We Keep the Dead Close: A Murder at Harvard and a Half Century of Silence
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NATIONAL BESTSELLER
Named One of The Best Books of 2020 by NPR's Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * Bustle
A Recommended Book by The New York Times * The Washington Post * Publisher's Weekly * Kirkus Reviews* Booklist * The Boston Globe * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * Shondaland
Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men.
You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget.
1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.
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Becky Cooper. (2020). We Keep the Dead Close: A Murder at Harvard and a Half Century of Silence. Grand Central Publishing.
Chicago / Turabian - Author Date Citation (style guide)Becky Cooper. 2020. We Keep the Dead Close: A Murder At Harvard and a Half Century of Silence. Grand Central Publishing.
Chicago / Turabian - Humanities Citation (style guide)Becky Cooper, We Keep the Dead Close: A Murder At Harvard and a Half Century of Silence. Grand Central Publishing, 2020.
MLA Citation (style guide)Becky Cooper. We Keep the Dead Close: A Murder At Harvard and a Half Century of Silence. Grand Central Publishing, 2020.
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- FINALIST FOR THE J. ANTHONY LUKAS BOOK PRIZE
NATIONAL BESTSELLER
Named One of The Best Books of 2020 by NPR's Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * Bustle
A Recommended Book by The New York Times * The Washington Post * Publisher's Weekly * Kirkus Reviews* Booklist * The Boston Globe * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * Shondaland
Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men.
You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget.
1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history. - reviews
- premium: True
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Starred review from September 7, 2020
In this mesmerizing debut, former New Yorker staffer Cooper recounts her pursuit of justice for Jane Britton, a 23-year-old Harvard anthropology grad student who was murdered in her Cambridge, Mass., apartment in 1969. After Britton didn’t show up for an exam, her boyfriend and Britton’s neighbors found her bludgeoned body face-down on her bed. The red powder on the corpse suggested that her killer had conducted an ancient burial ritual and was someone with “an intimate knowledge of anthropology.” The crime made headlines nationally, but despite multiple suspects, including a Harvard archaeology professor rumored to have had an affair with Britton, no one was charged. Cooper, who learned of the mystery in 2009 when she was a junior at Harvard, became obsessed with it and pursued leads pointing to a link between Britton’s killing and a similar murder of a woman in Harvard Square committed a month later. Her dogged effort to access police files was the impetus for DNA testing that yielded proof of the killer’s identity in 2018. Cooper does a superior job of alternating her present-day investigation with flashbacks depicting Britton’s life and the initial police inquiries. In addition to presenting a tense narrative, she delves into the phenomenon and morality of true crime fandom. This twist-filled whodunit is a nonfiction page-turner. Agent: Marya Spence, Janklow & Nesbit Assoc.
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Starred review from October 15, 2020
Former New Yorker staffer Cooper was a Harvard undergrad in 2009 when she first heard the story. In 1969, a doctoral anthropology student missed her exams and was found murdered. A prime suspect, the rumor went, was a professor still tenured at the university. No small tale from the start, what really happened to Jane Britton?in reality an unsolved murder?obsessed Cooper from then on and became the deeply researched story that grows and shape-shifts, amoeba-like, in the pages of this book. Cooper introduces the witty and outspoken Jane and a winding queue of suspects, revealing twists, new leads, and dead ends with narrative suspense. She gets to know Jane's brother and friends and many people involved with the case, and even goes on an anthropological dig to get a feel for Jane's chosen path. While readers know early on that the case was solved in 2018, they'll be gripped in getting there. In her work of excavation, Cooper seeks ideas of power and truth, and the outer limits of our human desire to be present, somehow, in the past.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)
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Starred review from October 15, 2020
A former New Yorker editorial staff member documents the decade she spent investigating the unsolved 1969 murder of a female Harvard graduate student. Cooper first heard rumors of Jane Britton's murder as a junior in college in 2009, and she was immediately seized by the story, which centered around Britton's supposed affair with a married professor who allegedly killed her when she threatened to reveal details of their relationship. The more she learned about the young woman, the more she felt "connected to her with a certainty more alchemical than rational," but Cooper also worried about how far as "omnipotent" an institution as Harvard "[would] go to make sure the story stayed buried." Only after she returned to New York in 2012, however, did the author begin fully investigating the details behind Jane's grisly, quasi-ritualistic death. She returned to scouring the internet for information before going undercover that fall as a Harvard undergraduate to learn more about the married professor suspected of Britton's murder. In the months and years that followed, Cooper covertly interviewed graduate students and Jane's friends, joined an online group of amateur sleuths, and researched articles in newspapers including the Harvard Crimson. Details emerged that not only complicated the story, but revealed other suspects as well as a tangled web of personal secrets and systemic betrayals on the parts of Harvard and law enforcement. Jane's story became less about the fact of a murder mystery that DNA evidence eventually solved in 2018 and more about institutional sexism, academic corruption and abuse, and the seductive power of narrative. Interspersed throughout with photos and riveting plot twists, this book succeeds as both a true-crime story and a powerful portrait of a young woman's remarkable quest for justice. An intricately crafted and suspenseful book sure to please any fan of true crime--and plenty of readers beyond.COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.
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September 1, 2020
A former New Yorker editorial staff member, now Senior Fellow at Brandeis's Schuster Institute for Investigative Reporting, Cooper was a Harvard undergrad when she first heard stories about the 1969 murder of graduate student Jane Britton, daughter of Radcliffe's vice president, four decades earlier. Here she unwinds a story that has nothing to do with the love-gone-wrong rumors and maybe even the 2018 case-closed ruling, instead focusing on Harvard's ingrained gender inequality and institutional self-regard. With a 150,000-copy first printing.
Copyright 2020 Library Journal, LLC Used with permission.
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NATIONAL BESTSELLER
Named One of The Best Books of 2020 by NPR's Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * Bustle
A Recommended Book by The New York Times * The Washington Post * Publisher's Weekly * Kirkus Reviews* Booklist * The Boston Globe * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * Shondaland
Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men.
You have to remember, he reminded me, that Harvard is older than the U.S. government. You have... - sortTitle
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