Field Notes on Democracy: Listening to Grasshoppers
(Adobe EPUB eBook, Kindle Book, OverDrive Read)
In “gorgeously wrought” essays, the New York Times-bestselling author of The God of Small Things takes a critical look at India’s political climate (Time Magazine).
These “powerful” essays (Kirkus Reviews) examine the dark side of contemporary India, looking closely at how religious majoritarianism, cultural nationalism, and neo-fascism simmer just under the surface of a country that projects itself as the world’s largest democracy. Booker Prize winner Arundhati Roy writes about how the combination of Hindu nationalism and India’s neo-liberal economic reforms, which began their journey together in the early 1990s, are turning India into a police state.
She describes the systematic marginalization of religious and ethnic minorities, the rise of terrorism, and the massive scale of displacement and dispossession of the poor by predatory corporations. She also offers a brilliant account of the August 2008 uprising of the people of Kashmir against India's military occupation and an analysis of the November 2008 attacks on Mumbai. Field Notes on Democracy tracks the fault-lines that threaten to destroy India's precarious democracy and send shockwaves through the region and beyond.
“Genocide, denial, and truth-as-a-victim are just a few of the big subjects dealt with by Booker prize-winning Indian author and activist Roy . . . [a] vivid inside look at India's turbulent growth.” —Publishers Weekly (starred review)
“Takes aim at India's self-image—and reputation—as the world’s largest and most vibrant democracy.” —The Washington Post
“After so much celebratory salesmanship about India the ‘emerging market,’ Roy draws us into India the actual country . . . one of the most confident and original thinkers of our time.” —Naomi Klein, New York Times-bestselling author of No is Not Enough
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Arundhati Roy. (2009). Field Notes on Democracy: Listening to Grasshoppers. Haymarket Books.
Chicago / Turabian - Author Date Citation (style guide)Arundhati Roy. 2009. Field Notes On Democracy: Listening to Grasshoppers. Haymarket Books.
Chicago / Turabian - Humanities Citation (style guide)Arundhati Roy, Field Notes On Democracy: Listening to Grasshoppers. Haymarket Books, 2009.
MLA Citation (style guide)Arundhati Roy. Field Notes On Democracy: Listening to Grasshoppers. Haymarket Books, 2009.
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- bioText: Arundhati Roy is among the most well-known writers and social justice activists in the world today, with a committed global audience. Her best-selling 1997 novel "The God of Small Things" and her courageous, popular interviews and essays on war and peace, contemporary India and Kashmir, U.S. imperial power, and a renewal of popular democracy across the world, have earned her a large audience and international profile. Roy's writings on Southeast Asia come at a time of renewed interest in the subcontinent. But Roy offers an essential counterpoint to the caricatured Western image surrounding India's precarious version of secular democracy. As indicated by the title of the book, the topics Roy explores are also of global concern. These include war, terrorism, national and ethnic identity, social inequality, the environment, and globalization itself.
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In “gorgeously wrought” essays, the New York Times-bestselling author of The God of Small Things takes a critical look at India’s political climate (Time Magazine).
These “powerful” essays (Kirkus Reviews) examine the dark side of contemporary India, looking closely at how religious majoritarianism, cultural nationalism, and neo-fascism simmer just under the surface of a country that projects itself as the world’s largest democracy. Booker Prize winner Arundhati Roy writes about how the combination of Hindu nationalism and India’s neo-liberal economic reforms, which began their journey together in the early 1990s, are turning India into a police state.
She describes the systematic marginalization of religious and ethnic minorities, the rise of terrorism, and the massive scale of displacement and dispossession of the poor by predatory corporations. She also offers a brilliant account of the August 2008 uprising of the people of Kashmir against India's military occupation and an analysis of the November 2008 attacks on Mumbai. Field Notes on Democracy tracks the fault-lines that threaten to destroy India's precarious democracy and send shockwaves through the region and beyond.
