All the Lovers in the Night
(Adobe EPUB eBook, Kindle Book, OverDrive Read)
FINALIST for the 2022 National Book Critics Circle Award for Fiction
A BEST BOOK OF 2022
Oprah Daily・TIME Magazine・Washington Post・Publishers Weekly・Lit Hub
Bestselling author of Breasts and Eggs Mieko Kawakami invites readers back into her immediately recognizable fictional world with this new, extraordinary novel and demonstrates yet again why she is one of today's most uncategorizable, insightful, and talented novelists.
Fuyuko Irie is a freelance copy editor in her mid-thirties. Working and living alone in a city where it is not easy to form new relationships, she has little regular contact with anyone other than her editor, Hijiri, a woman of the same age but with a very different disposition. When Fuyuko stops one day on a Tokyo street and notices her reflection in a storefront window, what she sees is a drab, awkward, and spiritless woman who has lacked the strength to change her life and decides to do something about it.
As the long overdue change occurs, however, painful episodes from Fuyuko's past surface and her behavior slips further and further beyond the pale. All the Lovers in the Night is acute and insightful, entertaining and engaging; it will make readers laugh, and it will make them cry, but it will also remind them, as only the best books do, that sometimes the pain is worth it.
"In the skilled hands of Bett and Boyd, Kawakami's prose is instantly recognizable—immediate, incisive, and unfailingly honest."—Katie Kitamura, Entertainment Weekly (A Most Anticipated Book of 2022)
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Mieko Kawakami. (2022). All the Lovers in the Night. Europa Editions.
Chicago / Turabian - Author Date Citation (style guide)Mieko Kawakami. 2022. All the Lovers in the Night. Europa Editions.
Chicago / Turabian - Humanities Citation (style guide)Mieko Kawakami, All the Lovers in the Night. Europa Editions, 2022.
MLA Citation (style guide)Mieko Kawakami. All the Lovers in the Night. Europa Editions, 2022.
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There are 5 holds on this title.
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Mieko Kawakami is the author of the internationally best-selling novel Breasts and Eggs, a New York Times Notable Book of the Year and one of TIME's Best 10 Books of 2020; and the highly-acclaimed Heaven, her second novel to be translated and published in English, which Oprah Daily described as written "with jagged, visceral beauty." Born in Osaka, Japan, Kawakami made her literary debut as a poet in 2006, and in 2007 published her first novella, My Ego, My Teeth, and the World. Known for their poetic qualities, their insights into the female body, and their preoccupation with ethics and modern society, her books have been translated into over twenty languages. Kawakami's literary awards include the Akutagawa Prize, the Tanizaki Prize, and the Murasaki Shikibu Prize. She lives in Tokyo, Japan.
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FINALIST for the 2022 National Book Critics Circle Award for Fiction
A BEST BOOK OF 2022
Oprah Daily・TIME Magazine・Washington Post・Publishers Weekly・Lit HubBestselling author of Breasts and Eggs Mieko Kawakami invites readers back into her immediately recognizable fictional world with this new, extraordinary novel and demonstrates yet again why she is one of today's most uncategorizable, insightful, and talented novelists.
Fuyuko Irie is a freelance copy editor in her mid-thirties. Working and living alone in a city where it is not easy to form new relationships, she has little regular contact with anyone other than her editor, Hijiri, a woman of the same age but with a very different disposition. When Fuyuko stops one day on a Tokyo street and notices her reflection in a storefront window, what she sees is a...
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FINALIST for the 2022 National Book Critics Circle Award for Fiction
A BEST BOOK OF 2022
Oprah Daily・TIME Magazine・Washington Post・Publishers Weekly・Lit HubBestselling author of Breasts and Eggs Mieko Kawakami invites readers back into her immediately recognizable fictional world with this new, extraordinary novel and demonstrates yet again why she is one of today's most uncategorizable, insightful, and talented novelists.
Fuyuko Irie is a freelance copy editor in her mid-thirties. Working and living alone in a city where it is not easy to form new relationships, she has little regular contact with anyone other than her editor, Hijiri, a woman of the same age but with a very different disposition. When Fuyuko stops one day on a Tokyo street and notices her reflection in a storefront window, what she sees is a drab, awkward, and spiritless woman who has lacked the strength to change her life and decides to do something about it.
As the long overdue change occurs, however, painful episodes from Fuyuko's past surface and her behavior slips further and further beyond the pale. All the Lovers in the Night is acute and insightful, entertaining and engaging; it will make readers laugh, and it will make them cry, but it will also remind them, as only the best books do, that sometimes the pain is worth it.
"In the skilled hands of Bett and Boyd, Kawakami's prose is instantly recognizable—immediate, incisive, and unfailingly honest."—Katie Kitamura, Entertainment Weekly (A Most Anticipated Book of 2022)
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Starred review from March 14, 2022
Kawakami (Heaven) returns with a sensational story of loneliness and friendship. Fuyuko Irie, 34, is an asocial freelance proofreader in Tokyo with a repressed libido, self-described as possessing the “self-absorption of a single woman who nothing with her life but work.” Friendships elude her except when they’re related to her professional life, particularly her outspoken and free-thinking editor, Hijiri Ishikawa. In Fuyuko’s free time, she wanders aimlessly in the Shinjuku shopping district and binges on sake. Then, at a culture center, she meets Mitsutsuka, a considerably older high school physics teacher, who introduces her to Chopin’s soothing, transcendent “Berceuse” lullaby. They bond over theoretical discussions of quarks, string theory, and the physical and philosophical nature of the “mysteries of light” until Mitsutsuka reveals a disheartening truth about himself. The author dazzles with her exploration of emotions and intertwining of lofty discussions of metaphysics with descriptions of Fuyuko’s routines, making her an extraordinary character who moves effortlessly between different worlds as she struggles to find herself. Kawakami turns this study of a “dictionary definition of a miserable person,” as Fuyuko calls herself, into an invigorating and empowering portrait. It’s a winner.
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