic childhood or her life in the U.S. Two themes shape her first nonfiction collection: family and literature. In her familial recollections, she emerges as the most rebellious of four sisters and nearly the only one in the entire clan to be bookstruck. This love of reading proved providential because books helped her cope with her family's abrupt move to New York City (a leave-taking necessitated by her parents' resistance work against the island's dictatorship) and the long struggle to feel comfortable in a culture that automatically stigmatized her and her relatives by virtue of their accents and appearance. As she moves on to contrast the dynamics of family life with the solitude of writing, Alvarez ends up sharing her views on such personal matters as food, marriage, and the decision not to be a mother, all the while exuding an easy charm that almost succeeds in concealing the tremendous force of her will. ((Reviewed August 1998))(Reprinted with permission of Booklist, copyright 1998, American Library Association.)

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2. • value: Literary Criticism
3. • value: Nonfiction

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“Julia Alvarez has suitcases full of history (public and private), trunks full of insights into what  it means to be a Latina in the United States,  bags full of literary wisdom.” —Los Angeles Times
From the internationally acclaimed author of the bestselling novels In the Time of the Butterflies and How the García Girls Lost Their Accents comes a rich and revealing work of nonfiction capturing the life and mind of an artist as she knits together the dual themes of coming to America and becoming a writer.
The twenty-four confessional, evocative essays that make up Something to Declare are divided into two parts. “Customs” includes Alvarez’s memories of her family’s life in the Dominican Republic, fleeing from Trujillo’s dictatorship, and arriving in America when she was ten years old. She examines the effects of exile—surviving the shock of New York City life; yearning...

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tableOfContents

Something to Declare to My Readers

Part One: Customs

Grandfather's Blessing

Our Papers

My English

My Second Opera

I Want to Be Miss Am,rica

El Doctor

La Gringuita

Picky Eater

Briefly, A Gardener

Imagining Motherhood

Genetics of Justice

Family Matters

Part Two: Declarations

First Muse

Of Maids and Other Muses

So Much Depends

Dona Aida, with Your Permission

Have Typewriter, Will Travel

A Vermont Writer from the Dominican Republic

Chasing the Butterflies

Goodbye, Ms. Chips

In the Name of the Novel

Ten of My Writing Commandments

Grounds for Fiction

Writing Matters

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   • description: Biography & Autobiography / Women
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   • description: Literary Collections / Essays