Things I Should Have Told My Daughter: Lies, Lessons & Love Affairs
(OverDrive MP3 Audiobook, OverDrive Listen)
In this inspiring memoir, the award-winning playwright and bestselling author of What Looks Like Crazy on an Ordinary Day reminisces on the art of juggling marriage, motherhood, and politics while working to become a successful writer.
In addition to being one of the most popular living playwrights in America, Pearl Cleage is a bestselling author with an Oprah Book Club pick and multiple awards to her credit. But there was a time when such stellar success seemed like a dream. In this revelatory and deeply personal work, Cleage takes readers back to the 1970s and '80s, retracing her struggles to hone her craft amid personal and professional tumult.
Though born and raised in Detroit, it was in Atlanta that Cleage encountered the forces that would most shape her experience. Married to Michael Lomax, now head of the United Negro College Fund, she worked with Maynard Jackson, Atlanta's first African American mayor. Things I Should Have Told My Daughter charts not only the political fights but also the pull she began to feel to focus on her own passions, including writing—a pull that led her away from Lomax as she grappled with ideas of feminism and self-fulfillment. This fascinating memoir follows her journey from a columnist for a local weekly to a playwright and Hollywood scriptwriter, an artist at the crossroads of culture and politics whose circle came to include luminaries like Richard Pryor, Avery Brooks, Phylicia Rashad, Shirley Franklin, and Jesse Jackson. By the time Oprah Winfrey picked What Looks Like Crazy on an Ordinary Day as a favorite, Cleage had long since arrived as a writer of renown.
In the tradition of greats like Susan Sontag, Joan Didion, and Nora Ephron, Cleage's self-portrait raises women's confessional writing to the level of great literature.
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Pearl Cleage. (2014). Things I Should Have Told My Daughter: Lies, Lessons & Love Affairs. Unabridged Blackstone Publishing.
Chicago / Turabian - Author Date Citation (style guide)Pearl Cleage. 2014. Things I Should Have Told My Daughter: Lies, Lessons & Love Affairs. Blackstone Publishing.
Chicago / Turabian - Humanities Citation (style guide)Pearl Cleage, Things I Should Have Told My Daughter: Lies, Lessons & Love Affairs. Blackstone Publishing, 2014.
MLA Citation (style guide)Pearl Cleage. Things I Should Have Told My Daughter: Lies, Lessons & Love Affairs. Unabridged Blackstone Publishing, 2014.
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Pearl Cleage is an award-winning playwright whose play Flyin' West was the most-produced new play in the country in 1994 and a bestselling author whose novels include What Looks like Crazy on an Ordinary Day, I Wish I Had a Red Dress, Some Things I Never Thought I'd Do, and Baby Brother's Blues, among others. She lives in Atlanta, Georgia.
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In this inspiring memoir, the award-winning playwright and bestselling author of What Looks Like Crazy on an Ordinary Day reminisces on the art of juggling marriage, motherhood, and politics while working to become a successful writer.
In addition to being one of the most popular living playwrights in America, Pearl Cleage is a bestselling author with an Oprah Book Club pick and multiple awards to her credit. But there was a time when such stellar success seemed like a dream. In this revelatory and deeply personal work, Cleage takes readers back to the 1970s and '80s, retracing her struggles to hone her craft amid personal and professional tumult.
Though born and raised in Detroit, it was in Atlanta that Cleage encountered the forces that would most shape her experience. Married to Michael Lomax, now head of the United Negro College Fund, she worked with Maynard Jackson, Atlanta's first African American mayor. Things I Should Have Told My Daughter charts not only the political fights but also the pull she began to feel to focus on her own passions, including writing—a pull that led her away from Lomax as she grappled with ideas of feminism and self-fulfillment. This fascinating memoir follows her journey from a columnist for a local weekly to a playwright and Hollywood scriptwriter, an artist at the crossroads of culture and politics whose circle came to include luminaries like Richard Pryor, Avery Brooks, Phylicia Rashad, Shirley Franklin, and Jesse Jackson. By the time Oprah Winfrey picked What Looks Like Crazy on an Ordinary Day as a favorite, Cleage had long since arrived as a writer of renown.
In the tradition of greats like Susan Sontag, Joan Didion, and Nora Ephron, Cleage's self-portrait raises women's confessional writing to the level of great literature.
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- source: Jasmine Guy, actress
- content: "An enjoyable, nonstop read. Familiar and profound. Pearl's memories feel like my own. Her lies, lessons, and love affairs wash over me like water, sage, and lavender. She makes me feel at home in her life."
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- content: There's an urgency to Pearl Cleage's narration--as if her life depends on every word she shares from her journals of the 1970s and '80s. Speaking rhythmically, passionately, she says exactly what's on her mind and soulfully talks to listeners as if they're good friends. She's colorful with her language and candid in tone when detailing experiences such as her pregnancy, her work with the first black mayor of Atlanta, her mother's battle with cancer, and her desire to be with specific lovers. In the whirlwind of topics, she thematically returns to the idea of being free. Poetically employing repetition, Cleage emphasizes the joys and frustrations of life and of coming into her own womanhood. T.E.C. © AudioFile 2014, Portland, Maine
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February 10, 2014
A sampling of playwright and novelist Cleage’s (What Looks Like Crazy on an Ordinary Day) journal entries over 20 years, from 1970 to 1990, as a young journalist, feminist, Civil Rights activist, wife, and mother delineates a long, difficult journey toward self-realization. A student at Spellman College in Atlanta, involved in SNCC meetings and civil rights organizations with her politician husband-to-be. Michael Lomax, Cleage embarked on her journal as race relations were splitting apart the country. Yearning to be a writer, chafing at the constraints of having to ply her way as a journalist, and resentful of the chauvinistic attitudes of men (reading The Feminist Mystique she recognized that, in terms of hiding real issues, “Men have done almost as good a job as white folks”), Cleage tried overall to be true to the ideals she envisioned for herself in her youth. She worked for the election of Maynard Jackson, the first African-American mayor of Atlanta; then got pregnant by the beginning of 1974, prompting many months of fretting about motherhood. Between Maynard’s and her husband’s campaigns, Cleage began to write in earnest in the late 1970s, often working as an itinerant screenwriter, recording her literary findings, and grappling constantly with how to be a sexual being in a committed relationship—thorny questions that led her to leave her marriage and embark on a series of affairs with married men in the 1980s. By turns frank, and wide-eyed, Cleage’s entries reflect a fulsome, tender spirit, hungry for authentic experience, eager for love.
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In addition to being one of the most popular living playwrights in America, Pearl Cleage is a bestselling author with an Oprah Book Club pick and multiple awards to her credit. But there was a time when such stellar success seemed like a dream. In this revelatory and deeply personal work, Cleage takes readers back to the 1970s and '80s, retracing her struggles to hone her craft amid personal and professional tumult.
Though born and raised in Detroit, it was in Atlanta that Cleage encountered the forces that would most shape her experience. Married to Michael Lomax, now head of the United Negro College Fund, she worked with Maynard Jackson, Atlanta's first African American mayor. Things I Should Have Told My Daughter charts not only the...
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