Phantom Prey
(OverDrive MP3 Audiobook, OverDrive Listen)
Lucas Davenport has had disturbing cases before, but never one quite like this. Filled with his brilliant trademark suspense, Phantom Prey is the shocking new novel from the #1 New York Times -bestselling author.
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John Sandford. (2011). Phantom Prey. Unabridged Recorded Books, Inc.
Chicago / Turabian - Author Date Citation (style guide)John Sandford. 2011. Phantom Prey. Recorded Books, Inc.
Chicago / Turabian - Humanities Citation (style guide)John Sandford, Phantom Prey. Recorded Books, Inc, 2011.
MLA Citation (style guide)John Sandford. Phantom Prey. Unabridged Recorded Books, Inc, 2011.
| Library | Owned | Available |
|---|---|---|
| Shared Digital Collection | 2 | 1 |
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Lucas Davenport has had disturbing cases before, but never one quite like this. Filled with his brilliant trademark suspense, Phantom Prey is the shocking new novel from the #1 New York Times -bestselling author.
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March 10, 2008
In bestseller Sandford’s solid 18th Prey novel (after Invisible Prey
), Minnesota Bureau of Criminal Apprehension agent Lucas Davenport, who’s received numerous promotions in the course of the series, ought to be taking the desk aspects of his job more seriously. But the man remains more comfortable working a stakeout, interviewing suspects and taking down bad guys than he is filling out personnel evaluation forms on his staff—which explains why he’s still getting shot at, peeping at a cocaine dealer’s wife hoping for a glimpse of her husband and, at his wife’s behest, looking into the unsolved kidnapping and presumed murder of a wealthy young woman into the goth scene. It becomes clear that a serial killer is targeting goths as well as anyone, including Lucas, who gets in the way. While some pretty murky psychology encumbers the plot, Sandford delivers the kind of riveting action that keeps thriller fans turning the pages.
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- content: Agent Lucas Davenport has his hands full with two cases--a stakeout of a drug dealer (through the movements of his wife) and the reluctant investigation of a woman whose daughter is missing. In this installment in the Prey series, Sandford also gives the reader a glimpse into the world of Goths while keeping both story lines moving. Richard Ferrone keeps the voices straight, from stakeout to investigation, heroes to villains. The voices he creates for a police colleague and assorted lowlifes are the most creative, but the distinct voice he applies to the main villain, a female, is a bit grating and whiny. Still, it serves to distinguish her from the other characters, and through his consistency Ferrone never wavers or confuses the reader. M.B. (c) AudioFile 2008, Portland, Maine
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