Eka Kurniawan. (2015). Beauty Is a Wound. New Directions.

Eka Kurniawan. 2015. Beauty Is a Wound. New Directions.

Eka Kurniawan, Beauty Is a Wound. New Directions, 2015.

Eka Kurniawan. Beauty Is a Wound. New Directions, 2015.

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4. • value: vengeance is mine all others pay cash

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1. • role: Author
   • fileAs: Kurniawan, Eka
   • bioText: The internationally acclaimed author of Beauty Is a Wound and Man Tiger, Eka Kurniawan was born in West Java in 1975, the day that the little ex-Portuguese colony East Timor declared its sovereign independence.
   • name: Eka Kurniawan
2. • role: Translator
   • fileAs: Tucker, Annie
   • bioText: Annie Tucker won a PEN/Heim Translation Fund Award for her Eka Kurniawan translation.
   • name: Annie Tucker

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2015-09-08T00:00:00-04:00

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title

Beauty Is a Wound

fullDescription

The English-language debut of Indonesia's rising star.

The epic novel Beauty Is a Wound combines history, satire, family tragedy, legend, humor, and romance in a sweeping polyphony. The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past:the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.
Beauty Is a Wound astonishes from its opening line: One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years.... Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.

reviews

1. • premium: False
   • source: Benedict Anderson;The New Left Review
   • content: Without a doubt the most original, imaginatively profound, and elegant writer of fiction in Indonesia today: its brightest and most unexpected meteorite. Pramoedya Ananta Toer has found a successor.
2. • premium: False
   • source: PEN America
   • content: A vivacious translation of a comic but emotionally powerful Indonesian novel.
3. • premium: True
   • source:
   • content:

     Starred review from June 8, 2015
     At the beginning of this English-language debut from Indonesian author Kurniawan, Dewi Ayu, who was once the most respected prostitute in the fictional coastal town of Halimunda, rises from her grave after being dead for two decades. She's returned to pay a visit to her fourth daughter, Beauty, who is famously ugly. What follows is an unforgettable, all-encompassing epic of Indonesian history, magic, and murder, jumping back to Dewi Ayu's birth before World War II, in the last days of Dutch rule, and continuing through the Japanese occupation and the mass killings following the attempted coup by the Indonesian Communist Party in the mid-1960s. Kurniawan centers his story on Dewi Ayu and her four daughters and their families. Readers witness Dewi Ayu's imprisonment in the jungle during the war, a pig turning into a person, a young Communist named Comrade Kliwon engaging in guerrilla warfare, and a boy cheating in school by asking ghosts for help. Indeed, the combination of magic, lore, and pivotal events reverberating through generations will prompt readers to draw parallels between Kurniawan's Halimunda and García Márquez's Macondo. But Kurniawan's characters are all destined for despair and sorrow, and the result is a darker and more challenging read than One Hundred Years of Solitude. There is much physical and sexual violence, but none of it feels gratuitous—every detail seems essential to depicting Indonesia's tragic past. Upon finishing the book, the reader will have the sense of encountering not just the history of Indonesia but its soul and spirit. This is an astounding, momentous book.

4. • premium: True
   • source:
   • content:

     Starred review from July 1, 2015
     English-language debut of a celebrated Indonesian author. "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for 21 years." With this surprising sentence, Kurniawan sets the stage for an epic picaresque that's equal parts Canterbury Tales and Mahabharata. Weaving back in forth in time, moving from character to character, the author tells the story of Indonesia from its Dutch colonial days, through the Japanese occupation during World War II, and into independence as a modern state. Kurniawan's characters are broadly drawn, but they aren't one-dimensional. Dewi Ayu, the most sought-after prostitute in the seaside city of Halimunda, is a shrewd, fearless, and resourceful woman but an ambivalent mother. Her lover, Maman Gendeng, is a romantic thug. The soldier Sodancho is both an illustrious revolutionary and a self-serving racketeer; he's also a rapist. These contradictions are more mythic than psychologically subtle, a reminder that few heroes are purely heroic. The great warriors of yore often come across as bullies and thugs, and when Homer called Ulysses "wily," it wasn't meant as a compliment. Some readers may object to this author's blithe depiction of horrors-including incest, bestiality, and murder-but that, too, makes good folkloric sense. In fairy tales, monstrosity is a sign, and violence is a catalyst; the concept of lingering trauma has no hold on the folk imagination and no place in the world Kurniawan has constructed. There are undoubtedly references and resonances here that are meaningful only to those well-versed in Indonesian history and indigenous storytelling traditions, but that's as it should be: Kurniawan is an Indonesian writer. That said, Anglophone readers are lucky to have access to this exuberantly excessive and captivating novel. Huge ambition, abundantly realized.

     COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

5. • premium: True
   • source:
   • content:

     Starred review from September 15, 2015
     

     This English-language debut of trending Indonesian author Kurniawan opens with beautiful prostitute Dewi Ayu arising from the grave after 21 years and encountering her child Beauty, whom she had cursed with ugliness. The initial feeling of legend, dare one say magic realism, is quickly overtaken by the brutal facts of Indonesian history, from the last gasp of Dutch colonialism to World War II and the bloody battle for independence and against presumed Communists. VERDICT A lush, raucous, and fabulous saga.

     Copyright 2015 Library Journal, LLC Used with permission.

6. • premium: True
   • source:
   • content:

     Starred review from September 15, 2015
     Beauty is a woundand a curse. Arguably nobody knows this better than Dewi Ayu, the larger-than-life anchor of Kurniawan's glorious English-language debut. Set upon the path of prostitution after serving as a Japanese comfort woman, the Dutch-Indonesian Dewi Ayu and her vibrant and troubled life serve as potent allegory for Indonesia itself, an island nation that is strikingly rich in beauty and natural resources yet cursed with more than its share of political turmoil. Dewi's daughters, Alamanda, Adinita, Maya Dewi, and Beautymost of whom inherit her legendary good looksare all trapped in damaging relationships, even if they eke out a modicum of grace in the end. Indonesia's milestonesthe Japanese occupation, the rise of communism, and Suharto's despotic reignare reflected in the women's individual narratives. The lively folk tales and mythological stories from the Mahabharata that pepper the novel cleverly mask such darker elements as rape and bestiality, the inclusion of which, one should add, feels organic and never gratuitous. Even if the allegories sometimes seem forced, what emerges is a vivid, bawdy, and arresting epic painted with bold strokes on a vast canvas. Highly recommended.(Reprinted with permission of Booklist, copyright 2015, American Library Association.)

popularity

265

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shortDescription

The English-language debut of Indonesia's rising star.

The epic novel Beauty Is a Wound combines history, satire, family tragedy, legend, humor, and romance in a sweeping polyphony. The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past:the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.
Beauty Is a Wound astonishes from its opening line: One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years.... Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol,...

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New Directions

bisacCodes

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   • description: Fiction / General
2. • code: FIC045000
   • description: Fiction / Family Life / General
3. • code: FIC061000
   • description: Fiction / Magical Realism