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May We Be Forgiven: A Novel
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Penguin Publishing Group 2012
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Description
Winner of the 2013 Women's Prize for Fiction—A darkly comic novel of twenty-first-century domestic life by a writer who is always “compelling, devastating, and furiously good” (Zadie Smith)
Harold Silver has spent a lifetime watching his younger brother, George, a taller, smarter, and more successful high-flying TV executive, acquire a covetable wife, two kids, and a beautiful home in the suburbs of New York City. But Harry, a historian and Nixon scholar, also knows George has a murderous temper, and when George loses control the result is an act of violence so shocking that both brothers are hurled into entirely new lives in which they both must seek absolution.
Harry finds himself suddenly playing parent to his brother’s two adolescent children, tumbling down the rabbit hole of Internet sex, dealing with aging parents who move through time like travelers on a fantastic voyage. As Harry builds a twenty-first-century family created by choice rather than biology, we become all the more aware of the ways in which our history, both personal and political, can become our destiny and either compel us to repeat our errors or be the catalyst for change.
May We Be Forgiven is an unnerving, funny tale of unexpected intimacies and of how one deeply fractured family might begin to put itself back together. 
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Format:
Adobe EPUB eBook, Kindle Book, OverDrive Read
Street Date:
09/27/2012
Language:
English
ISBN:
9781101601143
ASIN:
B007V65ORK
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Citations
APA Citation (style guide)

A.M. Homes. (2012). May We Be Forgiven: A Novel. Penguin Publishing Group.

Chicago / Turabian - Author Date Citation (style guide)

A.M. Homes. 2012. May We Be Forgiven: A Novel. Penguin Publishing Group.

Chicago / Turabian - Humanities Citation (style guide)

A.M. Homes, May We Be Forgiven: A Novel. Penguin Publishing Group, 2012.

MLA Citation (style guide)

A.M. Homes. May We Be Forgiven: A Novel. Penguin Publishing Group, 2012.

Note! Citation formats are based on standards as of July 2022. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Date Added:
Jun 12, 2018 17:53:41
Date Updated:
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title
May We Be Forgiven
fullDescription
Winner of the 2013 Women's Prize for Fiction—A darkly comic novel of twenty-first-century domestic life by a writer who is always “compelling, devastating, and furiously good” (Zadie Smith)
Harold Silver has spent a lifetime watching his younger brother, George, a taller, smarter, and more successful high-flying TV executive, acquire a covetable wife, two kids, and a beautiful home in the suburbs of New York City. But Harry, a historian and Nixon scholar, also knows George has a murderous temper, and when George loses control the result is an act of violence so shocking that both brothers are hurled into entirely new lives in which they both must seek absolution.
Harry finds himself suddenly playing parent to his brother’s two adolescent children, tumbling down the rabbit hole of Internet sex, dealing with aging parents who move through time like travelers on a fantastic voyage. As Harry builds a twenty-first-century family created by choice rather than biology, we become all the more aware of the ways in which our history, both personal and political, can become our destiny and either compel us to repeat our errors or be the catalyst for change.
May We Be Forgiven is an unnerving, funny tale of unexpected intimacies and of how one deeply fractured family might begin to put itself back together. 
reviews
      • premium: True
      • source: Publisher's Weekly
      • content:

        August 13, 2012
        It’s difficult to keep track of the number of awful things that happen to Harold Silver in the first 100 pages of Homes’s plodding latest novel. It is equally difficult to care that these things happen to him. Harold’s brother, whose anger problem is alluded to but never explicitly mentioned, goes crazy and murders his wife, among other acts of cruelty. In the wake of this tragedy, Harold is made legal guardian of his brother’s children. Harold’s life continues to unravel as he gets a divorce, loses his job, begins online dating, and endures many other crises that require intense self-reflection. Harold eventually triumphs over his various problems, evolving into the loving, supportive, and thoughtful man he’s never been, but the process feels forced, implausible, and overwrought. While Homes (The Mistress’s Daughter) successfully creates a convincing male protagonist, everything else about Harold’s story fails to persuade. If the reader was given a better sense of who Harold was before his life fell apart, we might be more invested in who he later becomes. The novel suffers from Homes’s insistence on having Harold’s life continually move from bad to worse, forgetting that sometimes less is more. Agent: Sarah Chalfant, the Wiley Agency.

      • premium: True
      • source: Kirkus
      • content:

        September 1, 2012
        After a grim foray into memoir, Homes (The Mistress's Daughter, 2007, etc.) returns to fiction with the tale of a beleaguered history professor. A relentless series of shocks rattles hapless narrator Harry Silver. First, his brutal younger brother, odious TV executive George, kills two people in a car crash and is committed to the local hospital's psych ward. Three nights later, George returns to find Harry in bed with George's wife, Jane, and smashes her over the head with a lamp. George is whisked off to a mental institution, brain-damaged Jane dies in the hospital, and Harry winds up as reluctant guardian of 12-year-old Nate and 11-year-old Ashley. His wife launches divorce proceedings, he loses his job, and he has a stroke. Even Richard Nixon, longtime subject of Harold's research, didn't have many months worse than this. Living in his brother's Westchester mansion and having sex with women he meets via the Internet, Harry succumbs to despair. He's adrift in a world "so new, so random and disassociated that it puts us all in danger. We talk online, we 'friend' each other....We mistake almost anything for a relationship." Yet, Harry does build an oddball community with his niece and nephew, the son of the couple George killed, the elderly parents of one of his sex partners, the owners of his favorite Westchester Chinese restaurant and the family that runs a deli across the street from the Manhattan law firm where he's reading Nixon's previously unknown fiction--made available to Harry by Julie Nixon Eisenhower, the cousin-in-law of another sex partner. They all come together (except Julie) in the novel's closing pages, which contrast their peaceful, happy Thanksgiving with the tense holiday a year earlier that foreshadowed Harry's woes. The formula of shock treatment followed by sentimental affirmation was fresher in Homes' Music for Torching (1999) and This Book Will Save Your Life (2006), and it's hard to take seriously social commentary grounded in such bizarre particulars.

        COPYRIGHT(2012) Kirkus Reviews, ALL RIGHTS RESERVED.

      • premium: True
      • source: Library Journal
      • content:

        May 1, 2012

        Harold's younger brother George has it all--a fabulous job, family, and home. He also has a fabulous temper, and one day when he really loses it, he manages to lose everything else, too. Then Harold inherits a family. The forthright Homes, excellent at fractured families, makes serious readers sigh. With a five-city tour.

        Copyright 2012 Library Journal, LLC Used with permission.

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Winner of the 2013 Women's Prize for Fiction—A darkly comic novel of twenty-first-century domestic life by a writer who is always “compelling, devastating, and furiously good” (Zadie Smith)
Harold Silver has spent a lifetime watching his younger brother, George, a taller, smarter, and more successful high-flying TV executive, acquire a covetable wife, two kids, and a beautiful home in the suburbs of New York City. But Harry, a historian and Nixon scholar, also knows George has a murderous temper, and when George loses control the result is an act of violence so shocking that both brothers are hurled into entirely new lives in which they both must seek absolution.
Harry finds himself suddenly playing parent to his brother’s two adolescent children, tumbling down the rabbit hole of Internet sex, dealing with aging parents who move through time like travelers on a fantastic voyage. As Harry builds a twenty-first-century family created by choice...
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