Up in the Old Hotel
(Adobe EPUB eBook, Kindle Book, OverDrive Read)
Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.
These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.
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Joseph Mitchell. (2015). Up in the Old Hotel. Knopf Doubleday Publishing Group.
Chicago / Turabian - Author Date Citation (style guide)Joseph Mitchell. 2015. Up in the Old Hotel. Knopf Doubleday Publishing Group.
Chicago / Turabian - Humanities Citation (style guide)Joseph Mitchell, Up in the Old Hotel. Knopf Doubleday Publishing Group, 2015.
MLA Citation (style guide)Joseph Mitchell. Up in the Old Hotel. Knopf Doubleday Publishing Group, 2015.
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Joseph Mitchell was born near Iona, North Carolina, in 1908, and came to New York City in 1929, when he was twenty-one years old. He eventually found a job as an apprentice crime reporter for The World. He also worked as a reporter and features writer at The Herald Tribune and The World-Telegram before landing at The New Yorker in 1938, where he remained until his death in 1996.
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Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.
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- content: "A legendary figure. . . . Mitchell's reportage is so vivid, so real, that it comes out like fiction of the highest order." --Chicago Sun-Times"A poetry of the actual, a song of the streets that casts a wide net and fearslessly embraces everything human. . . . This is reporting transformed into literature, news that stays news. . . . His work is so rich and generous and funny that it ought to stay in print forever." --San Francisco Examiner"Mitchell's darkly comic articles are models of big-city journalism. . . . His accounts are like what Joyce might have written had he gone into journalism."
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August 3, 1992
Like a Coney Island sideshow barker who might have appeared in one of Mitchell's New Yorker profiles, this collection promises an uncommon world. And it delivers, in compassionate, wistful examinations of early-20th-century New Yorkers who share a common trait: they exist on the outskirts of society in either habit or mind. There is nine-year-old Philippa Duke Schuyler, who has an IQ of 185 and ``reads Plutarch on train trips, eats steaks raw, writes poems in honor of her dolls, plays poker, and is the composer of more than sixty pieces for the piano.'' Also compelling are profiles of New York places, as much characters as people are. Mitchell's writing on McSorley's Saloon, the Union League of the Deaf, Sloppy Louie's--all either gone or changed--captures the town in its days as a manufacturing center. If the four sections in this collection ( McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, Joe Gould's Secret ) evoked only a long-lost New York, they would still be worthwhile. But there is more. Mitchell speaks of facts that enlighten and redeem--the book's greatest gift.
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