Betty Boo
(Adobe EPUB eBook, Kindle Book, OverDrive Read)
“Not for nothing is Claudia Piñeiro Argentina's most popular crime writer. Betty Boo is original, witty and hugely entertaining; it mixes murder with love, political power and journalism." Times-London
"Those willing to take the time to enjoy the style and the unusual denouement will find themselves wondering why more crime authors don't take the kinds of risks Piñeiro does." Booklist
The fourth novel from Claudia Piñeiro, South America's best-selling crime novelist.
When a renowned Buenos Aires industrialist is found dead at his home in an exclusive gated community called La Maravillosa, the novelist Nurit Iscar (once nicknamed Betty Boo owing to a resemblance to the cartoon character Betty Boop) is contracted by a former lover, the editor of a national newspaper, to cover the story. Nurit teams up with the paper's veteran, but now demoted, crime reporter. Soon they realize that they are falling in love, which complicates matters deliciously.
The murder is no random crime but one in a series that goes to the heart of the establishment. Five members of the Argentine industrial and political elite, who all went to the same boarding-school, have died in apparently innocent circumstances. The Maravillosa murder is just the last in the series and those in power in Argentina are not about to allow all this brought to light. Too much is at stake.
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Claudia Piñeiro. (2016). Betty Boo. Bitter Lemon Press.
Chicago / Turabian - Author Date Citation (style guide)Claudia Piñeiro. 2016. Betty Boo. Bitter Lemon Press.
Chicago / Turabian - Humanities Citation (style guide)Claudia Piñeiro, Betty Boo. Bitter Lemon Press, 2016.
MLA Citation (style guide)Claudia Piñeiro. Betty Boo. Bitter Lemon Press, 2016.
| Library | Owned | Available |
|---|---|---|
| Shared Digital Collection | 1 | 1 |
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“Not for nothing is Claudia Piñeiro Argentina's most popular crime writer. Betty Boo is original, witty and hugely entertaining; it mixes murder with love, political power and journalism." Times-London
"Those willing to take the time to enjoy the style and the unusual denouement will find themselves wondering why more crime authors don't take the kinds of risks Piñeiro does." BooklistThe fourth novel from Claudia Piñeiro, South America's best-selling crime novelist.
When a renowned Buenos Aires industrialist is found dead at his home in an exclusive gated community called La Maravillosa, the novelist Nurit Iscar (once nicknamed Betty Boo owing to a resemblance to the cartoon character Betty Boop) is contracted by a former lover, the editor of a national newspaper, to cover the story. Nurit teams up with the paper's veteran, but now demoted, crime reporter. Soon they realize that they are falling in love, which complicates matters deliciously....
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“Not for nothing is Claudia Piñeiro Argentina's most popular crime writer. Betty Boo is original, witty and hugely entertaining; it mixes murder with love, political power and journalism." Times-London
"Those willing to take the time to enjoy the style and the unusual denouement will find themselves wondering why more crime authors don't take the kinds of risks Piñeiro does." BooklistThe fourth novel from Claudia Piñeiro, South America's best-selling crime novelist.
When a renowned Buenos Aires industrialist is found dead at his home in an exclusive gated community called La Maravillosa, the novelist Nurit Iscar (once nicknamed Betty Boo owing to a resemblance to the cartoon character Betty Boop) is contracted by a former lover, the editor of a national newspaper, to cover the story. Nurit teams up with the paper's veteran, but now demoted, crime reporter. Soon they realize that they are falling in love, which complicates matters deliciously.
The murder is no random crime but one in a series that goes to the heart of the establishment. Five members of the Argentine industrial and political elite, who all went to the same boarding-school, have died in apparently innocent circumstances. The Maravillosa murder is just the last in the series and those in power in Argentina are not about to allow all this brought to light. Too much is at stake.
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December 14, 2015
At the start of this thought-provoking mystery from Piñeiro (A Crack in the Wall), maid Gladys Verela arrives at the Maravillosa Country Club, where industrialist Pedro Chazaretta has a house on the grounds. In the living room, Gladys spots Chazaretta sitting in a chair, apparently asleep, but in fact his throat has been slit. Lorenzo Rinaldi, the editor of the newspaper El Tribuno, approaches novelist Nurit Iscar, “the Dark Lady of Argentine literature” who’s known as Betty Boo, about covering Chazaretta’s murder. Nurit joins forces with an inexperienced young reporter, who’s disparagingly referred to only as Crime Boy, and Jaime Brena, a cynical veteran crime reporter who has been shunted off to the society desk. The members of this mismatched trio share insights and realize that several more deaths share a connection with Chazaretta’s. In Piñeiro’s artful hands, each of her investigators learns as much about himself or herself as about the murder on the way to the surprising, perfectly executed ending.
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February 1, 2016
Mystery writer Nurit Iscar hasn't fully recovered from the bad reviews of the love story she wrote while in the throes of an affair with newspaper editor Lorenzo Renaldi. It's only the promise of a much-needed paycheck that makes her agree to write a series of articles about the murder of a wealthy businessman in one of Buenos Aires' prestigious gated communities. With veteran journalist Jaime Brena and the newspaper's young crime editor, Nurit traces the connection between the victim and several of his schoolmates, who have all died recently, supposedly accidentally. Pineiro (A Crack in the Wall, 2013) writes page-long paragraphs with shifting points of view, sliding fromonecharacter to another to show what each is doing at the same point in time. The characters' response to the mystery's resolution is surprising for a psychological suspense novel, but also very real. This isn't a good fit for readers demanding fast pacing, but those willing to take the time to enjoy the style and the unusual denouement will find themselves wondering why more crime authors don't take the kinds of risks Pineiro does.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)
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