“Genocide, denial, and truth-as-a-victim are just a few of the big subjects dealt with by Booker prize-winning Indian author and activist Roy . . . [a] vivid inside look at India's turbulent growth.” —Publishers Weekly (starred review)
“Takes aim at India's self-image—and reputation—as the world’s largest and most vibrant democracy.” —The Washington Post
“After so much celebratory salesmanship about India the ‘emerging market,’ Roy draws us into India the actual country . . . one of the most confident and original thinkers of our time.” —Naomi Klein, New York Times-bestselling author of No is Not Enough- reviews
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Starred review from September 29, 2009
Genocide, denial, and truth-as-a-victim are just a few of the big subjects dealt with by Booker prize-winning Indian author and activist Roy (The God of Small Things) in this essay collection, written with fluid precision and acute rage. Covering rampant injustices in India and Kashmir perpetrated by governments and corporations, most in the past decade, Roy is unfailingly eloquent, sorting through a complicated network of special interests and partisan governmental groups to reveal nuances of corruption and oppression even to non-nationals. Roy worries that "the space for nonviolent civil disobedience has atrophied," but finds hope and joy in developments including the "hundreds of thousands of unarmed people" returning to Kashmir "to reclaim their cities, their streets and mohallas," and a generation raised in "army camps, check-posts, and bunkers, with screams from torture chambers for a sound track" who have "discovered the power of mass protest and, above all, the dignity of being able to... speak for themselves." Roy details genocide instigated by Hindu interests against Muslims, revisits the recent Mumbai massacre, and pleads the people's case as vast rural areas are drained of resources while the Indian ruling class concentrates on corporate globalization. The Bush administration also comes in for scathing criticism in this vivid inside look at India's turbulent growth.
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September 1, 2009
Booker winner Roy (The Shape of the Beast: Conversations with Arundhati Roy, 2008, etc.) wields a potent pen in this collection of political essays, written between 2002 and 2008.
The author argues that religious fanaticism and rapacious development now threaten the future of India's parliamentary democracy."Fascism's firm footprint has appeared in India," she writes, noting that the country's much-vaunted economic progress has dispossessed and displaced millions of people—through mining, dams and other projects—while a Hindu majority government persecutes and marginalizes Muslims and other minorities. Delving underneath the successes of the Indian economy that nationalist politicians call"India Shining," Roy raises serious questions about government behaviors in many recent controversies. In several pieces on the 2001 terrorist attack on the Indian parliament building, she calls for a government inquiry into the alleged police torturing of Mohammed Afzal, a Kashmiri who confessed to leading the attack and remains on death row. In"Democracy: Who's She When She's at Home?", Roy accuses the Hindu-nationalist government in Gujarat of complicity in a 2002 massacre of 2,000 Muslims in supposed retaliation for the burning of a railway coach in which 58 Hindu pilgrims were killed. Other pieces protest"world nightmare incarnate" George W. Bush's 2006 visit to Gandhi's memorial in Rajghat; the use of antiterrorist laws to harass critics and protesters, most often poor or Muslim people, who are imprisoned without bail to await closed court proceedings; and the propensity of governments, in India and elsewhere, to deny genocides. Throughout, Roy seeks to tear down the upbeat image of emerging India—"The singing-dancing world of Bollywood's permanent pelvic thrusts, of permanently privileged, permanently happy Indians waving the tricolor flag and Feeling Good")—and she reveals a nation that treats many of its ordinary citizens with callousness and brutality. The author proves to be an artful and blistering polemicist fervently committed to the Indian masses.
These radical, powerful broadsides, written in the white heat of anger, leave little doubt that this celebrated novelist intends to continue her role as India's fiercest agitator.(COPYRIGHT (2009) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
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These “powerful” essays (Kirkus Reviews) examine the dark side of contemporary India, looking closely at how religious majoritarianism, cultural nationalism, and neo-fascism simmer just under the surface of a country that projects itself as the world’s largest democracy. Booker Prize winner Arundhati Roy writes about how the combination of Hindu nationalism and India’s neo-liberal economic reforms, which began their journey together in the early 1990s, are turning India into a police state.
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