Wayward: A novel
(Adobe EPUB eBook, Kindle Book, OverDrive Read)
“A virtuosic, singular and very funny portrait of a woman seeking sanity and purpose in a world gone mad.” —The New York Times Book Review
“Riddled with insights into aging, womanhood, and discontent, Wayward is as elegant as it is raw, and almost as funny as it is sad.” —Philadelphia Inquirer
“A comic, vital new novel.” —The New Yorker
Samantha Raymond's life has begun to come apart: her mother is ill, her teenage daughter is increasingly remote, and at fifty-two she finds herself staring into "the Mids"—that hour of supreme wakefulness between three and four in the morning in which women of a certain age suddenly find themselves contemplating motherhood, mortality, and, in this case, the state of our unraveling nation.
When she falls in love with a beautiful, decrepit house in a hardscrabble neighborhood in Syracuse, she buys it on a whim and flees her suburban life—and her family—as she grapples with how to be a wife, a mother, and a daughter, in a country that is coming apart at the seams.
Dana Spiotta's Wayward is a stunning novel about aging, about the female body, and about female complexity in contemporary America. Probing and provocative, brainy and sensual, it is a testament to our weird times, to reforms and resistance and utopian wishes, and to the beauty of ruins.
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Dana Spiotta. (2021). Wayward: A novel. Knopf Doubleday Publishing Group.
Chicago / Turabian - Author Date Citation (style guide)Dana Spiotta. 2021. Wayward: A Novel. Knopf Doubleday Publishing Group.
Chicago / Turabian - Humanities Citation (style guide)Dana Spiotta, Wayward: A Novel. Knopf Doubleday Publishing Group, 2021.
MLA Citation (style guide)Dana Spiotta. Wayward: A Novel. Knopf Doubleday Publishing Group, 2021.
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- bioText: DANA SPIOTTA is the author of Innocents and Others, which won the St. Francis College Literary Prize and was short-listed for The Los Angeles Times Book Prize; Stone Arabia, which was a National Book Critics Circle Award finalist; Eat the Document, which was a National Book Award finalist; and Lightning Field. Spiotta was a Guggenheim Fellow, a New York Foundation for the Arts Fellow, and she won the 2008-9 Rome Prize from the American Academy in Rome. In 2017, the American Academy of Arts and Letters awarded her the John Updike Prize in Literature. Spiotta lives in Syracuse and teaches in the Syracuse University MFA program.
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- A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • A “furious and addictive new novel” (The New York Times) about mothers and daughters, and one woman's midlife reckoning as she flees her suburban life.
“A virtuosic, singular and very funny portrait of a woman seeking sanity and purpose in a world gone mad.” —The New York Times Book Review
“Riddled with insights into aging, womanhood, and discontent, Wayward is as elegant as it is raw, and almost as funny as it is sad.” —Philadelphia Inquirer
“A comic, vital new novel.” —The New Yorker
Samantha Raymond's life has begun to come apart: her mother is ill, her teenage daughter is increasingly remote, and at fifty-two she finds herself staring into "the Mids"—that hour of supreme wakefulness between three and four in the morning in which women of a certain age suddenly find themselves contemplating motherhood, mortality, and, in this case, the state of our unraveling nation.
When she falls in love with a beautiful, decrepit house in a hardscrabble neighborhood in Syracuse, she buys it on a whim and flees her suburban life—and her family—as she grapples with how to be a wife, a mother, and a daughter, in a country that is coming apart at the seams.
Dana Spiotta's Wayward is a stunning novel about aging, about the female body, and about female complexity in contemporary America. Probing and provocative, brainy and sensual, it is a testament to our weird times, to reforms and resistance and utopian wishes, and to the beauty of ruins. - reviews
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February 1, 2021
At midlife, Samantha Raymond is dealing with her mother's illness, her teenage daughter's swerve into independence, and the results of the 2016 election. So she buys a house in a weathered part of Syracuse, NY, and moves in, leaving family and suburbs behind. From the perennially award-winning and -nominated author of Stone Arabia.
Copyright 2021 Library Journal, LLC Used with permission.
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Starred review from May 3, 2021
Spiotta (Innocence and Others) draws up a love letter to Syracuse, N.Y., in this wonderfully mischievous and witty story of a 53-year-old woman who flees the suburbs for the city. In 2017, Sam Raymond divides her time between working part-time at a historical house for fictional suffragette and Oneida Community member Claire Loomis, and her “bored-housewife pastime of attending open houses.” After swooning over a run-down bungalow designed by a locally treasured architect, she buys the house and leaves her husband, Matt, and 16-year-old daughter, Ally, without much of an explanation. Matt assumes she’s leaving as part of her distraught reaction to Trump being elected president; it’s true that Sam’s outrage has peaked, and she’s been going to meetings with other enraged women, which Spiotta renders with ingenious complexity. When a pair of younger women confronts a gathering of older white feminists (“All I know is that people our age, queer people, people of color—we didn’t elect him,” one of the young women says), Sam’s reaction is mixed, as she feels caught between two generations. Sam then meets a self-described “Half Hobo” from an online “Crones” group, who advises Sam to resign herself to the coming apocalypse. But Sam still wants her life to have meaning, and she wants to reconnect with Ally, whose story of a secret affair with a 29-year-old man emerges in a parallel narrative. As Sam reckons with how Syracuse’s history is viewed by a younger generation (“let’s salvage, not savage”), Spiotta pulls off a surprising dive into the Loomis story, which informs Sam’s relationship with her own mother and with Ally while shading in Sam’s interest in local lore. This is a knockout.
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May 15, 2021
A woman pursuing a midlife reset finds her received notions about domesticity and justice unraveling. In her previous smart, spiky novels, Spiotta explored the tenuous bonds between brothers and sisters (Stone Arabia, 2011) and female friends (Innocents and Others, 2016). Here the themes are motherhood and marriage, as Sam, a 50-something woman, attempts to reboot her life after Trump's election. The protest groups she joins on Facebook are contentious (one is called "Hardcore Hags, Harridans, and Harpies"), which she at first finds inspirational. On an impulse, she leaves her marriage and buys a dilapidated historic house in Syracuse. But she still needs her husband's financial support (she works part time in the historic home of a "problematic" 19th-century feminist), and the infighting among her activist friends soon becomes confounding. (She's strong-armed into signing a petition censuring one woman for unexplained transgressions.) Lost in the shuffle is Sam's ailing mother as well as Ally, her 16-year-old daughter, who's an academic high achiever seduced by her 29-year-old mentor in an entrepreneurship program. Sam processes all this in irrational, woman-on-the-brink ways (keying a truck, a disastrous turn at a stand-up open mic) that are typical in domestic-crisis novels. But Spiotta's characterization of Sam is more complicated and slippery, as she begins to recognize that the entrapment she feels is as much a function of broader forces she's helpless to control; shifting between Sam's and Ally's perspectives, Spiotta asks how much leeway a mother has in a society in which patriarchal attitudes carry so much weight. A violent act at the tail end of the novel both clarifies and complicates the predicament, and Spiotta artfully contextualizes Sam's existential crisis as part of her hometown's history. As Sam asks, for herself, and everybody: "What happened to us? When did progress become so ugly?" An engrossing, interior mother-daughter story that expands into a sharp social commentary.COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.
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“A virtuosic, singular and very funny portrait of a woman seeking sanity and purpose in a world gone mad.” —The New York Times Book Review
“Riddled with insights into aging, womanhood, and discontent, Wayward is as elegant as it is raw, and almost as funny as it is sad.” —Philadelphia Inquirer
“A comic, vital new novel.” —The New Yorker
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