The Fires of Autumn
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At the end of the First World War, Bernard Jacquelain returns from the trenches a changed man. Broken by the unspeakable horrors he has witnessed, he becomes addicted to the lure of wealth and success. He wallows in the corruption and excess of post-war Paris, but when his lover abandons him, Bernard turns to a childhood friend for comfort. For ten years, he lives the good bourgeois life, but when the drums of war begin to sound again, everything around which he has rebuilt himself starts to crumble, and the future—of his marriage and of his country—suddenly becomes terribly uncertain.
Written after Némirovsky fled Paris in 1940, just two years before her death, and first published in France in 1957, The Fires of Autumn is a coruscating, tragic novel of war and its aftermath, and of the ugly color it can turn a man's soul.
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Irene Nemirovsky. (2015). The Fires of Autumn. Knopf Doubleday Publishing Group.
Chicago / Turabian - Author Date Citation (style guide)Irene Nemirovsky. 2015. The Fires of Autumn. Knopf Doubleday Publishing Group.
Chicago / Turabian - Humanities Citation (style guide)Irene Nemirovsky, The Fires of Autumn. Knopf Doubleday Publishing Group, 2015.
MLA Citation (style guide)Irene Nemirovsky. The Fires of Autumn. Knopf Doubleday Publishing Group, 2015.
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- bioText: Irène Némirovsky was born in Kiev in 1903 into a wealthy banking family and immigrated to France during the Russian Revolution. After attending the Sorbonne in Paris, she began to write and swiftly achieved success with David Golder, which was followed by more than a dozen other books. Throughout her lifetime she published widely in French newspapers and literary journals. She died in Auschwitz in 1942. More than sixty years later, Suite Française was published posthumously for the first time in 2006.
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- This panoramic exploration of French life between the wars reads like a prequel to Irène Némirovsky’s international bestseller Suite Française.
At the end of the First World War, Bernard Jacquelain returns from the trenches a changed man. Broken by the unspeakable horrors he has witnessed, he becomes addicted to the lure of wealth and success. He wallows in the corruption and excess of post-war Paris, but when his lover abandons him, Bernard turns to a childhood friend for comfort. For ten years, he lives the good bourgeois life, but when the drums of war begin to sound again, everything around which he has rebuilt himself starts to crumble, and the future—of his marriage and of his country—suddenly becomes terribly uncertain.
Written after Némirovsky fled Paris in 1940, just two years before her death, and first published in France in 1957, The Fires of Autumn is a coruscating, tragic novel of war and its aftermath, and of the ugly color it can turn a man's soul. - reviews
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- content: "Némirovsky was incapable of producing anything less than an enchanting novel. She has an irresistible talent for creating character and incident."
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- content: "Némirovsky wrote, for all to read at last, some of the greatest, most humane and incisive fiction that conflict has produced."
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- content: "[Némirovsky] achieve[s] her penetrating insights with Flaubertian objectivity."
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January 1, 2015
Another in a string of reissues of the work of the French novelist who died in Auschwitz in 1942, prompted by the discovery of her incomplete but widely acclaimed Suite Francaise; written during the same period just before her death, this multigenerational novel spans war and peace.It's a tight fit. The short novel covers the period 1912-1941; Nemirovsky always has one eye on the clock. She focuses on a small circle of bourgeois Parisians. Old timers and youngsters alike are fervent patriots. When war breaks out, one of them, Martial Brun, mans a first-aid post at the front; his early death is a shock, especially for his cousin and new bride, Therese. Their friend Bernard, dreaming of Napoleonic glory, volunteers at 18. Four years of war turn the twice-wounded Bernard bitter and cynical. Another friend, Raymond Detang, has become a war profiteer, one with a patriotic veneer. In the interwar period, the heart of the novel, Detang and his wife, Renee, become a formidable couple: He's the consummate wheeler-dealer, and she's the blithely adulterous society hostess. "They democratised vice and standardised corruption." It's disappointing that Nemirovsky, with her impressively sharp eye and tart indictments, relegates them to the background. In the foreground are Bernard and the virtuous Therese. Bernard becomes Renee's lover; when she discards him, he marries Therese. He's also been involved in Detang's shady armaments deals; for this he will receive savage authorial punishment. By now it's 1939 (the clock is ticking), and Bernard's boy, Yves, is old enough for the new war. The son, fiercely critical of his father and his money-grubbing cronies, will become a pilot and, if necessary, a sacrificial victim, while Bernard joins the ground war. The ending is rushed and tumultuous.One of Nemirovsky's lesser works. All Our Worldly Goods (2011) covers the same period more successfully.COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.
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