Panorama City: A Novel
(OverDrive MP3 Audiobook, OverDrive Listen)
With its blend of fool's wisdom and deeply felt humanity, Panorama City is heir to Marilynne Robinson's Gilead and Steve Martin's The Jerk.
From his deathbed*, twenty-eight-year-old Oppen Porter—an open-hearted, bicycle-riding, binocular-toting, self-described "slow absorber"—unspools into a cassette recorder his tale of self-determination, from "village idiot" to "man of the world," for the benefit of his unborn son. Told in an astonishingly charming and wise voice, Oppen's account traces forty days and nights navigating the fast-food joints, storefront churches, and home-office psychologists of the San Fernando Valley. Ping-ponging between his watchful, sharp-tongued aunt and an outlaw philosopher with the face "of a newly hatched crocodile," Oppen finds himself constantly in the sights of people who believe that their way is the only way for him. Oppen Porter is "an American original" (Stewart O'Nan) for whom finding one's own way is both a delightful art and a painstaking science. Disarmingly funny and surreptitiously moving, Panorama City makes us see the world, and our place in it, with new eyes.
*Not really
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Antoine Wilson. (2012). Panorama City: A Novel. Unabridged Blackstone Publishing.
Chicago / Turabian - Author Date Citation (style guide)Antoine Wilson. 2012. Panorama City: A Novel. Blackstone Publishing.
Chicago / Turabian - Humanities Citation (style guide)Antoine Wilson, Panorama City: A Novel. Blackstone Publishing, 2012.
MLA Citation (style guide)Antoine Wilson. Panorama City: A Novel. Unabridged Blackstone Publishing, 2012.
Library | Owned | Available |
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Shared Digital Collection | 1 | 1 |
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Antoine Wilson is the author of the novel The Interloper and a graduate of the Iowa Writers' Workshop. He is a contributing editor of A Public Space and lives and surfs in Los Angeles.
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With its blend of fool's wisdom and deeply felt humanity, Panorama City is heir to Marilynne Robinson's Gilead and Steve Martin's The Jerk.
From his deathbed*, twenty-eight-year-old Oppen Porter—an open-hearted, bicycle-riding, binocular-toting, self-described "slow absorber"—unspools into a cassette recorder his tale of self-determination, from "village idiot" to "man of the world," for the benefit of his unborn son. Told in an astonishingly charming and wise voice, Oppen's account traces forty days and nights navigating the fast-food joints, storefront churches, and home-office psychologists of the San Fernando Valley. Ping-ponging between his watchful, sharp-tongued aunt and an outlaw philosopher with the face "of a newly hatched crocodile," Oppen finds himself constantly in the sights of people who believe that their way is the only way for him. Oppen Porter is "an American original" (Stewart O'Nan) for whom finding one's own way is both a delightful art and a painstaking science. Disarmingly funny and surreptitiously moving, Panorama City makes us see the world, and our place in it, with new eyes.
*Not really
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- source: Paul Harding, Pulitzer Prize winner and New York Times bestselling author of Tinkers
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Starred review from July 16, 2012
Wilson’s second novel (after Interloper) is fresh and flawlessly crafted as well as charmingly genuine. Oppen Porter is almost 30, a guileless man who lives in a small central California town with his reclusive father in a house overtaken by nature. Untouched by cynicism, Oppen’s interpretation of the world around him evokes both the sublime and the ridiculous. His daily routine consists of riding into town on his bicycle to find odd jobs, feeling sublime happiness at “the softest burring sound” his tires make on the asphalt, and playing a long-running game of chicken with Hector and Mike Alvarez. But the death of Oppen’s father changes Oppen’s life, sending him to live with his Aunt Liz in Panorama City, in the San Fernando Valley, where he pursues two goals: to become a man of the world (he wants this) and to never again be the village idiot (his Aunt Liz wants this). On his way to his new life, Oppen meets a wise man who threatens to derail Aunt Liz’s plans and bring Oppen’s lofty goal into question. Oppen experiments with various roles—dedicated worker, student of religion, thinker—eventually finding his place in the world, framing a classic coming-of-age story in an unexpected way. Agent: Anna Stein, Aitken Alexander Associates.
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With its blend of fool's wisdom and deeply felt humanity, Panorama City is heir to Marilynne Robinson's Gilead and Steve Martin's The Jerk.
From his deathbed*, twenty-eight-year-old Oppen Porter—an open-hearted, bicycle-riding, binocular-toting, self-described "slow absorber"—unspools into a cassette recorder his tale of self-determination, from "village idiot" to "man of the world," for the benefit of his unborn son. Told in an astonishingly charming and wise voice, Oppen's account traces forty days and nights navigating the fast-food joints, storefront churches, and home-office psychologists of the San Fernando Valley. Ping-ponging between his watchful, sharp-tongued aunt and an outlaw philosopher with the face "of a newly hatched crocodile," Oppen finds himself constantly in the sights of people who believe that their way is the only way for him. Oppen Porter is "an American original" (Stewart O'Nan) for whom finding one's own way is both a delightful art and...
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