The Cabaret of Plants: Forty Thousand Years of Plant Life and the Human Imagination
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Richard Mabey. (2016). The Cabaret of Plants: Forty Thousand Years of Plant Life and the Human Imagination. Unabridged Tantor Media, Inc.
Chicago / Turabian - Author Date Citation (style guide)Richard Mabey. 2016. The Cabaret of Plants: Forty Thousand Years of Plant Life and the Human Imagination. Tantor Media, Inc.
Chicago / Turabian - Humanities Citation (style guide)Richard Mabey, The Cabaret of Plants: Forty Thousand Years of Plant Life and the Human Imagination. Tantor Media, Inc, 2016.
MLA Citation (style guide)Richard Mabey. The Cabaret of Plants: Forty Thousand Years of Plant Life and the Human Imagination. Unabridged Tantor Media, Inc, 2016.
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- A rich, sweeping, and compelling work of botanical history, The Cabaret of Plants explores dozens of plant species that for millennia have challenged our imaginations, awoken our wonder, and upturned our ideas about history, science, beauty, and belief. Going back to the beginnings of human history, Richard Mabey shows how flowers, trees, and plants have been central to human experience not just as sources of food and medicine but as objects of worship, actors in creation myths, and symbols of war and peace, life and death. Mabey takes listeners from the Himalayas to Madagascar to the Amazon to our own backyards. He ranges through the work of writers, artists, and scientists and across nearly 40,000 years of human history: Ice Age images of plant life in ancient cave art and the earliest representations of the Garden of Eden; Newton's apple and gravity, Priestley's sprig of mint and photosynthesis, and Wordsworth's daffodils; the history of cultivated plants such as maize, ginseng, and cotton; and the ways the sturdy oak became the symbol of British nationhood and the giant sequoia came to epitomize the spirit of America.
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November 9, 2015
In his inimitable style, English naturalist Mabey (The Ash and the Beech) blends genres to produce a work that demonstrates his passion for the lives of plants. By incorporating natural history, travel writing, and mainstream botany into a text rich with philosophy, poetry, and visual art, Mabey brings a sense of excitement and vitality to his material (the book’s illustrations are paired well with the text and greatly enhance it). One of his goals is to move readers beyond the simplistic idea that plants are passive and uninteresting members of ecosystems. As he explains it, he has written a “story about plants as authors of their own lives and an argument that ignoring their vitality impoverishes our imaginations and our well-being.” He succeeds admirably in this task, whether he is discussing the 20,000 varieties of apples that have been bred from a single original stock,
the critical role that olive trees played in the development of Impressionist art, or the complex ways in which plants communicate with one another. Mabey is delightfully eclectic in his approach,
often touching on those species with which he has a personal connection, but he consistently advances his central theme while providing interesting insights and opinions. Illus. Agency: InkWell Management.
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