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In the Cut
(Adobe EPUB eBook, Kindle Book, OverDrive Read)

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Author:
Moore, Susanna
Published:
Knopf Doubleday Publishing Group 2012
Status:
Available from OverDrive
Description
A stunning, erotic thriller by the bestselling author of Whiteness of Bones. Following the gruesome murder of a young woman in her neighborhood, a self-determined woman living in New York City—as if to test the limits of her own safety—propels herself into an impossibly risky sexual liaison. Soon she grows increasingly wary about the motives of every man with whom she has contact—and about her own.
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Subjects
Subjects
Fiction
Mystery
Suspense
Thriller
More Details
Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
Street Date:
07/04/2012
Language:
English
ISBN:
9780307826534
ASIN:
B008AE95WC
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Citations
APA Citation (style guide)

Susanna Moore. (2012). In the Cut. Knopf Doubleday Publishing Group.

Chicago / Turabian - Author Date Citation (style guide)

Susanna Moore. 2012. In the Cut. Knopf Doubleday Publishing Group.

Chicago / Turabian - Humanities Citation (style guide)

Susanna Moore, In the Cut. Knopf Doubleday Publishing Group, 2012.

MLA Citation (style guide)

Susanna Moore. In the Cut. Knopf Doubleday Publishing Group, 2012.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
Copy Details
LibraryOwnedAvailable
Shared Digital Collection11
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Grouped Work ID:
b08e71f1-744a-c72b-39a0-0ffff6894854
Go To Grouped Work
Needs Update?:
No
Date Added:
Jun 12, 2018 17:30:25
Date Updated:
Aug 05, 2022 18:16:25
Last Metadata Check:
Apr 21, 2024 09:00:50
Last Metadata Change:
Jul 16, 2023 09:31:42
Last Availability Check:
Apr 21, 2024 09:00:53
Last Availability Change:
Mar 21, 2024 07:48:23
Last Grouped Work Modification Time:
Apr 23, 2024 02:10:41

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      • bioText: Susanna Moore is the author of the novels The Big Girls, One Last Look, In the Cut, Sleeping Beauties, The Whiteness of Bones, My Old Sweetheart, and a book of nonfiction, I Myself Have Seen It. She lives in New York City.
      • name: Susanna Moore
imprint
Vintage
publishDate
2012-07-04T00:00:00-04:00
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title
In the Cut
fullDescription
A stunning, erotic thriller by the bestselling author of Whiteness of Bones. Following the gruesome murder of a young woman in her neighborhood, a self-determined woman living in New York City—as if to test the limits of her own safety—propels herself into an impossibly risky sexual liaison. Soon she grows increasingly wary about the motives of every man with whom she has contact—and about her own.
reviews
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      • source: San Francisco Chronicle
      • content:

        "A ferociously uninhibited erotic thriller!" --The New York Times Book Review"An erotic thriller capable of inducing nightmares and guaranteed to shock even hard boiled readers. . . . Susanna Moore is a master." --The Miami Herald"Taps into the deep well of female obsession. . . . Builds an atmosphere of thick sexual tension, and arranges for its explosive release." --The New Yorker"A remarkable novel that is erotic, intelligent, and daring." --Vanity Fair"Brilliant. . . . A story that goes deliberately too far . . . climaxing in one of the most authentically shocking endings in recent fiction."

      • premium: True
      • source: Publisher's Weekly
      • content:

        Starred review from October 2, 1995
        Several stunning shocks await Moore's longtime readers in her fourth novel. First, there is the change of genre and locale. Her previous books (My Old Sweetheart; The Whiteness of Bones) have been lush, sensitive explorations of coming of age in a dysfunctional family in Hawaii, in an atmosphere permeated by island spirits and traditions. Here, Moore has honed her prose with knife-like precision to construct an edgy, intense, erotic thriller set in bohemian Manhattan. Her protagonist and narrator, Franny, is a divorced NYU professor deliberately closed off from emotional entanglements. She teaches a class for ghetto youth, meanwhile pursuing her obsession with language; she is writing a book recording the street vernacular and the black lingo of New York's seedier neighborhoods. Though on the surface her life seems circumscribed, she is a woman who takes risks, especially sexual risks. One night, she observes a man with a tattoo on his wrist in an act of sexual congress; though she does not see his face, she remembers the red-haired woman who had performed fellatio when she becomes a murder victim. Questioned as a possible witness by homicide detectives James Mallory and his partner Richard Rodriguez, she enjoys the frisson of danger when she takes Mallory as a lover, in spite of the fact that his wrist bears the same tattoo as that of the probable killer. The predatory, slightly corrupt Mallory is a coolly skillful lover, forcing Franny to push beyond sexual barriers into areas she has never explored. But in testing those erotic boundaries, she puts herself in mortal danger. Moore's control of her material is impressive: as she sweeps toward a knockout ending, she employs the gritty vernacular, red-herring clues and cold-blooded brutality of a bona-fide thriller without sacrificing the integrity of her narrative. The question is: will readers be disturbed--and perhaps repelled by--explicit descriptions of sexual acts, scatological language and gruesome violence? 100,000 first printing.

popularity
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