Death of a Bore
(OverDrive MP3 Audiobook, OverDrive Listen)
Description
When John Heppel, a visiting writer to Lochdubh, first proposes forming a writers' circle, the idea is met with much enthusiasm from local residents. However, once the classes get underway, attendance quickly falters due to one undeniable fact: John Heppel is a long-winded, consummate bore. But is dullness a motive for murder? Hamish Macbeth wouldn't ordinarily think so. So when Heppel is found dead, Hamish begins looking for deeper meaning in the writer's stories, including a strange, unfinished soap opera script that seems to suggest a more sinister motive behind its author's unhappy ending.
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Citations
M. C. Beaton. (2005). Death of a Bore. Unabridged Blackstone Publishing.
Chicago / Turabian - Author Date Citation (style guide)M. C. Beaton. 2005. Death of a Bore. Blackstone Publishing.
Chicago / Turabian - Humanities Citation (style guide)M. C. Beaton, Death of a Bore. Blackstone Publishing, 2005.
MLA Citation (style guide)M. C. Beaton. Death of a Bore. Unabridged Blackstone Publishing, 2005.
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M. C. Beaton (1936–2019) won international acclaim for her New York Times bestselling Agatha Raisin novels and Hamish Macbeth mysteries. Her Agatha Raisin and Hamish Macbeth titles have sold more than 21 million copies worldwide and have both been adapted into BBC television series. She has been hailed as the "Queen of Crime" by the Toronto Globe and Mail, and her books have been translated into seventeen languages.
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When John Heppel, a visiting writer to Lochdubh, first proposes forming a writers' circle, the idea is met with much enthusiasm from local residents. However, once the classes get underway, attendance quickly falters due to one undeniable fact: John Heppel is a long-winded, consummate bore. But is dullness a motive for murder? Hamish Macbeth wouldn't ordinarily think so. So when Heppel is found dead, Hamish begins looking for deeper meaning in the writer's stories, including a strange, unfinished soap opera script that seems to suggest a more sinister motive behind its author's unhappy ending.
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- content: It is shocking how pleased one is when someone in Hamish Macbeth's Scottish village gruesomely murders the mean, pretentious, and self-obsessed writer who offered classes to the villagers and then mocked their hopes and their attempts to interrupt his song of himself. Hamish's former flame arrives to cover the murder story, her fellow reporter falls for a local school teacher, a visiting English television crew filming a script by the deceased offers multiple nutball suspects, and the new, overbearing female chief inspector is chronically drunk and sexually harassing Macbeth. What a joy. Graeme Malcolm's cool, dry chameleon voice moves from one well-thought-out choice for a character to the next, giving not just their many different lilts but also their personalities, with the deftest of touches. B.G. (c) AudioFile 2005, Portland, Maine
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January 31, 2005
Only established fans will enjoy M.C. Beaton's Death of a Bore: A Hamish Macbeth Mystery, this predictable series' soporific 21st installment (after 2004's Death of a Poisoned Pen), in which the contrary constable investigates the mysterious death of a self-styled "literary writer" and world-class bore in that Scottish Shangri-La, the village of Lochdubh. Should the U.K. TV series based on Beaton's Hamish Macbeth novels reach the U.S., expect more readers to wake up and pay attention. Agent, Barbara Lowenstein. .
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When John Heppel, a visiting writer to Lochdubh, first proposes forming a writers' circle, the idea is met with much enthusiasm from local residents. However, once the classes get underway, attendance quickly falters due to one undeniable fact: John Heppel is a long-winded, consummate bore. But is dullness a motive for murder? Hamish Macbeth wouldn't ordinarily think so. So when Heppel is found dead, Hamish begins looking for deeper meaning in the writer's stories, including a strange, unfinished soap opera script that seems to suggest a more sinister motive behind its author's unhappy ending.
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