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The Forty Rules of Love: A Novel of Rumi
(OverDrive MP3 Audiobook, OverDrive Listen)

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Published:
Tantor Media, Inc. 2010
Status:
Available from OverDrive
Description
In this follow-up to her acclaimed 2007 novel The Bastard of Istanbul, Turkish author Elif Shafak unfolds two tantalizing parallel narratives-one contemporary and the other set in the thirteenth century, when Rumi encountered his spiritual mentor, the whirling dervish known as Shams of Tabriz-that together incarnate the poet's timeless message of love. Ella Rubenstein is forty years old and unhappily married when she takes a job as a reader for a literary agent. Her first assignment is to read and report on Sweet Blasphemy, a novel written by a man named Aziz Zahara. Ella is mesmerized by his tale of Shams' search for Rumi and the dervish's role in transforming the successful but unhappy cleric into a committed mystic, passionate poet, and advocate of love. She is also taken with Shams's lessons, or rules, which offer insight into an ancient philosophy based on the unity of all people and religions, and the presence of love in each and every one of us. As she reads on, she realizes that Rumi's story mirrors her own and that Zahara-like Shams-has come to set her free.
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Format:
OverDrive MP3 Audiobook, OverDrive Listen
Edition:
Unabridged
Street Date:
03/08/2010
Language:
English
ISBN:
9781400195121
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Citations
APA Citation (style guide)

Elif Shafak. (2010). The Forty Rules of Love: A Novel of Rumi. Unabridged Tantor Media, Inc.

Chicago / Turabian - Author Date Citation (style guide)

Elif Shafak. 2010. The Forty Rules of Love: A Novel of Rumi. Tantor Media, Inc.

Chicago / Turabian - Humanities Citation (style guide)

Elif Shafak, The Forty Rules of Love: A Novel of Rumi. Tantor Media, Inc, 2010.

MLA Citation (style guide)

Elif Shafak. The Forty Rules of Love: A Novel of Rumi. Unabridged Tantor Media, Inc, 2010.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Grouped Work ID:
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Date Added:
Jun 12, 2018 15:36:43
Date Updated:
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OverDrive Product Record

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In this follow-up to her acclaimed 2007 novel The Bastard of Istanbul, Turkish author Elif Shafak unfolds two tantalizing parallel narratives-one contemporary and the other set in the thirteenth century, when Rumi encountered his spiritual mentor, the whirling dervish known as Shams of Tabriz-that together incarnate the poet's timeless message of love. Ella Rubenstein is forty years old and unhappily married when she takes a job as a reader for a literary agent. Her first assignment is to read and report on Sweet Blasphemy, a novel written by a man named Aziz Zahara. Ella is mesmerized by his tale of Shams' search for Rumi and the dervish's role in transforming the successful but unhappy cleric into a committed mystic, passionate poet, and advocate of love. She is also taken with Shams's lessons, or rules, which offer insight into an ancient philosophy based on the unity of all people and religions, and the presence of love in each and every one of us. As she reads on, she realizes that Rumi's story mirrors her own and that Zahara-like Shams-has come to set her free.
reviews
      • premium: True
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        November 30, 2009
        Celebrated Turkish novelist Shafak (The Bastard of Istanbul
        ) serves up a curious blend of mediocre hen lit and epic historical to underwhelming results. In present-day Boston, dull suburban mother and cheated-on wife Ella Rubinstein takes a job as a reader for a literary agent and becomes entranced by Aziz Zahara, the author of a manuscript about the relationship between 13th-century poet Rumi and Sufi mystic Shams that, for better or for worse, becomes a story-within-a-story. Aziz and Ella strike up an e-mail relationship, largely made up of Ella's midlife crisis and Aziz's philosophical replies. Meanwhile, Aziz's novel, Sweet Blasphemy
        , is occasionally interesting but mostly dull, weighed down by Rufi's and Shams's theological musings. Its better moments concern tangential characters; Rumi's son, Aladdin, who is resentful of his father's closeness to the mystic, and Rumi's adopted daughter, Kimya, whose doomed marriage to Shams is touching in a way Ella's failed relationship with her husband never manages. The rumblings against Shams reach a peak, and Ella and Aziz finally meet, tying the story lines together into a readable, if not enthralling, tale.

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