Beijing Bastard: Into the Wilds of a Changing China
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Description
Raised in a strict Chinese-American household in the suburbs, Val Wang dutifully got good grades, took piano lessons, and performed in a Chinese dance troupe—until she shaved her head and became a leftist, the stuff of many teenage rebellions. But Val’s true mutiny was when she moved to China, the land her parents had fled before the Communist takeover in 1949.
Val arrives in Beijing in 1998 expecting to find freedom but instead lives in the old city with her traditional relatives, who wake her at dawn with the sound of a state-run television program playing next to her cot, make a running joke of how much she eats, and monitor her every move. But outside, she soon discovers a city rebelling against its roots just as she is, struggling too to find a new, modern identity. Rickshaws make way for taxicabs, skyscrapers replace hutong courtyard houses, and Beijing prepares to make its debut on the world stage with the 2008 Olympics. And in the gritty outskirts of the city where she moves, a thriving avant-garde subculture is making art out of the chaos. Val plunges into the city’s dizzying culture and nightlife and begins shooting a documentary, about a Peking Opera family who is witnessing the death of their traditional art.
Brilliantly observed and winningly told, Beijing Bastard is a compelling story of a young woman finding her place in the world and of China, as its ancient past gives way to a dazzling but uncertain future.
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Citations
Val Wang. (2014). Beijing Bastard: Into the Wilds of a Changing China. Penguin Publishing Group.
Chicago / Turabian - Author Date Citation (style guide)Val Wang. 2014. Beijing Bastard: Into the Wilds of a Changing China. Penguin Publishing Group.
Chicago / Turabian - Humanities Citation (style guide)Val Wang, Beijing Bastard: Into the Wilds of a Changing China. Penguin Publishing Group, 2014.
MLA Citation (style guide)Val Wang. Beijing Bastard: Into the Wilds of a Changing China. Penguin Publishing Group, 2014.
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- A humorous and moving coming-of-age story that brings a unique, not-quite-outsider’s perspective to China’s shift from ancient empire to modern superpower
Raised in a strict Chinese-American household in the suburbs, Val Wang dutifully got good grades, took piano lessons, and performed in a Chinese dance troupe—until she shaved her head and became a leftist, the stuff of many teenage rebellions. But Val’s true mutiny was when she moved to China, the land her parents had fled before the Communist takeover in 1949.
Val arrives in Beijing in 1998 expecting to find freedom but instead lives in the old city with her traditional relatives, who wake her at dawn with the sound of a state-run television program playing next to her cot, make a running joke of how much she eats, and monitor her every move. But outside, she soon discovers a city rebelling against its roots just as she is, struggling too to find a new, modern identity. Rickshaws make way for taxicabs, skyscrapers replace hutong courtyard houses, and Beijing prepares to make its debut on the world stage with the 2008 Olympics. And in the gritty outskirts of the city where she moves, a thriving avant-garde subculture is making art out of the chaos. Val plunges into the city’s dizzying culture and nightlife and begins shooting a documentary, about a Peking Opera family who is witnessing the death of their traditional art.
Brilliantly observed and winningly told, Beijing Bastard is a compelling story of a young woman finding her place in the world and of China, as its ancient past gives way to a dazzling but uncertain future. - reviews
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August 15, 2014
A young woman's search for her identity in late-1990s China. Growing up in the suburbs of Washington, D.C., she writes, "it took a huge mental leap to imagine the farmers and petty bureaucrats of my supposed motherland-even my own relatives seemed impossibly foreign." In 1998, when she found herself increasingly alienated from the world in which she was raised, at odds with her parents ("ceaselessly dictatorial") and desiring to travel "to exotic places far away to look for what was missing" in her life, she chose China as her destination. Inspired by the documentary that gives the book its name and harboring a wish to become a documentary filmmaker, Wang moved to Beijing. First living with relatives in the old city and later in her own insalubrious apartment on the far edges of the city's sprawl, she took a job writing for an English-language magazine. Wang met filmmakers, expat journalists, glam-rock hairdressers and a legendary patriarch of a Peking opera family, learning about her heritage along the way. At the heart of the book is the story of her deepening connection with her family, both in China and America, and their struggle to hold on to their traditional home. On the whole, Wang delivers a sensitive narrative that takes readers effortlessly through the seemingly disparate worlds of a family divided across distance and generations, Beijing's burgeoning '90s contemporary art scene, the demise of China's traditional arts and the changes wrought in the name of the city's Olympic bid. Wang's Beijing is gritty and bleak but also hopeful and exciting, and her affection for the city is palpable. Her writing is vivid, and the intertwining stories unfold clearly and naturally. A deftly written and entertaining memoir that offers a fresh perspective on contemporary China and the people caught in its rapid transformation.COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.
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October 1, 2014
Born to parents who had immigrated to America in their youth, Wang surprises her family by announcing she wants to move to China after she graduates from college. At the end of the 1990s, Wang, full of dreams of becoming a documentary filmmaker, heads to Beijing and moves in with her aunt and uncle. She lands a job covering entertainment at an English-language magazine and delves into Chinese culture, tracking down the director of her favorite Chinese film (for which her memoir is named) and renting an apartment on the outskirts of the city. Though Wang finds most of her friends among fellow American ex-pats, she befriends a young woman whose documentary about elderly Chinese men is gaining critical acclaim. Wang ends up pursuing her own documentary project about a family of Peking Opera performers who cling to their art even after its popularity has waned. Filled with glimpses into the lives of Beijing's residents, Wang's lively and accessible memoir offers a fascinating look at the populous, bustling Chinese city before the 2008 Olympics kick-started its transformation.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)
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Raised in a strict Chinese-American household in the suburbs, Val Wang dutifully got good grades, took piano lessons, and performed in a Chinese dance troupe—until she shaved her head and became a leftist, the stuff of many teenage rebellions. But Val’s true mutiny was when she moved to China, the land her parents had fled before the Communist takeover in 1949.
Val arrives in Beijing in 1998 expecting to find freedom but instead lives in the old city with her traditional relatives, who wake her at dawn with the sound of a state-run television program playing next to her cot, make a running joke of how much she eats, and monitor her every move. But outside, she soon discovers a city rebelling against its roots just as she is, struggling too to find a new,... - sortTitle
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