The Man Who Shot Out My Eye Is Dead: Stories
(OverDrive MP3 Audiobook, OverDrive Listen)
A stunningly original debut collection about lives across history marked by violence and longing.
A brother and sister turn outlaw in a wild and brutal landscape. The daughter of a diplomat disappears and resurfaces across the world as a deadly woman of many names. A young Philadelphia boy struggles with the contradictions of privilege, violence, and the sway of an incarcerated father. A monk in sixteenth century England suffers the dissolution of his monastery and the loss of all that he held sacred.
The characters in The Man Who Shot Out My Eye Is Dead, Benz's wildly imaginative debut, are as varied as any in recent literature, but they share a thirst for adventure which sends them rushing full-tilt toward the moral crossroads, becoming victims and perpetrators along the way. Riveting, visceral, and heartbreaking, Benz's stories of identity, abandonment, and fierce love come together in a daring, arresting vision.
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Chanelle Benz. (2017). The Man Who Shot Out My Eye Is Dead: Stories. Unabridged HarperAudio.
Chicago / Turabian - Author Date Citation (style guide)Chanelle Benz. 2017. The Man Who Shot Out My Eye Is Dead: Stories. HarperAudio.
Chicago / Turabian - Humanities Citation (style guide)Chanelle Benz, The Man Who Shot Out My Eye Is Dead: Stories. HarperAudio, 2017.
MLA Citation (style guide)Chanelle Benz. The Man Who Shot Out My Eye Is Dead: Stories. Unabridged HarperAudio, 2017.
Library | Owned | Available |
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Shared Digital Collection | 1 | 1 |
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Chanelle Benz has published work in Guernica, Granta.com, The New York Times, Electric Literature, The American Reader, Fence and others, and is the recipient of an O. Henry Prize. Her story collection The Man Who Shot Out My Eye Is Dead was published in 2017 by Ecco/HarperCollins. It was named a Best Book of 2017 by The San Francisco Chronicle and one of Electric Literature's 15 Best Short Story Collections of 2017. It was also shortlisted for the 2018 Saroyan Prize and longlisted for the 2018 PEN/Robert Bingham Prize for Debut Fiction and the 2017 Story Prize. Her novel The Gone Dead was published by Ecco/HarperCollins in June 2019 and was a New York Times Book Review Editor's Choice and a Tonight Show Summer Reads Finalist. It was named a best new book of the summer by O, The Oprah Magazine, Time, Southern Living, and Nylon. She currently lives in Memphis where she teaches at Rhodes College.
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A stunningly original debut collection about lives across history marked by violence and longing.
A brother and sister turn outlaw in a wild and brutal landscape. The daughter of a diplomat disappears and resurfaces across the world as a deadly woman of many names. A young Philadelphia boy struggles with the contradictions of privilege, violence, and the sway of an incarcerated father. A monk in sixteenth century England suffers the dissolution of his monastery and the loss of all that he held sacred.
The characters in The Man Who Shot Out My Eye Is Dead, Benz's wildly imaginative debut, are as varied as any in recent literature, but they share a thirst for adventure which sends them rushing full-tilt toward the moral crossroads, becoming victims and perpetrators along the way. Riveting, visceral, and heartbreaking, Benz's stories of identity, abandonment, and fierce love come together in a daring, arresting vision.
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October 17, 2016
Evoking eras from the medieval to the postapocalyptic and built around various forms including slave narratives, found documents, and gothic tales complete with sly scholarly notes, Benz’s debut collection of 10 stories is impressive but uneven. The opening story, “West of the Known,” is a 2014 O. Henry Prize winner and one of book’s strongest. Vividly refashioning a Western outlaw tale with a female narrator and taut, inventive language, its chain of violation and retribution is emotionally compelling and historically vivid. Another high point is “Accidental,” in which a woman guilty of vehicular manslaughter sets out on a quest driven by family loss, distance, and fallibility. Set in the present and uncomplicated by the tricky strategies that mark much of the rest of the book, it is powerfully nuanced. In contrast, the labored medievalism of “That We May All Be One Sheepfolde, or O Saeculum Corruptissimum,” with its surfeit of phrasing such as “So cumbrous was mine horror upon the gore that wast my father’s face,” never moves beyond pastiche. At its best, the collection explores violence, identity, and otherness in sharply observed, fiercely eloquent prose. Benz’s bold experiments with voice and genre sometimes fail to make an authentic emotional connection, but she nevertheless displays her daring and gift for language.
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A stunningly original debut collection about lives across history marked by violence and longing.
A brother and sister turn outlaw in a wild and brutal landscape. The daughter of a diplomat disappears and resurfaces across the world as a deadly woman of many names. A young Philadelphia boy struggles with the contradictions of privilege, violence, and the sway of an incarcerated father. A monk in sixteenth century England suffers the dissolution of his monastery and the loss of all that he held sacred.
The characters in The Man Who Shot Out My Eye Is Dead, Benz's wildly imaginative debut, are as varied as any in recent literature, but they share a thirst for adventure which sends them rushing full-tilt toward the moral crossroads, becoming victims and perpetrators along the way. Riveting, visceral, and heartbreaking, Benz's stories of identity, abandonment, and fierce love come together in a daring, arresting vision.
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