The Untouched Key: Tracing Childhood Trauma in Creativity and Destructiveness
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Alice Miller. (2012). The Untouched Key: Tracing Childhood Trauma in Creativity and Destructiveness. Knopf Doubleday Publishing Group.
Chicago / Turabian - Author Date Citation (style guide)Alice Miller. 2012. The Untouched Key: Tracing Childhood Trauma in Creativity and Destructiveness. Knopf Doubleday Publishing Group.
Chicago / Turabian - Humanities Citation (style guide)Alice Miller, The Untouched Key: Tracing Childhood Trauma in Creativity and Destructiveness. Knopf Doubleday Publishing Group, 2012.
MLA Citation (style guide)Alice Miller. The Untouched Key: Tracing Childhood Trauma in Creativity and Destructiveness. Knopf Doubleday Publishing Group, 2012.
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- bioText: Alice Miller (1923-2010) is the author of such classic works as The Drama of the Gifted Child, Prisoners of Childhood, The Body Never Lies, From Rage to Courage, and Free from Lies.
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- As in her former books, Alice Miller again focusses on facts. She is as determined as ever to cut through the veil that, for thousands of years now, has been so meticulously woven to shroud the truth. And when she lifts that veil and brushes it aside, the results are astonishing, as is amply demonstrated by her analyses of the works of Nietzsche, Picasso, Kollwitz, Keaton and others. With the key shunned by so many for so long - childhood - she opens rusty looks and offers her readers a wealth of unexpected perspectives.What did Picasso express in "Guernica"? Why did Buster Keaton never smile? Why did Nietzsche heap so much opprobrium on women and religion, and lose his mind for eleven years? Why did Hitler and Stalin become tyrannical mass murderers? Alice Miller investigates these and other questions thoroughly in this book. She draws from her discoveries the conclusion that human beings are not "innately" destructive, that they are made that way by ignorance, abuse, and neglect, particularly if no sympathetic witness comes to their aid. She also shows why some mistreated children do not become criminals but instead bear witness as artists to the truth about their childhoods, even though in purely intuitive and unconscious ways.
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January 1, 1991
Picasso, Buster Keaton, Hitler and Stalin are analyzed to prove that childhood trauma or abuse is related directly to later creativity or destructiveness. ``These profiles . . . are reductionist,'' PW said. ``Swiss psychoanalyst Miller is more successful in showing how Nietzsche's stifling upbringing by pious, controlling women fueled his misogyny and his grandiose ideas.'' Illustrated .
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- As in her former books, Alice Miller again focusses on facts. She is as determined as ever to cut through the veil that, for thousands of years now, has been so meticulously woven to shroud the truth. And when she lifts that veil and brushes it aside, the results are astonishing, as is amply demonstrated by her analyses of the works of Nietzsche, Picasso, Kollwitz, Keaton and others. With the key shunned by so many for so long - childhood - she opens rusty looks and offers her readers a wealth of unexpected perspectives.What did Picasso express in "Guernica"? Why did Buster Keaton never smile? Why did Nietzsche heap so much opprobrium on women and religion, and lose his mind for eleven years? Why did Hitler and Stalin become tyrannical mass murderers? Alice Miller investigates these and other questions thoroughly in this book. She draws from her discoveries the conclusion that human beings are not "innately" destructive, that they are made that way by ignorance, abuse, and...
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