Miss Anne in Harlem: The White Women of the Black Renaissance
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Celebrated scholar Carla Kaplan’s cultural biography, Miss Anne in Harlem: The White Women of the Black Renaissance, focuses on white women, collectively called “Miss Anne,” who became Harlem Renaissance insiders.
The 1920s in New York City was a time of freedom, experimentation, and passion—with Harlem at the epicenter. White men could go uptown to see jazz and modern dance, but women who embraced black culture too enthusiastically could be ostracized.
Miss Anne in Harlem focuses on six of the unconventional, free-thinking women, some from Manhattan high society, many Jewish, who crossed race lines and defied social conventions to become a part of the culture and heartbeat of Harlem.
Ethnic and gender studies professor Carla Kaplan brings the interracial history of the Harlem Renaissance to life with vivid prose, extensive research, and period photographs.
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Carla Kaplan. (2013). Miss Anne in Harlem: The White Women of the Black Renaissance. HarperCollins.
Chicago / Turabian - Author Date Citation (style guide)Carla Kaplan. 2013. Miss Anne in Harlem: The White Women of the Black Renaissance. HarperCollins.
Chicago / Turabian - Humanities Citation (style guide)Carla Kaplan, Miss Anne in Harlem: The White Women of the Black Renaissance. HarperCollins, 2013.
MLA Citation (style guide)Carla Kaplan. Miss Anne in Harlem: The White Women of the Black Renaissance. HarperCollins, 2013.
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Carla Kaplan is an award-winning professor and writer who holds the Stanton W. and Elisabeth K. Davis Distinguished Professorship in American Literature at Northeastern University. She is the author of The Erotics of Talk and Zora Neale Hurston: A Life in Letters. A recipient of a Guggenheim fellowship, Kaplan has been a fellow in residence at the Cullman Center for Scholars and Writers, the Schomburg Center for Research in Black Culture, and the W. E. B. DuBois Institute and is a fellow of the Society of American Historians.
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Celebrated scholar Carla Kaplan’s cultural biography, Miss Anne in Harlem: The White Women of the Black Renaissance, focuses on white women, collectively called “Miss Anne,” who became Harlem Renaissance insiders.
The 1920s in New York City was a time of freedom, experimentation, and passion—with Harlem at the epicenter. White men could go uptown to see jazz and modern dance, but women who embraced black culture too enthusiastically could be ostracized.
Miss Anne in Harlem focuses on six of the unconventional, free-thinking women, some from Manhattan high society, many Jewish, who crossed race lines and defied social conventions to become a part of the culture and heartbeat of Harlem.
Ethnic and gender studies professor Carla Kaplan brings the interracial history of the Harlem Renaissance to life with vivid prose, extensive research, and period photographs.- reviews
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"Professor Kaplan, a biographer of the writer Zora Neale Hurston, captivatingly illuminates and places in overdue perspective." — New York Times
"In this remarkable work of historical recovery . . . [Kaplan] resurrects Miss Anne as a cultural figure and explores the messy contradictions of her life . . . deeply researched." — New York Times Book Review
"An empathetic and skillful writer, Kaplan . . . shares the previously untold story of a group of notable white women who embraced black culture—and life—in Harlem in the 1920s and '30s. . . . Captivating." — Publishers Weekly (starred review)
"Endlessly fascinating, Miss Anne in Harlem reveals a whole new perspective on the Harlem Renaissance, and Carla Kaplan delivers an essential and absorbing portrait of race and sex in 20th century America." — Gilbert King, author of Devil in the Grove
"With superb, exhaustive research and finely dramatic writing, Carla Kaplan's brilliant Miss Anne in Harlem fills an aching void in our knowledge of the Harlem Renaissance. It also significantly deepens our understanding of American culture in the 1920s and American feminism in general." — Arnold Rampersad, author of The Life of Langston Hughes
"A work of meticulous and far-ranging scholarship, Miss Anne in Harlem matches its characters' shocking and subversive lives with explosive revelations and subtle insights. . . . Kaplan's haunting narrative forces a rethinking of race and gender." — Megan Marshall, author of Margaret Fuller: A New American Life and The Peabody Sisters: Three Women Who Ignited American Romanticism
"[An] utterly fascinating and deeply insightful account. . . . This fine book takes the Misses Anne seriously and goes further, to reveal the workings of interracial networks in one of the most important cultural phenomena in American history." — Nell Irvin Painter, author of The History of White People
"The fact that white women played a pivotal role in creating the Harlem Renaissance was a secret hiding in plain sight, but it took Carla Kaplan's keen eye, rigorous research, and crystal clear prose to reveal it. A surprising, delightful book." — Debby Applegate, author of The Most Famous Man in America
"Carla Kaplan has taken on a dauntingly liminal topic and by force of scholarly rigor and narrative compassion rendered it central to our understanding of an era. Lush, original, and vigorously argued...." — Diane McWhorter, author of Carry Me Home
"Kaplan always writes from inside her characters, and with a novelist's sense of scope—and compassion." — Hilton Als, New Yorker.com
"Kaplan's meticulously documented and intrepid history of Miss Anne encompasses a unique vantage on the complexities of race and gender and a dramatic study in paradox." — Booklist (starred review)
"(Kaplan's) extensive research has given life to a critical period in black American history-and given credit to the white women who, for various reasons, helped the Harlem Renaissance flourish." — NPR.org
"[A] revelatory book. . . . Aside from its significance as cultural history, Miss Anne in Harlem is packed with amazing life stories." — NPR's Fresh Air
"[R]ichly researched, thoughtful new book." — Boston Globe
"In her clear-sighted,...
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Starred review from June 3, 2013
Northeastern University literature and gender studies scholar Kaplan (Zora Neale Hurston: A Life in Letters) shares the previously untold story of a group of notable white women who embraced black culture—and life—in Harlem in the 1920s and ’30s. Collectively known as “Miss Anne,” these women served as hostesses, patrons, activists, comrades, lovers, writers, and editors at a time when the Ku Klux Klan was at its height, and when a white woman who became intimate with a “Negro” faced almost certain ostracism. A captivating group biography and social history, the book focuses on six women: Lillian Wood (Let My People Go), a teacher at a small black college; Josephine Cogdell Schuyler, a Texan heiress who married black journalist George Schuyler and became a writer herself, yet had to keep her interracial marriage hidden from her family; Barnard college founder Annie Nathan Meyer; influential patron Charlotte Osgood Mason; novelist Fannie Hurst; and English heiress Nancy Cunard. An empathetic and skillful writer, Kaplan has produced a valuable addition to the history of the period. As she shows, Miss Anne defied categorization, transcending her race, class, and gender, and introducing many of the ideas we hold today about inclusiveness and self-reinvention. 54 b&w photos and two 8-page color inserts. Agent: Brettne Bloom, Kneerim & Williams.
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Miss Anne in Harlem focuses on six of the unconventional, free-thinking women, some from Manhattan high society, many Jewish, who crossed race lines and defied social conventions to become a part of the culture and heartbeat of Harlem.
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