The House on Fortune Street: A Novel
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It seems like mutual good luck for Abigail Taylor and Dara MacLeod when they meet at university and, despite their differences, become fast friends. Years later they remain inseparable: Abigail, the actress, allegedly immune to romance, and Dara, a therapist, throwing herself into relationships with frightening intensity. Now both believe they've found "true love." But luck seems to run out when Dara moves into Abigail's downstairs apartment. Suddenly both their friendship and their relationships are in peril, for tragedy is waiting to strike the house on Fortune Street.
Told through four ingeniously interlocking narratives, Margot Livesey's The House on Fortune Street is a provocative tale of lives shaped equally by chance and choice.
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Margot Livesey. (2009). The House on Fortune Street: A Novel. HarperCollins.
Chicago / Turabian - Author Date Citation (style guide)Margot Livesey. 2009. The House On Fortune Street: A Novel. HarperCollins.
Chicago / Turabian - Humanities Citation (style guide)Margot Livesey, The House On Fortune Street: A Novel. HarperCollins, 2009.
MLA Citation (style guide)Margot Livesey. The House On Fortune Street: A Novel. HarperCollins, 2009.
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Margot Livesey is the New York Times bestselling author of the novels The Flight of Gemma Hardy, The House on Fortune Street, Banishing Verona, Eva Moves the Furniture, The Missing World, Criminals, and Homework. Her work has appeared in the New Yorker, Vogue, and the Atlantic, and she is the recipient of grants from both the National Endowment for the Arts and the Guggenheim Foundation. The House on Fortune Street won the 2009 L. L. Winship/PEN New England Award. Born in Scotland, Livesey currently lives in the Boston area and is a professor of fiction at the Iowa Writers' Workshop.
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It seems like mutual good luck for Abigail Taylor and Dara MacLeod when they meet at university and, despite their differences, become fast friends. Years later they remain inseparable: Abigail, the actress, allegedly immune to romance, and Dara, a therapist, throwing herself into relationships with frightening intensity. Now both believe they've found "true love." But luck seems to run out when Dara moves into Abigail's downstairs apartment. Suddenly both their friendship and their relationships are in peril, for tragedy is waiting to strike the house on Fortune Street.
Told through four ingeniously interlocking narratives, Margot Livesey's The House on Fortune Street is a provocative tale of lives shaped equally by chance and choice.
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"I loved this book. The House on Fortune Street pulled me in and kept me rapt from start to finish. Margot Livesey is writing at her very best." — Ann Patchett, Author of RUN and BEL CANTO
"Structurally daring and compulsively readable, THE HOUSE ON FORTUNE STREET illuminates the complexities of love in some of its most difficult guises, and of loss in all of its immensity. " — Geraldine Brooks, Author of PEOPLE OF THE BOOK and MARCH
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January 7, 2008
The absorbing latest from Livesey (Homework
) opens multiple perspectives on the life of Dara MacLeod, a young London therapist, partly by paying subtle homage to literary figures and works. The first of four sections follows Keats scholar Sean Wyman: his girlfriend, Abigail, is Dara’s best friend, and the couple lives upstairs from Dara in the titular London house. While Dara tries to coax her boyfriend Edward to move out of the house he shares with his ex-girlfriend and daughter, Sean receives a mysterious letter implying that Abigail is having an affair, and both relationships start to fall apart. The second section, set during Dara’s childhood, is narrated by Dara’s father, who has a strange fascination with Charles Dodgson (aka Lewis Carroll) and shares Dodgson’s creepy interest in young girls. Dara’s meeting with Edward dominates part three, which mirrors the plot of Jane Eyre
, and the final part, reminiscent of Great Expectations
, is told mainly from Abigail’s college-era point of view. The pieces cross-reference and fit together seamlessly, with Dara’s fate being revealed by the end of part one and explained in the denouement. Livesey’s use of the classics enriches the narrative, giving Dara a larger-than-life resonance.
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Told through four ingeniously interlocking narratives, Margot Livesey's The House on Fortune Street is a provocative tale of lives shaped equally by chance and choice.
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