Looking for the Good War: American Amnesia and the Violent Pursuit of Happiness
(Adobe EPUB eBook, Kindle Book, OverDrive Read)
"A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war." —Robert G. Kaiser, The Washington Post
In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States' "exceptional" history and destiny.
Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II.
As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century's decades of devastating conflict.
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Elizabeth D. Samet. (2021). Looking for the Good War: American Amnesia and the Violent Pursuit of Happiness. Farrar, Straus and Giroux.
Chicago / Turabian - Author Date Citation (style guide)Elizabeth D. Samet. 2021. Looking for the Good War: American Amnesia and the Violent Pursuit of Happiness. Farrar, Straus and Giroux.
Chicago / Turabian - Humanities Citation (style guide)Elizabeth D. Samet, Looking for the Good War: American Amnesia and the Violent Pursuit of Happiness. Farrar, Straus and Giroux, 2021.
MLA Citation (style guide)Elizabeth D. Samet. Looking for the Good War: American Amnesia and the Violent Pursuit of Happiness. Farrar, Straus and Giroux, 2021.
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- bioText: Elizabeth D. Samet is the author of No Man's Land: Preparing for War and Peace in Post-9/11 America; Soldier's Heart: Reading Literature Through Peace and War at West Point, which won the Los Angeles Times Book Prize for Current Interest and was named one of the 100 Notable Books of 2007 by The New York Times; and Willing Obedience: Citizens, Soldiers, and the Progress of Consent in America, 1776–1898. Samet is the editor of Leadership: Essential Writings by Our Greatest Thinkers, The Annotated Memoirs of Ulysses S. Grant, and World War II Memoirs: Pacific Theater. The recipient of a National Endowment for the Humanities Public Scholar Grant and the Hiett Prize in the Humanities, she was also awarded a Guggenheim Fellowship to support the research and writing of Looking for the Good War. She is a professor of English at West Point.
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"A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war." —Robert G. Kaiser, The Washington Post
In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States' "exceptional" history and destiny.
Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II.
As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century's decades of devastating conflict.- reviews
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November 1, 2021
The popular perception of WWII as the "Good War" hides a darker reality, according to this iconoclastic study by West Point English professor Samet (No Man's Land). Challenging rose-colored takes on the war as the triumph of the democratic common man over fascist tyranny, Samet argues that America's war was a morass of indiscriminate carnage fought by draftees with little ideological motivation—and, in the case of Black soldiers facing racial discrimination, deep ambivalence—amid considerable public disaffection on the home front. Worse, she contends, the retrospective veneration of the war as "a testament to the redemptive capacity of American violence" justified misbegotten military adventures in Vietnam, Iraq, and elsewhere. Concentrating more on critical theory than politics or history, Samet probes interpretations of war in literary and cultural works from Shakespeare's Henry V to 20th-century war novels, Saving Private Ryan, and film noir's jaundiced view of an America coarsened and corrupted by the conflict and the troubled veterans returning from it. Samet's analysis is sometimes incisive but more often rambles through age-old indictments of the glorification of war. Ultimately, this intriguing provocation is too broad and unfocused to reveal much about why America keeps going into battle.
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November 1, 2021
Americans tend to look at World War II as a "good war" that defined the country's preeminence and presumably exceptional role in the world. Author of the Los Angeles Times Book Prize-winning Soldier's Heart, West Point professor Samet has a different take, drawing on examples from literature and film to show that in the immediate postwar period Americans were more ambivalent about the war--and war generally. Later, World War II mythology escalated to the resplendent role of the military hero in post-Vietnam period, which, says Samet, gets in the way of our dealing with more recent military conflicts. With a 20,000-copy first printing.
Copyright 2021 Library Journal, LLC Used with permission.
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Starred review from October 15, 2021
Samet investigates a vital question: "Has the prevailing memory of the 'Good War, ' shaped...by nostalgia, sentimentality, and jingoism, done more harm than good?" The author, a professor of English at West Point, engages in a simultaneously deep and wide exploration of the way the meaning and memory of World War II have shaped American identity, its sense of standing in the world, and narratives of other wars: Korea, Vietnam, the Gulf War, "and, retrospectively, the Civil War." Drawing on a vast number of sources, including histories; firsthand accounts in letters, memoirs, and reportage; fiction; movies (produced during and after the war); comic books; and the Army's guidebooks for soldiers, Samet smoothly distills the myths Americans have told themselves to justify the epithet of the "Good War" for a noble battle to liberate the world from fascism. That self-righteous myth, Samet asserts, "appeals to our national vanity, confirms the New World's superiority to the Old, and validates modernity and the machine." The experience of the war was marked by disillusion and confusion in the battlefield and on the homefront. The author underscores the ambivalence that pervaded the nation. Even as reports circulated about Nazi atrocities, most Americans were indifferent. The Pacific war, writes Samet, was "complicated by bitter racism" against the Japanese, while postwar novels and films "exhibit [the] confusion, discontent, and disaffection" felt by many returning soldiers. Furthermore, violence became not just associated with battle, but "an end in and of itself." For example, "in the absence of a foreign enemy against whom to deploy their violence, comic books moved in the direction of brutality and horror." Violence remains a lasting legacy of the war, leading Americans "repeatedly to imagine that the use of force can accomplish miraculous political ends even when we have the examples of Vietnam, Iraq, and Afghanistan to tell us otherwise." Not just timely, Samet's work is incisively argued and revelatory in its criticism. A cogent analysis of the cultural realities of war.COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.
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"A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war." —Robert G. Kaiser, The Washington Post
In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States' "exceptional" history and destiny.
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