How Music Works
(OverDrive MP3 Audiobook, OverDrive Listen)
Published:
Recorded Books, Inc. 2012
Status:
Available from OverDrive
Description
Best known as a founding member and principal songwriter of the iconic band Talking Heads, David Byrne has received Grammy, Oscar, and Golden Globe awards and has been inducted into the Rock and Roll Hall of Fame. In the insightful How Music Works, Byrne offers his unique perspective on music - including how music is shaped by time, how recording technologies transform the listening experience, the evolution of the industry, and much more.
Formats
OverDrive MP3 Audiobook
Works on MP3 Players, PCs, and Macs. Some mobile devices may require an application to be installed.
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More Details
Format:
OverDrive MP3 Audiobook, OverDrive Listen
Edition:
Unabridged
Street Date:
11/09/2012
Language:
English
ISBN:
9781470330729
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Citations
APA Citation (style guide)
David Byrne. (2012). How Music Works. Unabridged Recorded Books, Inc.
Chicago / Turabian - Author Date Citation (style guide)David Byrne. 2012. How Music Works. Recorded Books, Inc.
Chicago / Turabian - Humanities Citation (style guide)David Byrne, How Music Works. Recorded Books, Inc, 2012.
MLA Citation (style guide)David Byrne. How Music Works. Unabridged Recorded Books, Inc, 2012.
Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Copy Details
| Library | Owned | Available |
|---|---|---|
| Shared Digital Collection | 2 | 1 |
There is 1 hold on this title.
Staff View
Grouped Work ID:
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Needs Update?:
No
Date Added:
Jun 12, 2018 19:10:00
Date Updated:
Jun 12, 2018 19:10:00
Last Metadata Check:
Nov 28, 2023 08:01:52
Last Metadata Change:
Jun 04, 2023 17:51:25
Last Availability Check:
Nov 28, 2023 08:01:53
Last Availability Change:
Nov 28, 2023 08:01:53
Last Grouped Work Modification Time:
Nov 29, 2023 02:22:25
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Starred review from July 23, 2012
In this fascinating meditation, Talking Heads frontman Byrne (Bicycle Diaries) explores how social and practical context, more than individual authorship, shaped music making in history and his own career. Touching on everything from bird-song and mirror neurons to the scene at CBGB, his wide-ranging treatment analyzes the effect of music venues (he theorizes that terrible stadium acoustics bias arena-rock bands toward plodding anthems), technology (sound recording induced opera singers to add vibrato), finances (he proffers balance sheets for two of his albums), and much else on the music we hear. He draws extensively from his own experiences, as his music shifted from the minimalism of early Talking Heads (“no ‘oh, babys’ or words that I wouldn’t use in in daily speech”) to complex theatricality; his chapters on Heads recording sessions are some of the most insightful accounts of musical creativity yet penned. The result is a surprising challenge to the romantic cliché of musical genius: rather than an upwelling of authentic feeling, he insists, “making music is like constructing a machine whose function is to dredge up emotions in performer and listener.” Byrne’s erudite and entertaining prose reveals him to be a true musical intellectual, with serious and revealing things to say about his art. Photos.
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