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Things I Should Have Told My Daughter: Lies, Lessons & Love Affairs
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Published:
Atria Books 2014
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Description
In this inspiring memoir—that Jane Fonda raves "will make you braver...want to live your life better and make a difference"—the award-winning playwright and bestselling author of What Looks Like Crazy on an Ordinary Day reminisces on the art of juggling marriage, motherhood, and politics while working to hone her craft as a writer.
Before she become one of America's most popular playwrights and a bestselling author with a novel endorsed by Oprah's Book Club, Pearl Cleage was a struggling writer going through personal and professional turmoil.

In Things I Should Have Told My Daughter, Cleage takes us back to the 1970s and 80s, when she was a young wife and mother trying to find her voice as a writer. Living in Atlanta, she worked alongside Maynard Jackson, the city's first black mayor and it was here among fraught politics that she began to feel the pull of her own dreams—a pull that led her away from her husband as she grappled with ideas of feminism and self-fulfillment.

In the tradition of literary giants such as Joan Didion, Nora Ephron, and Maya Angelou, Cleage crafts an illuminating and moving self-portrait in which her "extraordinary experiences, deep social concerns, passionate self-analysis, and personal and artistic liberation, all so openly confided, make for a highly charged, redefining read" (Booklist).
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Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
Street Date:
04/08/2014
Language:
English
ISBN:
9781451664713
ASIN:
B00DPM7ZKI
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Citations
APA Citation (style guide)

Pearl Cleage. (2014). Things I Should Have Told My Daughter: Lies, Lessons & Love Affairs. Atria Books.

Chicago / Turabian - Author Date Citation (style guide)

Pearl Cleage. 2014. Things I Should Have Told My Daughter: Lies, Lessons & Love Affairs. Atria Books.

Chicago / Turabian - Humanities Citation (style guide)

Pearl Cleage, Things I Should Have Told My Daughter: Lies, Lessons & Love Affairs. Atria Books, 2014.

MLA Citation (style guide)

Pearl Cleage. Things I Should Have Told My Daughter: Lies, Lessons & Love Affairs. Atria Books, 2014.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Date Added:
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      • bioText: Pearl Cleage is an award-winning playwright whose play Flyin' West was the most-produced new play in the country in 1994 and a bestselling author whose novels include What Looks Like Crazy on an Ordinary Day, I Wish I Had a Red Dress, Some Things I Never Thought I'd Do, and Baby Brother's Blues, among others. She lives in Atlanta, Georgia.
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Things I Should Have Told My Daughter
fullDescription
In this inspiring memoir—that Jane Fonda raves "will make you braver...want to live your life better and make a difference"—the award-winning playwright and bestselling author of What Looks Like Crazy on an Ordinary Day reminisces on the art of juggling marriage, motherhood, and politics while working to hone her craft as a writer.
Before she become one of America's most popular playwrights and a bestselling author with a novel endorsed by Oprah's Book Club, Pearl Cleage was a struggling writer going through personal and professional turmoil.

In Things I Should Have Told My Daughter, Cleage takes us back to the 1970s and 80s, when she was a young wife and mother trying to find her voice as a writer. Living in Atlanta, she worked alongside Maynard Jackson, the city's first black mayor and it was here among fraught politics that she began to feel the pull of her own dreams—a pull that led her away from her husband as she grappled with ideas of feminism and self-fulfillment.

In the tradition of literary giants such as Joan Didion, Nora Ephron, and Maya Angelou, Cleage crafts an illuminating and moving self-portrait in which her "extraordinary experiences, deep social concerns, passionate self-analysis, and personal and artistic liberation, all so openly confided, make for a highly charged, redefining read" (Booklist).
reviews
      • premium: True
      • source: Publisher's Weekly
      • content:

        February 10, 2014
        A sampling of playwright and novelist Cleage’s (What Looks Like Crazy on an Ordinary Day) journal entries over 20 years, from 1970 to 1990, as a young journalist, feminist, Civil Rights activist, wife, and mother delineates a long, difficult journey toward self-realization. A student at Spellman College in Atlanta, involved in SNCC meetings and civil rights organizations with her politician husband-to-be. Michael Lomax, Cleage embarked on her journal as race relations were splitting apart the country. Yearning to be a writer, chafing at the constraints of having to ply her way as a journalist, and resentful of the chauvinistic attitudes of men (reading The Feminist Mystique she recognized that, in terms of hiding real issues, “Men have done almost as good a job as white folks”), Cleage tried overall to be true to the ideals she envisioned for herself in her youth. She worked for the election of Maynard Jackson, the first African-American mayor of Atlanta; then got pregnant by the beginning of 1974, prompting many months of fretting about motherhood. Between Maynard’s and her husband’s campaigns, Cleage began to write in earnest in the late 1970s, often working as an itinerant screenwriter, recording her literary findings, and grappling constantly with how to be a sexual being in a committed relationship—thorny questions that led her to leave her marriage and embark on a series of affairs with married men in the 1980s. By turns frank, and wide-eyed, Cleage’s entries reflect a fulsome, tender spirit, hungry for authentic experience, eager for love.

      • premium: True
      • source: Kirkus
      • content:

        February 1, 2014
        Cleage (Just Wanna Testify, 2011, etc.) reprints journal entries chronicling her tumultuous life in the 1970s and '80s. "Do us all a favor," said her now-grown daughter. "Burn them up and be done with it." But the author wants to share the decades in which she discovered her vocation as a playwright, poet and novelist while remaining deeply engaged in political activism, as a speechwriter for the first black mayor of Atlanta, and as a feminist grappling with marriage, motherhood, divorce and subsequent sexual freedom. Entries from the early 1970s in particular plunge us back into a time when a substantial number of young Americans, including African-Americans such as Cleage, honestly believed either a revolution or a fascist takeover was imminent. The great virtue of this seemingly unedited journal is that it gives a vivid sense of a real life's varied nature, with an entry about how women can serve the revolution followed by the author's comments on the film Women in Love. (She's an avid moviegoer, fond of French New Wave and Hollywood alike, and her musical enthusiasms run from Bruce Springsteen to Peabo Bryson.) The drawback is that there are absolutely no notes in the text to do anything as basic as identify "Daddy" (Cleage's father, prominent civil rights activist Bishop Albert Cleage) or the last name of her first husband, Michael (Lomax). Cleage apparently thinks everybody knows all about her public life, and she comes across as self-involved, even within the context of a journal. (The solipsism is leavened by some poignant letters from her dying mother and a couple of tough professional memos to Atlanta mayor Maynard Jackson.) She's also ruthlessly candid: about her professional ambitions; her jealousy of more successful writers, especially if they're also female and black; her unabashed indulgence in marijuana and alcohol; and her multiple love affairs, often with married men. Readers won't always like her, but they should know her very well after 300 pages of unmediated effusions. A warts-and-all self-portrait rendered in juicy, robust prose.

        COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.

      • premium: True
      • source: Library Journal
      • content:

        February 1, 2014

        Writing is what Cleage, an acclaimed poet (We Don't Need No Music), essayist (Deals with the Devil: And Other Reasons To Riot), novelist (What Looks Like Crazy on an Ordinary Day), and award-winning playwright (Flyin' West) does. Here, her journals are the source of a revealing, intimate memoir. With over 50 years of notebooks stashed in cardboard boxes and a steamer trunk, Cleage contemplates their value. Her daughter suggests burning the journals, but Cleage resists; this historical record allows her to remember details and understand how she survived and succeeded. She shares entries from 1970 to 1988 in this volume describing her "mad flight toward financial independence, sexual liberation, creative fulfillment and free womanhood." VERDICT Cleage's observations explode with joy, anxiety, anger, and, of course, honesty; her style is breezy and casual but the content is complex. Her fans will embrace this work, and all readers interested in women's memoirs, especially those focused on the struggle against racism and sexism, will be moved by this title. [See Prepub Alert, 10/28/13.]--Kathryn Bartelt, Univ. of Evansville Libs., IN

        Copyright 2014 Library Journal, LLC Used with permission.

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Before she become one of America's most popular playwrights and a bestselling author with a novel endorsed by Oprah's Book Club, Pearl Cleage was a struggling writer going through personal and professional turmoil.

In Things I Should Have Told My Daughter, Cleage takes us back to the 1970s and 80s, when she was a young wife and mother trying to find her voice as a writer. Living in Atlanta, she worked alongside Maynard Jackson, the city's first black mayor and it was here among fraught politics that she began to feel the pull of her own dreams—a pull that led her away from her husband as she grappled...
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